This movie is the proof that the world is becoming a sick and dumb place

Great movie. Not sure what people expected but I found it highly entertaining.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Follow-up to the acclaimed 1979 film, regarding a young American lad in the 1940s who bonds with an Arabian stallion while shipwrecked on an island, picks up where its predecessor left off. The boy, having won a championship race while riding the Black, has his horse stolen by a sheik who claims the horse is actually his. Following the horse thieves, the kid stows away on a plane headed for Casablanca, where he learns the Black will be entered in a new competition. Although the horse is the same (except for the racing shots) and the kid (Kelly Reno) is the same, director Carol Ballard from the first film is missing, and one can sense almost immediately that "The Black Stallion Returns" is without Ballard's dreamy pace and caressing images (here, Robert Dalva sets up individual scenes with a ham-fisted directness that makes the whole enterprise seem perfunctory, and he has no talent whatsoever with actors). Since the story is a washout, there's nothing to occupy one's interest except for the technical accomplishments, including Carlo di Palma's fine, if inexpressive, cinematography and Georges Delerue's lovely score. As for the performances, Reno doesn't have a professional actor's polish (which is both pro and con), but Allen Goorwitz (Garfield), playing the sheik's competitor for the Black (an Arab named Kurr!), is hopelessly if amusingly miscast as the proverbial cackling-villain; Vincent Spano (as Moroccan an actor as money could buy) is equally out-of-place as Reno's desert friend, while Teri Garr returns in a walk-on as Reno's mother (it's even less of a cameo than she had the first time). Not terrible, certainly, but a turgid adventure, trotting out aged stereotypes and a formula finale. *1/2 from ****

It's been 20 years since I watched this movie. Twenty years of bad plots and toilet humor. This movie stands the test of time and gets better and better, a true coming-of-age movie in the classic sense of a boy growing up to make a man's decision. The final scene, the horse race in Moroccow, reflects Alex's future. He has pursued The Black with a single-minded purpose. He now has the ability of keeping The Black, but only if he wins the race. He must win not only for himself, but for the tribe of Abu Ben Ishak. But to win the race, he will harm is friend, Raj, who he crossed the desert with in his trek to find The Black. In the end, Alex finds himself making a grown-up choice for himself, The Black, and his adopted tribe.Kello Reno displayed a genuineness sadly lacking in young actors now. Vincent Spano's role as Raj is done with a subtle dignity for Arab culture, and the movie reflects it. And of course, Cass Ole and El Mokhtar are magnificent as The Black. Last but not least, the score written by Georges Delerue is wonderful.

Is The Black Stallion Returns as good as the original? Not quite. The original is a masterpiece, that said this is a wonderful sequel and one of the better ones I've seen recently. The story while having a different focus than the original has some implausible and sluggish moments but many other parts are believable and touching. The script is well written, the direction is competent and the acting from Kelly Reno and Vincent Spano(and the horse) is pretty much superb. However, the best assets of The Black Stallion Returns are the sumptuous visuals and beautiful score. All in all, a wonderful sequel and movie. 9/10 Bethany Cox

The original was a favorite for me as a child. I think that is why i waited 20 years to see this, a sequel that I was sure would disappoint. I was wrong to wait so long to see a film that, in many ways, surpasses the original. This amazing epic finds Alec Ramsey, the boy from the first film, traveling to the brutal and glorious Sahara desert , in search of his beautiful Arabian Stallion, who has been taken away by his original owners. Along the way Alec finds a good friend in Prince Raj, who takes the boy with him on an unforgettable quest that will lead them to the stallion, and also to a race like no other. With much attention given to small details, as well as set design and costumes, we learn the fascinating history of this very special horse. Every five years there is a great horse race in the Sahara desert, with different tribes racing their finest horses to win honour and respect from the others. A man from the Uruk tribe goes to dishonorable means to sabotage the race, while the Berber tribe, led by Prince Raj is more honorable in their methods. This film culminates in what has to be the most glorious and exciting race ever filmed, with young Alec and his best friend racing against each other, the boy for possession of his horse, and the Prince, for the honour of his people. The film score, the cinematography, those gorgeous desert scenes all add up to an absolute classic adventure film. Perhaps this was not a commercial success because this sequel focuses more on the boy's plight, with the horse only making an appearance later into the film. Or more likely, perhaps the whole production was just too "foreign" for Western audiences back in 1983. Whatever the reason, fans of old fashioned adventure tales should give this a look. The actor who plays the teen Alec Ramsey obviously had an uncommon love for horses, and it shows in his genuine performance. Vincent Spano is great and totally believable, both in looks and performance as Raj, and the rest of the cast is fine as well. Filmed in Morrocco, and partially in Algeria lends this special film an epic look. Of course with something like this it is important to see it in it's original wide screen ratio. One of my favorite films now, it was worth that 20 year wait...