I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

good back-story, and good acting

Excellent adaptation.

Absolutely the worst movie.

This wildly imaginative, endlessly clever, candy colored, twisted, hilarious, gross-out, underground (maybe literally) sci-fi comedy is a one-of-a-kind wonder. Essentially the idea is a Jetsons-ish live action family TV sitcom satire set in an intangible time and place of some far off, distant dimension or universe where every daily necessity or modern convenience is pumped through a complex system of tubes. Oh, and everyone is careful not to fall off "The Edge." The basic plot setup is an intentional cookie cutter television sitcom template involving the father, Henry Hollowhead (John Glover) who works for "United Umbilical", bringing home his new slimy boss (Richard Portnow) for an impromptu dinner, leaving the homemaker mother, Miriam Hollowhead (Nancy Mette), reeling with the frantic task of managing her three stock character type children while trying to cook up an impressive feast. The inspired fun and lunacy comes from how this simple premise is warped around, and manifested within the novelty of the created universe: The mother wrangles tentacles and squirts out doughy goo in the kitchen; the eldest son practices his bagpipe/keyboard/trombone/live-chicken-creature instrument for his big gig; the youngest son picks fat insects off the family "dog" ("he's infested") to use in his new "Splat Spray Game" with his troublemaking buddy Joey (pre-teen cynic, 80's cult regular Joshua John Miller); and their middle child daughter, a pre-fame Juliette Lewis, sprays her face with cosmetic machines in the bathroom, getting ready for a party. A whole system of amusing fictional terminology and lingo is even created (the daughter wants to use the mother's "Softening Jelly" and they threaten to discipline their children by sending them to the "Penetration Box") leaving the deduction of which up to the viewer's imagination. Another delicious, bizarre and wonderful conceptual element is what lay beyond the walls of the house and what the outside world is like. The only scene that takes place outside the fantastical home is when the youngest son and his friend venture out through an abstract dark void to make their way to the main pipe station, to fill a list of ingredients for Mrs. Hollowhead. Along the way, they encounter a void bum, a team of "Reamers," that are dressed up in grey, brush outlined pipe cleaner tutus, and Stationmaster Babbleaxe (Anne Ramsey), who speaks with subtitles that even translate her grunts into insults (This idea might have been used due to the fact that because Ramsey suffered from throat cancer she had to have parts of her jaw and tongue removed, and as a result it affected her speech. She died shortly after this production and the film is "Lovingly Dedicated" to her.). This was Thomas R. Burman's, a long time special make-up effects artist who has worked on everything from The Thing With Two Heads (1972) to My Bloody Valentine (1981) (he even worked with Anne Ramsey before on Throw Momma From The Train (1987)), first and only, so far, directed feature, but let's hope it is not the last. Lisa Morton co-concocted and wrote the great script in collaboration with Burman as a project for Burman to direct. Morton kept a journal during production which can be found online at Morton's site (www.lisamorton.com).A good printed VHS and Laserdisc version was released by Image in November of 1989 but since then the film seems to have become public domain, because several super cheap video labels have released their own VHS and DVD versions with badly blown up pictures of Juliette Lewis on the cover, to cash in on her fame, and wrong credit listings. The film's original title was "Life On The Edge," but it was changed, and the film was cut and re-scored by the producers (they even added a horribly silly/stupid hip-hop/rap song to the credits). But even with those forced butcheries, the film remains astonishing. We would all lead happier, more exciting lives if more films like this got funded. Absolutely not to be missed! Highly Recommended!

This is certainly one cheery little pile of glop but, with its rainbow-dessert/Good n'Plenty visual design, it is hard to digest and rather nausea inducing. It's like a bad dream channeled through a nether world where the brains of Terry Gilliam and Steven Spielberg (in his Goonies phase) connect. Meet the Hollowheads? More like the Jetsons-meets-Brazil-meets-a-hamster-habitrail... well, it's certainly not the usual "meetings" I'll grant that. But it's all contrived weirdness and goopy effects, and worst of all not funny. There's no wit, just a lot of Sid & Marty Kroft-like ('Lidsville/H.R. Pufnstuf', etc.) goings on that might appeal to kids. There's even a section with Anne Ramsey that is so badly acted and recorded that it required post-production sub-titles in order to figure out what was being said (granted Miss Ramsey died, presumably before she could loop her dialogue). There's also a cheesy 80's-cliche guitar & synth music score that ironically dates this futuristic film. Or maybe it's not futuristic, but an alternate universe... being the same place where this film came from, like some of the actors listed: Shnutz Burman, Lightfield Lewis, Shotgun Britton and Jack Cheese (yes, these are the actors names not their characters). Yet it was probably a blast to make, at least for the Burman clan: from the credits it appears the entire Burman family tree worked on this. Then again, Tom Burman is a make-up artist, so this may be the finest directorial achievement of any make-up artist in Hollywood history. Bravo... now let's put a Key Grip in the directorial chair and see what one of THEM can do.

I must say I was laughing a lot and frightened a bit...but in a good-natured way...and most of all I was simply mesmerized by the brilliantly amusing storyline and wonderful special effects that used real full-sized movie sets and none of the cheap, too-obvious digital graphics used by all Sci Fi movie-makers of today.This is a must-have Sci Fi movie for those who enjoy the eclectic, the bizarre and the esoteric worlds of anywhere else but earth. My best guess is that the Hollowheads live in a society on a distant planet that exists totally underground in a large population, a very large "city" with miles of tunnels, single-family homes, ultra modern conveniences using pipes that bring in food and every ingredient needed for life's daily needs.Why does an entire civilization live beneath their planet's surface? Who knows? It is never explained; but then an explanation is never necessary either. The Hollowhead underground world is very well conceived and becomes as reasonable to the movie watcher, as does our own reality here on the surface of the earth appear normal to us.Meet the Hollowheads with sexy Juliette Lewis as daughter Cindy Hollowhead, and John Glover and Nancy Mette as Mr. and Mrs. Hollowhead...as normal as any U.S. television family out of the 1950's...help to bring off this caricature of life as we thought we knew it, with good-natured humor, a zesty cast of fascinating characters and an alien lifestyle as crazy and fun as any which has ever been brought to film.My suggestion: This is a must-have video for you and your family.Enjoy!

This movie is not good or bad its just plain crazy. It takes place in another universe where people get everything given to them through tubes. Its craziness does it good though, it could have cult potential if it were more widely known. The movie features a cameo by the hilarious Anne Ramsey (Throw Mamma From The Train)and very young Juliette Lewis before her breakthrough role in "Cape Fear." Its a silly crazy piece of work, could be worth a see to some people. Not bad.