Akram, an illiterate Iranian woman, shows us that true talent will always refuse to be stifled, and that you don't need an education to understand, to feel, and to paint. She discovered her talent quite by chance at the age of 50, when she was helping her grandson with his homework…

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

Downtown has become a frontier of creativity where new ideas flourish. From raw and tragic beginnings, it has grown from a groundswell of spontaneous gap filling into a force that could redefine the shape of the future city. Projects like Gap Filler’s Dance-O-mat and Pallet Pavilion, the profusion of street art and Peter Majendie’s 185 Empty Chairs Memorial have become iconic symbols of the grassroots urban movement and provide sharp contrast to central Government’s big business, corporate driven approach to the rebuild of the city. Soon, a new city will arise, but whose city will it be, and will the creative energy that brought life to the rubble be a part of its future? The Art of Recovery documents one of the most dynamic, creative and contentious times in the history of Christchurch. It tells an uplifting story of resilience and community spirit that informs a greater conversation about how we live together, and how our we build our cities.

A look at the recent trend for collecting aboriginal art and the issues surrounding it.