Touches You

Awesome Movie

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Like the Poltergeist's curse, Rosemary Baby's Curse, and lastly the Omen's Curse, many people connected with the film met unfortunate sad fates after the film wrapped, giving rise to an urban legend that Incubus was a cursed production. Actor Milos Milos, the Serbian actor who played the Incubus, killed his girlfriend, Barbara Ann Thomason Rooney – the estranged fifth wife of Mickey Rooney – and himself in 1966, nine months before the film's premiere. Actress Ann Atmar whom played Arndis committed suicide twelve days before the film's premiere. The daughter of actress Eloise Hardt was kidnapped and murdered. William Shatner's third wife drowned in a pool. Lastly, the Director Leslie Stevens and actress Allyson Ames divorced, and Stevens' production company, Daystar Productions, went bankrupt. The film was even lost for many years because the original print of the film burned in a fire and all copies were reported lost, destroyed, or worn away, but a copy of the film with French subtitles was found in the permanent collection of the Cinémathèque Française in Paris in 2001. So finally we the audience get to watch this lost-long haunted film, and it wasn't good. The whole movie is first off, is a foreign language film of a language not many people know of called 'Esperanto'. Esperanto was created by a Dr L. L. Zamenhof, designed to be an international auxiliary language, to be learned to communicate across cultures. Sadly it didn't become that way. The producers thought by having Esperanto be the focus language, they can reach the most audiences. They should have done more research. The Esperanto-speaking audience is thinly spread around the planet, and virtually every country has little Esperantists. Not a very effective marketing strategy, as it turns out to be for them. Incubus was the second feature film primarily using Esperanto ever made. The first, Angoroj (Esperanto for Agonies) appeared in 1964 also failing to connection a audience. Esperanto speakers are generally disappointed by the pronunciation of the language by the cast of Incubus whom had to learn the language quickly. William Shatner sounds like he is forgetting his lines. My opinion is the movie dialogue is well enough pronounced, considering the short time they'd all been speaking it. Only in a medieval fantasy can you have a story line where Esperanto is spoken. It didn't help that the director Leslie Stevens has prohibited the film dub into other languages. The film is set in the town of Nomen Tuum haunted by succubus whom seduce tainted souls leading them to their deaths in order to offer their souls to Hell. A prominent young succubus named Kia (Allyson Ames) get bored, and wanted a challenge by seducing a good person. Her sister succubus, Amael (Eloise Hardt), warns Kia of the danger that a pure soul will bring something stronger than them: love. Kia persists anyway and attempts to find a man to seduce into darkness. Enters soldier Marc (William Shatner) and his over-acting whom come to their sacred water to heal his battle-wounds. She fails as her task, and falls in love with him. While the movie is call 'incubus', we don't see one until late in the movie. It's should be call Succubus. Her sister finally summons an incubus (Milos Milos) that attempts to kill Marc. The rape scene between the incubus and Marc's sister is probably the most disturbing thing in this film. The incubus actor is just awfully bad, mostly walks around in the buff and make weird faces. The movie is full of silly scenes, most noticeable is Kia fighting a goat. The movie is also a bit too preachy, as the film basically hangs on Marc deciding to have pre-marital sex or not, rather than worrying about going to hell for the fact that he murder people in the war. Arguably very Catholic viewpoint. The best part of the film is the black and white cinematography, due it remind us of Ingmar Bergman's The Seventh Seal. Using natural lighting, Conrad Hall contrasts light and shadows throughout the eerily setting to create an ominous feeling with a minimum amount of artificial props. Individual shots often qualify as art pieces—his camera shoots between ferns and wildflowers, through creeping fog and up through the ocean. The long shots of the black-robed succubus slowly proceeding on the beach is amazing. I thought it was very atmospheric. Somebody must have seen Shatner on those two Twilight Zone episodes and thought he would be perfect. Check it out, it's a must for Shatner completest.

Esperanto, a nineteenth-century "all purpose"/international language, almost made a comeback with this stark, moody thriller--thought to be lost for many years until a surviving print resurfaced. Leslie Stevens wrote and directed this tale of a beautiful but soulless female demon, working for the God of Darkness, who tempts and lures men with tortured souls to their deaths in the ocean; tiring of her unchallenged routine, she sets out to destroy a pure, heroic man whose only defense is the power of love. Stevens seems to have overdosed on Ingmar Bergman movies, and is too enamored of Conrad Hall's artistic black-and-white cinematography to really get a grip on his narrative (certainly the editor could have cut back on the many shots of William Shatner wandering...wandering...). However, the ambiance of this film is startling and intriguing, Stevens writes some literate dialogue, and several of Hall's visual compositions are haunting. ** from ****

"Incubus" is a very strange movie to be sure – it's unique because it is the only film ever shot in the "universal language", Esperanto. It may be worth it for some viewers to see the film simply because it has camp-master William Shatner speaking his lines in this never-land language. But not for me. From the very first moments of the film you can tell what you're looking at – a good photographer with a bunch of amateur actors and an overambitious director gathered on the beaches of Big Sur in a desperate attempt to capture some of the magic of Ingmar Bergman's films "The Seventh Seal" and "Hour of the Wolf" and apply that magic to a straight-up horror film in the occult vein.The story is very confusing despite being very simple, due to the cryptic dialog and ineffective direction. I've seen it twice now so this is what I have been able to piece together – Shatner is playing a guy who is some kind of idyllic woodsman who lives with his sister in a cabin. A female devil worshipper sees him somewhere and gets a crush on him so she decides to corrupt him and make him a Satanist too, which her sister discourages. Soon Shatner is following the evil woman across a lovingly photographed wasteland, back to the beach again, and eventually he is involved in a confrontation with the "Incubus" (a male version of a Succubus, for those not in the know… this movie won't tell you so I might as well).The "Incubus" is literally a goat that someone put on top of Shatner that kicks him a bit and then disappears. Outside of some interesting but unoriginal photographic effects there really is nothing happening in this movie. Shatner's character completely forgets about the sister character, who has been blinded by a solar eclipse and spends most of the movie wandering around. There's no scares whatsoever. Maybe this movie appeals to people who like surrealist cinema. Usually I don't like that kind of thing anyway so I couldn't tell you if this is a good or a bad example of that school of cinema. My guess is that it's bad, and it's certainly bad from my perspective as someone who expects at least a minimum of character development and plot in a film.However the music is interesting and the photography is great. This is a good movie to watch if you were curious how to distinguish directing from photography because this is a very poorly directed but well photographed film. Other than that and the fact that it has Esperanto dialog there's nothing to distinguish it or make it memorable.By the way, I was able to see it this time in a 35mm presentation in the theater thanks to the producer Anthony Taylor who has a nice print and lives in Southern California.

A very weird, quietly creepy horror film... I think a big chunk of the weirdness and creepiness goes down to the fact that the film is entirely in Esperanto (and also the bit with the goat). Put together by Outer Limits staffers (who were apparently obsessed with artificial languages), the production values are not dissimilar to 50s/60s TV (the odd camera shadow, out of focus evil beings, etc), but the effects are strangely effective and the use of sound is genuinely creepy in a way that made me think of "Eraserhead".This film is worth seeing if for no other reason than to see William Shatner overacting in Esperanto. Most of the film he keeps the overacting in check, but about an hour in he clearly can't help himself.