If you don't like this, we can't be friends.

I don't have all the words right now but this film is a work of art.

The film makes a home in your brain and the only cure is to see it again.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

This is one of the stronger films in the Halloween franchise. It has strong acting, decent plot and a pretty good ending.

Okay, wow. That was a lot better than the previous three Halloween movies. I wouldn't necessarily say Halloween H20: 20 Years Later was good, but it was certainly far from bad. What really prevailed this one from previous sequals were it's attempts to be more compelling which, for the most part, work fittingly. The dynamic relationship between Laurie Strode's character (it was so refreshing to see her back!) and her son John, really amplified the film's quality. It's worth noticing that we've been given a significantly improved and more mature screenplay compared to the four previous entries. However, the scares haven't truly improved, and suffers from leaving most of its trepidations up to cheap jump scares. It also suffers from trying to be more modernized and blockbuster-like, which is derivative because the element that made the first two Halloween movies special was their more claustrophobic and low-budgeted atmospheres. However, the final confrontation between Laurie and Michael was intoxicating and unbelievably satisfying. Despite its flaws and inability to break positive, new boundaries in the horror genre, I was still able to thoroughly relish this entry in the Halloween franchise. (Verdict: C+)

H20 is probably in the hall of the worst movie names ever. Fortunately, it's not the worst movie ever.It actually does two things right.It actively ignores and erases Thorn trilogy from canon and continues 20 years after Halloween II. It brings back Jamie Lee Curtis as Laurie Strode.We also get young Josh Hartnet and Michelle Williams. Which is kinda sweet. We get a bit of PTSD Laurie Strode that self medicates with booze while trying to run a school and raise a teenager and all that under a fake name. It's a competent revival, an homage a bit, a bit fresh stuff. Probably the worst thing I can say about it that it's forgettable as a movie but has some cool scenes and that it still clings onto Laurie is Michael's sister storyline that no one cared about.It's on par with Scream movies that were all the rage at the time, if that means anything to you. Ok, kinda popcornish experience.

John Carpenter's 1978 'Halloween' is wholly deserving of its status as a horror classic. To this day it's still one of the freakiest films personally seen and introduced the world to one of horror's most iconic villainous characters Michael Myers.Which is why it is such a shame that not only are all of the sequels nowhere near as good but that the decline in quality is so drastic. Ok, the original 'Halloween' is very difficult to follow on from, but most of the sequels could at least looked like effort was made into them. The exception however is 'Halloween H20: 20 Years Later'. It's not perfect and nowhere near as great as the original, but it's the only sequel that's above average, let alone good and by far the best since the original. It does a great job breathing fresh life into a series that had gotten stale as quick as one can down a can of coke gone flat and such a welcome addition after the badness of the fifth and sixth films. 'Halloween H20: 20 Years Later' has its flaws. It is too short and at times erratically paced, sometimes rushed and then taking a bit of time to get going after the opening. There is not enough breathing room for development of characterisation, which generally is shallow apart from the central relationship and the script tends to be weak (not unexpected, though actually it's far worse in the previous sequels, at least it sounds complete).On the other hand, 'Halloween H20: 20 Years Later' is the best-looking of the sequels, the first half in particular being close in style to the autumnal look of the original, something that none of the previous sequels did. The editing is coherent, it's not shot too darkly and there is an eeriness to the setting which can be properly appreciated as a result. The music is a welcome return to being an asset than a drawback like in the previous two sequels. While not quite a character of its own like in the original, it adds to the atmosphere and enhances it.Luckily there's nowhere near as much unintentional camp, out of place humour or bizarre subplots or idea that muddle the story. Instead much of the film is fun and there is a tension, creepiness and suspense, even poignancy at times, that the previous sequels were sorely lacking in. The deaths are the most creative and shocking since those in the original, while the opening scene is unsettlingly tense and the ending is creepy and touching. The central relationship is handled quite well. Although the characters are underdeveloped, none of them are annoying and they do have enough personality to stop them from being too dull. The direction is in control of the material and is at least competent and often well above that, especially in the second half when the film really does come alive. Of the sequels, 'Halloween H20: 20 Years Later' is by quite some way the best acted, Jamie Lee Curtis' wonderful performance being the film's best asset.In summary, the best of the sequels/follow ups and worth the wait. 7/10 Bethany Cox