I love this movie so much

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Sometimes it is better to be deaf, but more on that later. Let's take the positive things first. We're talking about great technical aspects surrounding this movie. The camera work is exceptional, the lighting is really good. The overall quality is way better than some other similar low budget efforts. Someone had a vision and that vision came to life in quite some fashion.Having said that, the movie also has some issues. It pays homage to "old" horror movies. Just the fact it's playing in the Disco era (hence the title and the music, both fitting) alone should be a giveaway. And it's not a bad thing, it's just that sometimes there are bumps and quite a few hiccups along the way. If the story was a tight as the look of the movie, we could have had a real winner. And while some of it is done on purpose (or as a tribute to the movies this was inspired by), you'd wish they'd have spent a bit more time on the script ...

Well, this is a very underrated film! I am so glad I stumbled across it. I just watched it and loved it! From beginning to end it did a great job at conveying a vintage authenticity. This is a rare bona fide homage. A great example is the kids that bring in the ghetto blaster to the shop. I felt like I watching a genuine 70s movie for a minute. My mind was telling me, wait, the quality is very modern and yet, it feels and looks so vintage (I rarely know anything about a movie I watch, apart from the genre - I prefer it that way). anyway, from then on, I was hooked! The attention to detail was excellent. They definitely knew what they were doing. The cast was very well chosen with a great main ensemble. On top of all that, great cinematography, effects (yikes!), editing, direction and score makes this really stand out for me. Definitely as good as It Follows. Believe me, if you consider yourself a true horror fan, you will love this film. I was a teenager in the 80s (I turned 12yo in 1984) and I know a thing or two about movies from that era. I hope there's a sequel! And please give us more homages!!

With a movie named Discopath which is a humorous mix of the words Disco and Psychopath, cause Discomusic really turns the lead into a full-blooded psychopath. You would expect at least some kind of humor in the movie, but no, you would be wrong.Completely humor-free with the exceptions of a little humor towards the end but by then it's a little too late.Overall pretty amateurish filmmaking with not much positive to say about it.Well okay some of the songs on the soundtrack is pretty good, and was surprised they managed to get "Boogeyman" and "I Was Made For Loving You" in the movie, but that's the only surprise this movie will give you. And it doesn't help that 50% of the movie focuses on some highly uninteresting cops; one with a bad blonde wig investigating the dead bodies the Discopath leaves behind.

It's truly a joy and relief to know that somewhere in this world (in Canada, apparently) some people are still making refreshing and creative new horror movies! "Discopathe" is a highly original, tongue-in-cheek and clumsy - although I'm sure that's intentional – low budgeted slasher flick that put a giant smile on my face from start to finish. Writer/director Renaud Gauthier (you can also spot him in a delicious cameo appearance as the protagonist's father) thought up a plot that is quite insane and simplistic but the setting, atmosphere and particularly the grotesque make-up effects form a downright terrific homage to the rancid and nasty exploitation horror flicks from the late 70's and early 80's. Duane Lewis is a handsome twenty-something New Yorker, but he has one major problem. The sound of disco music causes him to go out of his mind and turns him into a maniacal killer. Unfortunately for him, disco is something nearly impossible to avoid in the year 1976, especially when sexy Rollerblades-girls practically force him to go out clubbing. After having committed a gruesome murder, Duane flees to Montréal and inconspicuously hides himself as a caretaker in a catholic all-girl boarding school. But even here in this supposedly secure environment, Duane is again confronted with lewd disco-loving girls and his homicidal tendencies rapidly come back to the surface… bigger and nastier than ever! The violence as well as the killer's hateful facial expressions of "Discopathe" will instantly remind genre connoisseurs of all those gloriously controversial misogynic slashers from several decades ago ("Maniac", "Don't go in the House", "New York Ripper"…) but the subject matter here is light-headed and much easier to digest. I realize there might be something seriously wrong with me, but I thought it was brilliantly amusing and nostalgic to witness a crazed killer hack up and mutilate the corpse of a young girl with broken 7 inch records! Renaud Gauthier also included several obligatory but marvelously clichéd sub plots, like lesbian experimenting and perverted priests within the boarding school's walls, obsessive coppers with porno movie mustaches and the ludicrous childhood trauma. And then last but not least, of course, there is the sensational and aptly selected soundtrack. The great, exhilarating music makes the film's relatively short running time fly by even faster and several tunes are guaranteed to remain stuck in your head. "Discopathe" is a more than welcome must-see slasher for real horror freaks.