At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

One of the most extraordinary films you will see this year. Take that as you want.

I never imagined that this cheapie effort made by the legendary Fred Olen Ray (usually legendary for the wrong reasons) would ever get a DVD release, but it did indeed get one a couple of years ago. So I decided to give it another look. Actually "cheapie" is a kind adjective to give this movie. It looks like most of the VERY limited budget went to securing that legendary B movie cast for a few days of shooting. (Though as it turns out, the cast doesn't exactly give good performances.) With the limited amount of money left over, Ray ended up making a curious hybrid - a movie that feels both made in the 1950s and the 1980s. The plot is clearly inspired by the 1984 movie "The Terminator", though the production values are right out of a low budget Roger Corman movie from decades back. I admit that the tacky production values actually have a little charm, namely because Ray keeps the tone pretty serious and does not seem to find the low rent atmosphere one to be mocked. The photography and lighting are acceptable as well. And there's an interesting twist in the plot towards the end. But ultimately the movie doesn't work because not only is the plot pretty slow-moving for the most part, the action sequences are lacking passion and grit. If Ray had kept things swiftly moving and exciting with both plot and action, I think I could have overlooked all the cheapness and the other flaws in the movie and had some serious fun. But as it is, for the most part it's only worth a look if you have a perverse pleasure of seeing a legendary cast of actors clearly knowing their better days are behind them.

Alien criminal Kol (Ross Hagen) escapes from an intergalactic prison and crash lands on Earth. The prison commander (Jan-Michael Vincent, clearly inebriated) sends the space hunter half cyborg Alienator (Teagan Clive) to terminate him. Kol ends up being hit by some kids in an RV and they take him to Ward Armstrong (John Phillip Law), the local game warden, and everyone soon finds themselves in a battle for their lives. This is another Fred Olen Ray cheapie that is an entertaining time passer if you are in the right mood. Teagan Clive, a female body builder, is certainly an odd choice for the hunter and her costume (including an awful fright wig) certainly does the character no favors. However, the film moves briskly and there is some intentionally funny dialog here and there. Best of all, Ray populates the supporting roles with some great old timers including Leo Gordon (as a war hungry Colonel who helps out), Robert Quarry (as a drunk doctor), and Hoke Howell (as a redneck brother alongside Fox Harris, who the picture is dedicated to). The space prison (actually a big factory) sequences also feature Jay Richardson, Joe Pilato, and P.J. Soles.

Alienator (1990) * 1/2 (out of 4) With Fred Olen Ray directing and just looking at the title and what movie it's "copying" you should know what to expect. Kol (Ross Hagen) is about to be executed when he escapes his planet so the commander (Jan-Michael Vincent) sends a female alien to Earth to try and track him down. Kol ends up running into a sheriff and five drunks and soon they're caught up in this battle. There's no big secret that ALIENATOR is a pretty bad movie but I have to give credit to director Fred Olen Ray for at least knowing he's making a low-budget, bad movie. The reason I say that is that I often get the itch to watch a movie like this and more often than not you have a director thinking he's working with a $200-million dollar budget. The young director will try tricky shots, various plot twists and by the end of the movie you're asking yourself if the guy knew he was just making a piece of junk and you'll wonder why he thought he could do more with it. Mr. Ray doesn't go for that and instead it's clear that he knows what type of movie he's making and he just tries to make the best of it. This is certainly a bad film but at least there's some mild charm to be had. I thought there were a couple fairly funny moments but the highlight has to be the costume that our female killer wears. I'm not even going to attempt to try and explain it but once you see the thing you'll know what I mean. I also have to tip my hat to the outfit worn by P.J. Soles (HALLOWEEN, CARRIE) because it too is quite catchy and you can tell some imagination went into it. The special effects are obviously silly but it appears they're having a fun time with them. Yes, the performances are also bad but again credit has to go to Ray. Instead of trying to get the actors to do Shakespeare, he instead has some over-the-top moments that at least fits the performances. The violence/gore/nudity level is shockingly low, which is one negative thing as a bit more of any probably would have helped things. ALIENATOR is a bad film, yes, but when you compare it to other rips of THE TERMINATOR you'll see that it could have been much, much worse.

For the initial 20 minutes or so (I was watching it on a PS2 so I've really no idea how long it took) Alienator sets up an interesting premise. I don't think I've seen a slasher movie with an alien from another planet as the baddie before. However, interest soon turns into stunned disbelief as you realise the 'alien' is a huge body-builder woman in a steel bikini. Yes, Alienator is patently ridiculous.Don't think I hold that against it. In the world of shlock-horror, patently ridiculous can often be a good sign. However, the blatant stupidity of its premise is all the movie really has going for it. Alienator is funny as hell, but it is also a shambolic suckfest of the highest order. Actors heap on failed attempts at seriousness, potentially genius lines of pure cheese dialogue are stumbled over with unnerving incompetence and the direction fails to sum up even one or two decent set-pieces. By the time the movie's finished you can barely see the original concept through the haystack of total tripe the team piled on it.Add to this the fact that the 'Alien' just kills people by vaporising them, as opposed to doing any 'slashing' as such and you have a giant throbbing heap of good ideas being left to rot. You'll laugh at Alienator, but AT it, not with it. If that's your thing then go ahead and check it out.