Vertigo

PG 8.3
1958 2 hr 9 min Thriller , Mystery , Romance

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

  • Cast:
    James Stewart , Kim Novak , Barbara Bel Geddes , Tom Helmore , Henry Jones , Raymond Bailey , Ellen Corby

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Reviews

Alicia
1958/05/28

I love this movie so much

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Maidexpl
1958/05/29

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

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Hulkeasexo
1958/05/30

it is the rare 'crazy' movie that actually has something to say.

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Bea Swanson
1958/05/31

This film is so real. It treats its characters with so much care and sensitivity.

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sassonlonner
1958/06/01

SPOILER FREE REVIEW:Hitchcock is considered one of history's greatest directors for a reason. Watching through Vertigo one time straight through gives an amazing experience. The characters are intriguing, the plot is suspenseful, and has many twists and turns, like you are falling through spiraling mayhem.****************************SPOILERS AHEAD********************************* From the beginning of the film we have one of the greatest opening credits sequences of all time. The close up shots of a face, followed by spinning shapes and spirals. As irrelevant as this credits sequence may seem the first time around, it quite literally delves into the mind of Scottie (James Stewart), our protagonist. The way he perceives Madeline (Kim Novak) is not as a person clearly, but for who she is as an object. He doesn't see her as a full person. That is why from the opening credits, we see features of a woman on there own, separate from the rest of the body. These spirals represent how Scottie feels with the chaos ensuing in his life throughout the film, and his vertigo. Another brilliant subtle use of imagery in the film is with color. In particular, the colors red and green, for stop and go. The first time I watched the film, this imagery totally went past me. Although I was in a class where the teacher was analyzing the film, and this suddenly became almost too obvious. In nearly every scene featuring Scottie and Madeline/Judy, the colors red and green are very present, whether it be the lighting in the space, their clothing, the wallpaper the room, or even something as simple as a reflection. The one element I didn't love in Vertigo which many people would disagree with is the ending. I really loved the buildup as Scottie follows Judy up the tower in the final scene, and he slowly builds up in his anger revealing he has caught on to the whole scheme, but I found the very ending bizarre, and was given no good explanation to it. My assumption was at the ending there would be some sort of intense final dialogue between Judy and Scottie at the top of the tower, and Scottie would dramatically either commit suicide, kill Judy, or just something very intense, but the way that Judy dies didn't make much sense to me, or make me feel the film had a satisfying ending. She dies because some nun we've never seen before startles her. Why does this happen and what does it mean? I read somewhere that she thought the nun is a ghost, but why is that relevant? When the movie ended the first time I watched it, I thought to myself, that was weird, although I'm sure I'll find some complex mind blowing explanation online. Nothing. If someone can link me to a great explanation of who that nun is, and what she represents, it would be appreciated.

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Charbel Elaro
1958/06/02

Vertigo directed by Alfred Hitchcock is a crime drama which surrounds one retired detective who is asked to take on one last task. The task is to follow his college friend's wife due to her recent bizarre behaviour. And from that point the audience is taken on such a captivating and unexpected journey. Vertigo is simply incredible. Everything in the film is still outstanding. The cinematography, music, acting and script are some of the best ever. What I love particularly is how unpredictable it is. The movie takes such incredible turns, which really compels the audience even further. The sinister tone of the movie is so magnetic, as the feelings and emotions remain with you beyond the credits. The film ends with such a high, confirming why it is one of the most memorable movie experiences in history. My only issue is the first act, which at times can feel quite slow due to that fact that audience doesn't have that emotional attachment to the characters and story yet. Although the film progresses and builds brilliantly. Vertigo will forever be timeless so therefore I give it a 9.

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Sasha Wannadamrong (trondolsen)
1958/06/03

What are these unrealistic characters, and why is this man so obsessed with the woman. There's no foundation for being so crazy about her, it just happens out of nowhere, and it's almost as if the story wants to portray how manipulative women are. Or maybe this man just never understood how much she troed to get away from him without being able to succeed due to her fragility.

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ahmetsemiherdem
1958/06/04

Watching this movie in 2018 for the first time,i can say i find it pretty average.Its hard for me to review this movie in 1950s standarts as I'm only 23 years old.The acting is good and Kim Novak is simply an angel.The scenes with James Stewart following Kim with his car are too LONG.At some point it gets pretty boring.Also It shouldnt be that hard to realize that Judy is actually the same women he fell in love and thought she died.I mean she only changed her hair,c'mon.But I guess It's normal when you think with that decade's innocence.The music in the movie is also average when you compare it with Hitchcock's other movie Psycho.

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