Buster's Mal Heart

6.1
2017 1 hr 36 min Drama , Mystery

An eccentric mountain man on the run from the local sheriff recalls the mysterious events that brought him to his present fugitive state.

  • Cast:
    Rami Malek , DJ Qualls , Kate Lyn Sheil , Toby Huss , Lin Shaye , Mark Kelly , Bruce Bundy

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Reviews

Scanialara
2017/05/28

You won't be disappointed!

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UnowPriceless
2017/05/29

hyped garbage

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Deanna
2017/05/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Guillelmina
2017/05/31

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Reno Rangan
2017/06/01

This is one of those films, you won't properly get the notion. Too random, surreal, but at the end somehow all connects. The narration has multiple layers, that's what confusing at the initial stage. Though I liked the character nicknamed, 'the last free man'. If I had watched this film successfully means, that's the main reason. But I felt they have under-used it or missed a great opportunity. Because it was a wonderful film character. Tens of stories can be created using such role. But why did they go for a dry story. In my opinion, it should have been in the line of 'Captain Fantastic'.Rami was okay. He did justify the role he had played. But not like a performance of the year. I understand why this film was very dark, and partially being a dark comedy. The overall storyline looked good. The man with ambition, and to meet that end, he had dedicated his life. But he did not know what he's becoming. It was like 'Split' meets 'Bad Santa'. From all, the boat scenes were a bit of out of context. Yet it brought distinct perspective to the character who was struggling with reality. A film for a few selected people. I feel bad for rating it such low, but I'm only being honest.3/10

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thirtyfivestories
2017/06/02

Jonah works third shift at a hotel. He cleans the pool, retrieves rackets from the racquetball court, and polishes off the restaurant's dishes. He is a utility man. Jonah toils in the belly of working class employment. He has voluntarily allowed himself to be swallowed by capitalism. His days and nights have become shuffled. A wife and daughter fuel this purgatory. Marty, Jonah's wife, was the first soul to accept his junkie heart. At a church food pantry she served him then invited him into the kitchen for a kiss. Jonah's reformation began there. Marty's parents never approved, but their child, Roxy, gave the couple a hefty bargaining chip. Jonah becomes rehabilitated and pretends to fear God on Sundays. But he never needed a pew. He needed a cabin, or dreams of a cabin. A home to raise Roxy in, void of the putrid society that delivered him into the clutches of drugs, and imprisoned Marty in the legalistic jaws of religion. He crawls into another state of servitude in hopes of eventual freedom.The still, twilight hours perpetuate his daydreams. On one fateful evening, The Last Free Man walks in and preaches of the Inversion. An event that will usher in the collapse of all things restrictive. All digital identities erased. A clean slate. And few will survive, only those privy to the coming seduction. Jonah begins to reluctantly entertain the man, but quickly starts sipping his kool- aid. The seemingly endless road to his family's cabin leads Jonah into more impending delusions. Instead of being preached at, he chooses to become a prophet. He becomes Buster, a lock-picking mountain goat. He politely pillages vacation homes that he could only dream to build. He treats the vacant homeowners with respect, but finds ways to subtly rebuke.Buster and Jonah are the same man on two different paths. The former, a man who denies tragedy. The later, the man responsible for tragedy. Buster's Mal Heart is a film that makes you think twice about who you let in your life. Or maybe the film wants you to stand on trial for all your personal trespasses. Put your hand on the bible and proclaim, "I couldn't see the blood until the lights were on."

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vandelour
2017/06/03

Everybody, well almost everybody, needs a job. We need money, food, shelter, some gizmos, maybe get laid once in a while. This movie proves my point. People make movies like this because they need the money, the exposure, the opportunity or just to hang in the industry. Outsiders and newbies have to break in somehow. Other people with money want to give it to people with an idea for a movie. They all come together, work for a while, money gets passed through the industry jobs and bingo! out pops … something. Maybe good, mostly mediocre, occasionally amazingly incoherent and bad. Guess where this movie lands? Yes, thats right. Amazingly bad. But it fulfilled its deeper purpose of keeping the Industry Wheels turning. And people had jobs for a while. So I give it two stars because even crud like this keeps the industry alive.

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screechy_jim
2017/06/04

On the whole, there just wasn't enough happening in this film to keep it interesting. For the most part, the development of the story is slow on uneventful. As we plod through the aspects of Buster's life we see it unfold from two sometimes three perspectives. Most of what happens doesn't benefit the story in any way and really should have ended up on the cutting room floor.Even the premise that centres the story for our main character Buster is shaky and 'out there'. It's not explored, expanded or explained in any more depth than when it is initially encountered, so never really gains traction as a focal point for the film. Its really the story of a bum living on the edge because the pressure placed on him from trying to support a family in a difficult situation. There is plenty of meaningless symbolism, especially once you get two thirds in, that does little to shed any light on the story or provide any additional interest.I think this is yet another one of those self indulgent productions born from a good basic idea, that was under prepared, underdeveloped, and hastily assembled through lack of clarity and objectivity.One of the unfortunate developments of modern film making is that any idiot with a few bob and a HD camera can now make a film. Modern technology and the digital age has opened up the creative market such that many with little more than an ounce of self proclaimed talent can make a film. This is good in some ways as certainly those with potential have an avenue into film making that was previously open only to those with financial backing, contacts, or deep pockets. The flip side is that it opens the doors to wannabe film makers who have no business releasing half baked content. The checks and balances that kept such releases from swamping our screens have been replaced by a highway of freedom for every man and his dog to flood us with Sub par releases that aren't worth the devices they're filmed on... but I digress.The Acting is actually quite good, and the direction (I think) is also half decent. I think its maybe the producer/writer, who just hasn't really given the story enough meat to cover the bones of the production, which is a bit of a shame really because (as we so often hear) it has at least 'some' potential.That said, it isn't half bad. You could certainly do a lot worse with an hour and a half to spare.

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