Susannah of the Mounties

NR 6.4
1939 1 hr 19 min Drama , Western

This classic family drama stars Shirley Temple as young orphan Susannah Sheldon, the sole survivor of a brutal Indian attack who's befriended by Canadian Mountie Angus Montague (Randolph Scott) and his girlfriend, Vicky (Margaret Lockwood). The couple takes Susannah under their wing and soon learn that having a precocious child around can come in handy; when the Indians return, the girl uses her charm to broker peace.Shirley is the orphaned survivor of an Indian attack in the Canadian West. A Mountie and his girlfriend take her in...

  • Cast:
    Shirley Temple , Randolph Scott , Margaret Lockwood , J. Farrell MacDonald , Martin Good Rider , Maurice Moscovitch , Moroni Olsen

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Reviews

Softwing
1939/06/13

Most undeservingly overhyped movie of all time??

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Ploydsge
1939/06/14

just watch it!

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Stoutor
1939/06/15

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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CrawlerChunky
1939/06/16

In truth, there is barely enough story here to make a film.

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weezeralfalfa
1939/06/17

Essentially, a lesser remake of "Wee Willie Winkie", in a setting of sometimes hostile Canadian Native Americans, instead of thieving tribal Afghans, in another part of the British Empire, of the times. Very vaguely inspired by the novel of the same title. The second and final appearance of ruggedly handsome, charming, Randolph Scott, as the male lead in a Shirley Temple film. Actually, this wasn't their first dual appearance in a western. Back in 1933, 5 y.o. Shirley had a minor role in the Scott western "To the Last Man". Their second appearance together, in "Rebecca of Sunnybrook Farm", is the best of the 3 films, for various reasons. I couldn't believe my eyes when, in the opening scene, with Scott leading a routine patrol of Mounties. They are wearing silly-looking bell hop caps, instead of the wide-brimmed 'police hats' we normally associate with the RCMP, or the 'pith helmets' sometimes worn in the earlier days of the North-West Mounted Police(NWMP)(The RCMP wasn't named as such until 1920). There must be a story behind this glaring travesty of decorum, but I don't know it. Very unusually, Scott is sporting a moustache, which seems to be a requirement for being a Mountie, since all the others have a similar moustache. Also, in the colorized version which I saw, their jackets are a dull orange, rather than the cardinal red traditional RCMP. The historical setting of the plot is equally unhistorical. It has certain elements of the Blackfoot attacking settlers and crews building the Canadian transcontinental railroad, which places this story in the 1880s. Well, the Blackfoot never joined the Sioux, Arapaho and northern Cheyenne, to the south, in their armed resistance to European expansion and the building of railroads across their hunting grounds, which by then had long ago been depopulated of their essential bison prey. On the other hand, some actual Blackfoot were included among the costumed Native Americans. This is more authentic than most westerns of this general era. Even John Ford usually cast his familiar Navahos as Apaches, Comanche, Cheyenne, etc. The NWMP patrol led by Scott, as Monty, comes upon the remains of a wagon train, with no apparent survivors of an apparent 'Indian' attack, until a barrel is noticed rocking a bit. Inside they find Shirley(Susannah) who, strangely, initially is fearful of them, rather than relieved. Obviously, someone else must have placed the barrel over her, and it's strange the attackers didn't investigate the contents of the barrel, as possible plunder. Since Susannah doesn't seem to have any surviving relatives, it's decided to keep her at the post for a while. with Monty and Pat(J. Farrell MacDonald) serving as her unofficial guardians. Pat makes or buys her a new outfit, Susannah being surprised that he can sew well. His awful toupee, which he only occasionally wears, becomes a running gag, as naïve Susannah uses it to polish Monty's boots, then later it keeps being shot off during a Blackfoot attack on the Mounties' compound. Beautiful Brit, Margaret Lockwood, cast as the superintendent's visiting daughter(Vicky) soon shows up. She and Monty immediately hit it off romantically, causing great jealousy on the part of 11 y. o. Susannah, who now considers Monty 'her man', acting the part of a wife in taking care of some of his domestic chores. She is greatly relieved when it's decided that city girl Vicky will return to Toronto, while Monty will remain at the post. Susannah's other new male in her life is Blackfoot Little Chief: son of Chief Big Eagle. The Blackfoot, real and fake, speak in stereotypical Hollywood 'Indian pidgin English', often in the extreme, with just 'unh' for yes. Little Chief exhibits this in the extreme. Although Susannah initially hates Little Chief for his dismissal of her as a mere childish squaw, with all the implications relating to Blackfoot squaws, eventually they strike up a bit of a friendship, even mingling blood from their fingers, supposedly making them 'blood brothers'. They also smoke a makeshift peace pipe together, with Susannah supposedly feeling sick and dizzy afterward. This is repeated in the final scene when, at a peace council, she is forced to smoke a real peace pipe, since she was instrumental in bringing out the truth about the stolen horses and supposed plan of the Canadian Army to attack the Blackfoot, thus causing Big Eagle to declare an end to hostilities. Again, she initially smiles, then frowns, clutching her throat. Shirley would begin a lifelong smoking habit in just a few years, which would eventually lead to her death just a year ago, from lung dysfunction. Shirley's trademark dancing and singing is confined to teaching Monty to waltz, so he can dance with Vicky before she leaves......Humor is mostly confined to cultural conflicts between Susannah and Little Chief, Pat's toupee, and Susannah's jealousy relating to Vicky.....At times, there's a good deal of war-whooping and dancing, and shots of masses of 'Indians' riding horses on a war mission... During the Blackfoot night attack on the Mounties' post, it appears that most of the complex is on fire. Yet, in the morning, there appears to be only minor damage, quickly being repaired......In the critical matter of determining whether Susannah + Little Chief or Wolf Pelt is telling the truth about the stolen horses and Canadian troops, the medicine man employs a 'truth stick', placed vertically, supposedly falling toward the liar. I couldn't find any historical reference for any culture using such. However, in principle, it rather resembles 'trial by ordeal' or trial by other methods based mostly on chance.

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lynn-pickell
1939/06/18

As always with any movie Shirley was in, she did a brilliant job.Her lines were good, not missing any, and her dance routines were excellent as always. I have seen her perform with the best of the best, and she stands right out as being very professional. She is a child actress that never let success go to her head. She always comes off as being sweet and caring and in my opinion never once got arrogant even though she made it big. you can see the sincereness that she had when portraying Susannah and in every other roll she portrayed. There will never be another actress who will even come close to her talents and spirit. She is a once in a lifetime person.

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Ron Oliver
1939/06/19

A young girl, the only survivor of an Indian attack, becomes involved in the life of the Canadian Mounted Police officer who rescued her.An aging Shirley Temple (she was 12) brings her special charm to this pleasant, if predictable, programmer. Although her glory days were behind her as Hollywood's top box office star, the mighty moppet still had the power to delight audiences with her appealing personality. If at times it seemed as though she was straying a little too near the hammy or histrionic, who can blame her? For years she had been one of the industry's hardest working troopers, tirelessly promoting her movies, Fox Studios and the many efforts to raise the American people's spirits during the Depression. And she did it all with that marvelous, megawatt smile. By the time she appeared in SUSANNAH OF THE MOUNTIES, one of her last 'little girl' roles, her spot in cinematic history was secure & unassailable.Stalwart Randolph Scott & pretty Margaret Lockwood deal with the romantic subplot, which fortunately is not allowed to intrude too much. Victor Jory, as usual, plays his villainous role well. Splendid character actor J. Farrell MacDonald, as an old Irish Mountie, shares some tender moments with Shirley.The film's action scenes are well done, with lots of shooting & excitement. While an attempt is made to show some of the conflict from the viewpoint of the Indians, having them all speak in pidgin English, even to each other, is a bit wearying. Members of the Blackfoot Nation appear throughout the film, adding greatly to its authenticity.

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Harpo-10
1939/06/20

This is one of my favorite Shirley Temple films. She as always is captivating. The story line is interesting, and the characters believable. I would recommend this to any family to watch.

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