Very disappointing...

Brilliant and touching

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

British social realist director Ken Loach's third feature film, an adaptation of the television play "In Two Minds" (1967) which was written by David Mercer (1928-1980) and directed by Ken Loach, was shot on location in Britain, and tells the story about 19-year-old Janice who has been brought up in a very strict working-class family. She lives with her mother and father who thinks she is irresponsible because she often changes jobs. Janice doesn't do what her parents want her to do and she stands up to them, so they decide that she is sick, talks her into having an abortion because they don't think she is fit to be a mother, sends her to a psychiatrist and eventually to a mental health institution.Acutely directed and with a straightforward narrative, this quietly paced and dialog-driven British independent film about social alienation and family relations touches the theme of Schizophrenia, and portrays a quiet study of character with a pointedly understated performance by Sandy Ratcliffe in her debut feature film role as a young woman who's way towards independence and self respect is obstructed by her parents, who are more interested in giving her directions and criticism rather than giving her the encouragement she needs her to live her own life. This compassionate, realistic and social documentary drama from the early 1970s, captures the failure in communication, the generational differences and the involuntary surrender of a 19-year-old woman who is being oppressed by her caretakers.Ken Loach has a take on depicting stories about individuals who are misconceived and wrongfully treated by society, and his gentle and attentive approach is commendable. As his second feature film "Kes" (1969), "Family Life" has heart, substance and relevance, and is a fine introduction to the works of one of Britain's greatest directors.

I first saw this film a few years back in a graduate school film class and it continues to haunt me with its power. During the initial screening, I actually had to leave the class for some air and collect myself: it struck a nerve that I hadn't felt sense my teenage years: the frustration of being a troubled teenager who was sorely misunderstood. . Most parents like to think of themselves as good parents if they work and put food on the table (which is hard enough in itself.) But that is not enough! Nurturing comes to play as much as being a provider and this is something the parents just don't get. And what's sadder is that they are in a highly polarized environment (1971) between young and old, both sides too quick to assign blame. As a teenager growing up in the 90s, I experienced some of the same frustrations as the girl in this story and was all too often categorized as a "problem" simply because the adults in my life were "doing the best they could" and therefore there has to be something wrong with me. I was luckier than the girl of this story, who's best hope for salvation is vanquished by a psychiatric bureaucracy that is too concerned about appearances to have the patience to be progressive in their ways and their thinking."Family Life" is a rarity. A film that does not get old but can serve as a lesson and a warning to future generations.

..and however,she's leaving home,at least mentally."Family life" is the most difficult,the most austere of all Kenneth Loach's efforts.One should add it's also his most dated.The generation gap,with these "boys and daughters who are beyond your command",all this looks like hippie relics.As do the mother's wailings:the youth is not what it used to be,they don't show respect anymore,they make love all day when they're not taking drugs etc.The generation gap is not typically sixties or early seventies.It's an all-time problem:For instance,Elia Kazan's "East of Eden" was made in 1954,and the action takes place circa 1914.So a lot of stuff at the beginning of "Family life" deals with clichés.Nevertheless,this movie is a must if you like the "European " style.Its form is absolutely unique,looking like a special report,a survey,with question/answer dialogues galore.At times,we wonder whether the actors are actually playing.We're close to "cinema verite" (see JL Godard's "masculin feminin" (1966))A viewer who would turn the TV on halfway through the movie,might think he's watching a documentary film.Janice is a rather normal young woman,with normal problems.she had a hard time of it when she had an abortion .Her mother is a puritan,rigid,and probably frigid woman,her father is a "honor and duty" man.Both content themselves with a routine nine-to-five life,and they are convinced that they are good parents.The father is proud of the clock his bosses have given to him,after 25 years of hard work,the mother of her jelly.Janice is some kind of misfit,and she's not unlike the main character from "la tête contre les murs"(George Franju,1958).But there's a huge difference:Franju tells a story,Loach does not.No dramatization at all in the English director's film.There is a similar scene in the two movies:both inmates escape ,take refuge in their girl/boyfriend's flat,then the police come:Franju's character is desperate,revolted,Janice is already a zombie,she cannot react anymore.A lot of people said the shrinks were caricatures in "family life":completely true as far the last one is concerned.But the first one ,on the other hand ,sees well:three times,he asks the father if his sexual relations are satisfying ,and every time he tries to change the subject.Kenneth Loach has come a long way from the documentary style of "poor cow"(1967) and "family life".It's interesting to note that the movie midway between ,"Kes" (1969),is more accessible,being more storybook.During the eighties and nineties,with such works as "hidden agenda" and the wonderful "carla's song",Kenneth Loach will prove he can be a story teller too.

Ironically this film comes across as being considerably more true to life than the numerous "docusoaps" that currently clog up the schedules on British television. Watching Family Life is as close as one can get to feeling like an actual fly on the wall. Sandy Ratcliffe is heartbreaking as the young dazed and confused schizophrenic girl, whose condition deteriorates thanks to her domineering parents. Bill Dean and Grace Cave are all too believable as the aforementioned mother and father, and are true screen monsters. Despite never believing that they are in the wrong, neither of the "oh so reasonable" parents are able to see beyond the end of their noses.This film does have some touching moments but, alas, the ending is not a happy one. Which is especially a shame as the film does occasionally allow a faint glimmer of hope shine through.