This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

In truth, there is barely enough story here to make a film.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Exactly the movie you think it is, but not the movie you want it to be.

Shaft (2000) ** 1/2 (out of 4) The son (Christian Bale) of a rich real estate businessman kills a black man and skips town but Detective John Shaft (Samuel L. Jackson) enters the game and will stop at nothing to see justice brought to him. This leads to a back and forth battle, which involves gang members and crooked cops.SHAFT works as both a sequel and a remake to the 1971 film. The Shaft that Jackson is playing here is actually the nephew to the one Richard Roundtree played in the original series. Roundtree is also on hand for a few scenes in this film, which is certainly great to see. With that said, John Singleton had a pretty tough battle because he was basically making a blaxploitation movie in an era where you really couldn't get away with the same stuff that you could in the 70s.Back in the 70s it was a time for politically incorrect stuff and that's certainly not the case here. Even the story line of the murderer doesn't feature the "racist whites" that you'd expect to see. For the most part I thought this film was entertaining for what it was but there's no question that there were some flaws. The biggest is how "big" the story got. I really didn't find the crooked cop angle to be all that interesting and even the stuff with the gang members wasn't all that compelling.The film works the best when Jackson and Bale get to go at one another. Both actors are extremely good in their parts and it's a shame that the screenplay didn't keep the focus on them since they are the best things in the picture. Jeffrey Wright is wonderful in his role as a gang banger and Toni Collette is also extremely good. We also get nice supporting performances by Dan Hedaya and Pat Hingle. Busta Rhymes is here playing himself so I'll let you be the judge on that.There are some nice action scenes scattered throughout the picture and there's a lot of great laughs early on but for some reason the screenplay went away from the sly humor as the film went along. SHAFT isn't the perfect remake but it's a mildly entertaining film.

This movie proves that the "it can't be bad if _______is in it" idea is a lie. Even the great Samuel L. Jackson can't carry this turd. He's perfect for the part, but the cheesy clichés and awful stereotyping is impossible to watch.It's embarrassing that good actors (Vanessa Williams not included) lent their skills to such an awful picture.Obvious and outward police racism that nobody could get away with (today, anyway) is commonplace, but ignored by everyone BUT Shaft. I know it's a sequel (of sorts) to the original, but even Jackson and a talented cast can't pull it off.No spoilers... Just, don't watch. You'll never get this time back.

New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.This was a strange film. First, there is no way to make "Shaft" without having the actual Shaft playing the character. However, Samuel L. Jackson is probably the only person who could have attempted to fill the role, so at least they cast as good as they could.But the movie is strange in general because of Christian Bale's character. His racism is so over-the-top that it almost makes no sense. The movie seems forced. There is no doubt that racism is alive and well, but the examples here were so exaggerated it was almost comic. (In retrospect, I am glad it was Bale... always nice to see an A-lister doing something corny.)

Remakes do work occasionally, case in point Shaft, John Singleton's update of the 1971 Blacksploitation movie that starred Richard Roundtree as the title character. Roundtree gets a part in this one as well, playing the uncle of Samuel L. Jackson's title character, John Shaft.It's the perfect role for Jackson, lashings of cool and menace, on his bulky shoulders dose the film easily rest. Plot finds Shaft turning in his badge after the law proves useless to let racist murderer Walter Wade Junior (Christian Bale a sneering villain but awesome looking in a tux) out on the streets. Shaft vows to bring Wade to justice, by any means necessary. Though he also has other things on his plate, namely Latino drug lord Peoples Hernandez (Jeffrey Wright a riot) and some less than honourable police officers.The screenplay is a little trite, but as an action movie, one with the coolness and sparky humour, it really hits the required spots of those just after such easy minded fare. The support cast is a roll call of sound performers with the likes of Vanessa Williams, Dan Hedaya and Toni Collette fronting up, while the awesome ebullience of Busta Rhymes is very infectious.Isaac Hayes gloriously famous theme tune is still in place, pumped up by composer David Arnold, which ensures the feel of the original isn't lost, and Donald E. Thorin's photography is pin sharp and in turns gorgeous (night shots) and streetwise gritty. Shaft, the 2000 version, still bad-ass and sadly under appreciated. 7/10