Fresh and Exciting

A Masterpiece!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Few of the principals of this story remain today. A year after the sinking, a book was written by one of the crew, called "The Last Voyage of the Albatross." The book provide little information, but was timely. The movie was made 30 years after the event, but early on gets into weepy over-dramatization. By the time of the ship's capsizing, too much is taken away from the tragedy by the tedious script. A good film or book would follow the career of Chris Sheldon, whose misfortune at sea was not limited to being skipper of the Albatross. Such a book could also follow the life of Alice Strahan Sheldon and her experience as a member of the Girl Scout Mariner program.

What happens when you throw together too many uninteresting characters and try to make something way more dramatic than it needs to be. You get Ridley Scott's White Squall. This film is based on a true story from 1960 when a group of schoolboys took to the open seas to learn about discipline and becoming a man. The ship is called the Albatross and the captain is the hard boiled Christopher Sheldon, played by Jeff Bridges. The boys learn about what it takes to become a man and the self discipline needed to be an honorable and respected individual. But it is a tragic storm that teaches them some difficult lessons about life and death.This film is, for the most part, a character driven story. This is a real problem when you could care less about any of the characters. Character with daddy issues. Check. Macho man who can't read or write. Check. Highly intelligent character that, despite all his book smarts, still has a lot to learn. Check. One dimensional narrator. Check. The list goes on, but my point is that this film has all the necessary stereotypes for your most typical coming of age story. Thus this film permits nothing new or interesting. Another problem could be that there are just too many characters. The film tries to develop all of the boys and they are subsequently underdeveloped. You don't have enough time or information to develop a connection with any one character and so everything that happens with these boys is incredibly uninteresting. There is also a very flat dynamic between characters. They are all pretty white boys that come from upper class American families making the characters devoid of any kind of diversity.The biggest issue here is that the film truly believes it possesses everything I just said it didn't have. It tries so hard to be a gripping drama but its character development completely missed the mark, making all of these "dramatic" scenes silly and moronic. I could care less about one boys success at learning how to read and write from the help of two other boys because his character is obnoxious, underdeveloped, and flat. Yet the film tries so hard to elicit an emotional response here that I want to ignore it even further.Aesthetically this film is a different story. Ridley Scott is in no way a bad director, it just seems like he had a serious string of duds post Blade Runner. He makes the most out of White Squall with an epic scale ocean scope. The climactic scene of the film is the terrible storm that hits the Albatross and Scott shoots this scene magnificently. He manages to make this the only truly dramatic moment of the film and the scene manages to be as riveting as is possible for such a lackluster film. In a way this makes the film more of a disappointment. If I had cared more about the film before the epic storm scene, this scene would have been more powerful than it already was. It really makes me wish more effort had been put into the first two thirds of the film because the last third, even after the storm scene, is pretty decent. The film also concludes very well, making the film a would be satisfying experience.White Squall is an overall mediocre cinematic experience. Not nearly enough effort was put into developing the array of characters who were the most important focus of this film. Ridley Scott directs as well as he can for such a poor script, but it doesn't save White Squall from being a major disappointment.

White Squall is my personal favorite, not just because of the story and the characters, but also because we seldom see movies that tackle male bonding so deep you even can't help but cry while watching it. I could relate to the story because some parts have resemblance to my life. Great cinematography, great acting, very heartwarming. Ridley Scott just became one of my favorite directors after watching the movie. How I wish I was one of the characters. I particularly liked the role played by Scott Wolf, Charles "Chuck" Gieg, because I see myself in him. Genuine FRIENDSHIP, teamwork, and unity are best portrayed in this excellent but underrated film.

The story, as I understand, is "based on real events." That can be either good or bad, depending on what sort of license is taken with those real events and how they are rendered.In this case, the results are enough to gag a maggot. I wasn't expecting much going in -- anticipating a story of rich high-school kids taking an ocean cruise under a stern skipper. That is, what I figured was a coming-of-age movie along the lines of something about boot camp or basic training, the kind in which the drill sergeant says, "My duty is to snap you out of your winsome civilian ways." Well, it IS that, in a way. The kids start out as kids and end up as an organic group. But this is far hokier than any boot-camp movie I've ever seen, outside of a deliberate comedy. Who WROTE this thing? The air is filled with slogans that belong, not in high school, but in the third grade. The dialog offends the ear.Jeff Bridges usually does a better-than-average job but in this case his performance is mediocre. He brings nothing extra to the part, although given his lines, it's hard to know how he could do much with them. The rest of the cast is undistinguished and a few of the kids are painfully inadequate. There's a lot of tearing up, and considerable crying. The best scene involves a dolphin.The immature clichés continue to the very end. The Coast Guard is cast in the role of the hard-hearted court at the hearing that follows the disaster. The interrogator does nothing but hit Bridges over the head with his misinterpretations and misconstruction of events. "You let the crew drink alcohol, didn't you?" (A couple of harmless drinks.) "And you didn't punish them, though you punished them for killing a fish." (The dolphin business.) The technical details surrounding the sinking are left murky. What is a "white squall" anyway? And if it's as dangerous as Bridges claims, why weren't the whole crew alerted and wearing life vests? But why go on? If "The Albatross" were a Dreadnaught, it would still be torpedoed and sunk by the ludicrous comic-book script.