Great Film overall

Excellent, Without a doubt!!

A different way of telling a story

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This really isn't a good documentary about the topic of "Snuff" but is mostly about movies in the open market that has some realistic looking killings on camera. It's interesting though, for the most part but a lot of it seems to be over done. And I did enjoy it talking about real snuff films around the world, particularly about the Russian crime ring tale even if some claim it to be fake and if it is, it's a interesting lie. But as a whole this really isn't a good documentary and you will not gain that much info about snuff but more about realistic killing in certain films that is in the open market like I said, and I do agree with a lot of what the other reviewers are saying, some of the stories in this does sound a bit fishy. Cause they mention a interesting topic they can really get into, but after mentioning it, they never really get into it. The main flaw with this documentary is how it goes way past it's point and not in a good way either, it should of just stuck with the main topic at hand instead of stretching it. So not a good documentary, but interesting to say the least.4.6/10

The question asked by the film is do snuff films really exist. A snuff film as defined by the producers is a film that was made purely to record the death of a person who was killed for the film which was then sold for a profit. The film acknowledges films like Faces of Death and the plethora of real death DVDs and put them into a separate category since they are merely a collection of footage of already existent. The film also examines the videos of serial killers Lake and Ng who kidnapped people and filmed their murders.They also touch on war reporting and the films of terrorists (like the death of Daniel Pearl) The film talks to producers, law enforcement people, film historians and other about the subject. It is a thought provoking and disturbing look at the subject. I don't know how accurate the film is in some regards (some of the discussions of horror films isn't completely correct) but the stories of Mark Rosen about a Philippine film he says he saw and the reports of a Russian gangster who arranged for children to be mutilated and tortured seems to make one think they do exist. The film will make you think about what you watch and why. As one person muses why are we okay with horror films but a real depiction of the same thing would make us ill? If there are any problems with the film it maybe that it seems to wander too far a field, some of the sections seem to end up going on too long. I also found Raymond Whalen too over the top and any points he may have scored for his position the films don't exist are lost in his bothersome insistence he knows all. Problems aside its graphic food for thought, and the sort of thing that will leave you feeling uneasy.

It has to be said from the get-go that this is no proper documentary as it's circumstantial and somewhat manipulative (maybe even insufficiently documented for all I know). But while the case studies it brings about certainly have this feeling of tabloid garbage fed to the masses by the teaspoonful, what it all boils down to at the end of it all is that it manages to raise the question of whether or not snuff cinematography is more than an urban myth (again). The answer it seems to convey is a definitive yes and, knowing human nature as I do, I tend to agree. Sadly though there's just too much beating about the bush. Snuff and mainstream cinematography ('Cannibal Holocaust')? Snuff and war footage? You're missing the point here and stretching the concept way past the rupture point. That said, if you happen to have a chance to watch this and can put up with its violent content, do not hesitate. And I mean really, really violent 'Saw'-has-nothing-on-this kind of content.

Ever since Michael and Roberta Findlay made their low budget Manson family cash-in Slaughter, and producer extraordinaire Allan Shackleton breathed new life into it by tacking on the post-script death sequence and renaming it Snuff, the term has sparked controversy and debate wherever it appears. Whether it be over the top porn-lobbying feminists, reactionary journalists, or BBFC watchdogs, the (still unproven) phenomena known as the snuff film has been the trigger for many inflammatory headlines and public scandals over the past three decades and I'm sure will be for many to come.Paul Von Stoetzel's documentary explores the history behind the snuff film myth and tries to discover if there's any reality behind it. Throughout the course of the film ex-FBI agents, policewomen, film producers, directors, cinephiles, and even an Iraqi war correspondent are interviewed and put forward their opinions on snuff films. Interwoven with the interviews are clips from many of the exploitation films that have at one time or another been considered "the real thing" and/or have snuff themes including; Snuff, Emanuelle in America, Flower of Flesh and Blood, Cannibal Holocaust, Faces of Death, Henry: Portrait of a Serial Killer, etc.The majority of the interviewees state that they consider a snuff film - i.e: the actual killing of a human being recorded on film for monetary or entertainment purposes - an urban legend. Although one subject, onetime Texas Chainsaw Massacre producer Mark L. Rosen relates a couple of emotional anecdotes that, depending on your point-of-view, are rather disturbing: the first is regarding the investigation of a Russian internet child pornography ring that supposedly produced made-to-order kiddie snuff porn in October, 2000. This was all over the internet when it happened and judging from the sensationalised anti-Semitic (they were Russian Jews) articles that are rather ambiguous about the facts, plus the reality that all but the leader of the group were released from prison due to overcrowding(?!), it sounds a little dubious to me but if it is indeed true then it must be the first documented case of an actual snuff film.The second story is Rosen's account of how in the 70s when he was a porno distributor he was approached by some dudes from the Philippines who said they had an adult film they wondered if he'd be interested in, what he ends up witnessing is some authentic snuff-porn that traumatises him for life. Now, I gotta say I'm very sceptical about all this as there are plenty of stories floating around about people who've seen a "real" snuff film, but who am I to say if they're telling the truth or not? I mean sure, Rosen's story sounds realistic enough, but why didn't he contact the authorities immediately afterwards and have something done about this "horrific" snuff film? When it comes down to it, I think it's a lot to pin on one man's (melodramatic) words and I personally need more than that, like corroborated facts.The second half of the film covers the misogynist serial killing duo of Leonard Lake and Charles Ng - the two men who built a torture chamber / snuff film studio in their remote Northern California ranch - and even shows some clips from their home videos which depict them verbally & sexually humiliating their victims for the camera. The duo did indeed kill women on film and this is probably the closest any footage has come to actual snuff film-making. The last segment focuses on the war in Iraq: specifically the Abu Ghraib prisoner torture case and the beheading / execution footage that is constantly leaking onto the internet. This section is intercut with many of the actual clips including the decapitation of US soldier Eugene Armstrong and scenes from Abu Ghraib.All in all this is a competently put together doco that takes an in depth look at all the elements surrounding the snuff film myth and our societies ongoing obsession with death. It is obviously impossible to say whether snuff actually exists or not but Von Stoetzel presents all the possible situations, including one man's tearful testimony and leaves it up to you to decide.