Highly Overrated But Still Good

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The acting is good, and the firecracker script has some excellent ideas.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This film takes a typical western premise - a journey through a landscape of characters and escapades - but gives it a twist that adds weight and depth.

Slow West is a kind of brand new werstern that takes place in a beautiful landscape without precedents. This is an epic journey of a naive hero who goes through dummy but lovely situations which could remind you of Alice's Wonderland because its psychedelia and its moments of intoxication. A bitter-ending amateur odyssey plenty of charming beauty so far away from the cliches of the genre. Is this iconoclastic and cool tragedy the last of the acid westerns?

Slow West clocks in briskly under 90 minutes, which is usually unheard of for a western. You can stamp out any thoughts of it being rushed or too slight of a flick though, because it's exactly what it needs to be every step of the way. It's a beautifully scored, tightly plotted and boldly characterized (the key ingredient in the genre, if you ask me) mix that saunters along like a mule of the plains, before kicking up the dust for a bloody, atmospheric finale that leaves you stunned and breathing hard. Westerns are often ambitious, lofty affairs and can get quite moody and too densely packed for their own good. Not this baby. It breezes by like a summer wind, with just enough violence, character development and aching catharsis to billow out its chipper narrative during the brief stay we are treated to. Kodi Smit McPhee plays a young Scottish lad who is a tad out of his depths in the American west, searching for a girl (Caren Pistorius) who had to flee the country with her father (The Hound himself, Rory McCann). McPhee is naive to the dangers of this new territory, and nearly finds himself at the receiving end of a bullet before being saved by a roaming outlaw (Michael Fassbender) who takes him under his wing with much gruff and huff along the way. Reluctance is doled out along with sympathy on Fassbender's part as he shields the boy from a dangerous bounty hunter and former employer of his, played by a wonderfully greasy Ben Mendelsohn, perpetually shrouded in acrid cigar smoke and snuggled up in one epic and fabulous fur pelt. These three wayward misfits gravitate towards the obligatory final shoot out, which takes place in the girl's hideaway house on the picturesque pretty plains. Impressive is an understatement for this sequence: yellow grass sways, a hailstorm of bullets punctuate the horizon and the mournful tones of Jed Kurzel's lonely score, grim fates are earned in a gorgeous set piece that resembles something like Wes Anderson making an Oater. Everything before and winds up to this sequence, and the payoff is superb. If I've made it sound dark or off putting, think again. It's all crafted with the utmost light and poetic buoyancy, a lilting sadness to the violence that hits home but never batters you. The performances echo this as well, Fassbender a world weary, affable and altogether dangerous man, Mendelsohn slithering about with a dry silver tongue and an itchy trigger finger, and a fish out of water McPhee stuck in between. The visual palette is quite something to see, accented by the music perfectly. I'm beyond anxious to see what first time director John Maclean comes up with for us for his next ride, for he's knocked it out of the ranch with this one. Ho for the West.

When Rose, the girl Jay loves, flees with her father from Scotland to America in the wake of a death for which they will be blamed, Jay follows in search of her. Hopelessly ill-equipped for his journey, he falls in with the hardened and cynical Silas who agrees to guide him. But there is a bounty on Rose's head, and Silas is a bounty hunter...This western is short, simple and leisurely. The entire cast, heading by Kodi Smit-McPhee as Jay and Michael Fassbender as Silas, is excellent. Filmed by a non-American crew on location in New Zealand and Scotland, and with an international cast portraying mostly immigrants, it has a peculiar feel for a western, with familiar tropes filtered through alien sensibilities. But that doesn't change the fact that it is a first rate movie from writer and first-time director John Maclean, which works on a number of levels - romance, buddy movie, shocker, with occasional laughs and an action finale. And everything works together.Recommended.