Thanks for the memories!

best movie i've ever seen.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

By the time the dramatic fireworks start popping off, each one feels earned.

The Jayhawkers! is directed by Melvin Frank and Frank shares writing duties with A. I. Bezzerides, Frank Fenton and Joe Petracca. It stars Jeff Chandler, Fess Parker, Nicole Maurey, Henry Silva, Leo Gordon and Frank DeKova. Music is by Jerome Moross and cinematography by Loyal Griggs. Territory of Kansas . . . Shortly before the Civil War.In short order form the plot finds Chandler as a driven empire builder Luke Darcy, who is taking advantage of Bleeding Kansas. Insinuating himself into Darcy's gang is Cam Bleeker (Parker), who has a very personal ulterior motive for doing so.The Ace of Spades!It's one of those films that has some great literary ideas, with some stoic characterisations and deft hints at the turmoil hitting this part of American history, and yet it never truly delivers on its powerful potential. Action is in short supply so we are very much asked to invest fully in the key players, their motives and drives, reasoning's etc, with the Darcy/Bleeker relationship and the shades of grey holding the attention whilst simultaneously holding the play together.Love-And-Death. That's everyone's fortune my friend.Bonus point also are the tactics used by Darcy to build his empire, which coupled with his beliefs - and Bleeker's growing conflicted values (Bromance does that to a guy apparently) - marks it out as a good try at something more deep and meaningful. Filmed in Technicolor/VistaVision, pic looks lovely, but not enough is made of the outdoor locations, while Moross provides a big bold booming score - which is great - it's just in the wrong film as it belongs in a ripper of an action piece.All told it's a very mixed bag, and stripped down it's a undercover story dressed up in familiar Western attire. It works for those who enjoy well written speeches and simmering tensions/passions, but it's a trick film to recommend with confidence. Oh and serious history buffs should give it a wide berth. 6/10

Plot-- An ex-renegade (Parker) agrees to infiltrate a renegade band in return for a pardon from the feds. Then too, he's got a personal grudge against the band's leader (Chandler) for victimizing his wife and their farm. Trouble is the leader is kind of a likable guy. So which way will the ex-renegade go.Somewhere inside all the turgid talk is a good story of conflict between Parker's emotions and his principles. Trouble is the studio (Paramount) appears more interested in playing up the three leads than in the story itself. Thus we get a ton of talky scenes with some combination of Parker, Chandler, and Aubert instead of action or suspense. So western fans may feel cheated in the action department. I suspect four scriptwriters working on the same screenplay have something to do with that. Then too, the direction (Frank) is pretty flat. In fact, the director's resume (IMDB) appears more at home with fluff than outdoor drama. It's noteworthy too that the locations never leave greater LA, so we're also short in the scenic department. That's especially unfortunate since the film needs some sweep to match the story's scale. After all, the script is playing with the disposition of an entire state, Kansas. On the other hand, Paramount did pop for an army of extras to fill out the mustering scenes.I winced at one point where Chandler says life is short, or words to that effect. Tragically, Chandler himself would die two years later as a result of medical malpractice. So his words here seem more than just a little prophetic. Too bad the menacing Henry Silva is largely wasted in a routine role. Some close-ups of his sinister sneer would have added needed dramatic impact. All in all, the movie's a turgid disappointment despite a capable cast, a good core conflict, and big screen VistaVision.

This movie made me sick when I saw it on TV many years ago. Jeff Chandler's character is decent, a guy you don't want to see taken down? He says to Fess Parker's character, regarding the way he treated the man's dead (at his hands) wife, "To me, a good woman is like a good bottle of wine: once you've used it up, you throw the container away." He goes through women like kleenexes and disposes of them with less mercy. He took the man's wife, seduced her, then killed her when he got bored with her.This is decent?Fess Parker's character likes him?There is no reason for Fess Parker not to kill the disgusting creep on sight.But maybe the people who praise this movie also agree with that characterization of women.

A fun to watch western containing Fess Parker's best performance, the show is stolen by Jeff Chandler's performance as the baddie you hate to see taken down. However, as outstanding as Chandler is, the real star of the film is Jerome Moross' pulse-pounding score, which predates his legendary music for THE BIG COUNTRY. It's every bit as good, if not better. Henry Silva is (of course) scuzzy as a hired gun.Catch it. Any western fan won't regret it.