Very best movie i ever watch

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The acting is good, and the firecracker script has some excellent ideas.

Two aging old coots rival the untouchables in this fantasia on the prohibition era that is an entertaining burlesque on a historical subject. Jackie Gleason and Art Carney are reunited to play the title characters, old friends who has had several fallings-out yet reconciled to become New York answer to what Kevin Costner would document several years later in a major Hollywood Blockbuster. Gleason, dressed to the nines, doesn't exactly get a warm welcome from Carney, having been raided by the feds which has closed his speakeasy. So the last thing he's interested in doing it becoming a government agent himself, but since Gleason owes him money, it seems like the easier way to get it back. The results are nowhere near realistic in a historical value, but to see Kramden and Norton together again is a shear delight. The detail of the 1920's is well put together, and caricatures of various 20's personalities add an authenticity that is lacking from the overall narrative. Cynthia Harris is excellent as a hostess based upon Texas Guinan, while Thelma Lee is a delight as Gleason's obnoxious mother-in-law. The highlight is the opportunity to see Carney in drag, looking like Dame Edna, and having a wedding scene with Gleason as the groom. So don't expect Prohibition 101 in this fictitious variation of New York's fight against rum runners, but a good old fashioned style modern version of what is Warner Brothers might have done in the main d 1930's with EGR and Cagney.

For some reason, despite repeated reunions in their "Honeymooner" roles as Ralph Kramden and Ed Norton, Jackie Gleason and Art Carney never appeared together in a straight (or close to straight) film until a year or so before Gleason died. Then they appeared in this made-for-television film about Prohibition American, and two of it's forgotten heroes: Izzie Einstein and Moe Smith. As has been mentioned before this is not historically accurate by any standard. But it is nice as a record that the two stars' chemistry could sustain a non-"Honeymooner" plot.Historically Izzie and Moe were Prohibition agents. That would actually set the public opinion of them at a low, as most people (except died-in-the-wool prohibitionists) disliked the rise in crime across the country due to the idiotic Volstead Amendment. Most of the Prohibition agents were a humorless, businesslike group. The only one who permanently raised himself above the bunch was Eliot Ness, by his memoirs THE UNTOUCHABLES, which became a hit television show. But Izzie and Moe almost did the same. From 1920 - 1926 their antics at swooping down on illegal gin mills and distilleries convulsed the nation. Izzie and Moe used a wide variety of disguises. They could come into a speakeasy as Harvard professors, or as doctors, or as actors, or as drunks...whatever, if they knew it would not raise suspicion they would try it. And when they did, the newspapers printed the stories...which delighted the public who otherwise might have supported the speakeasies and not the government. Finally, in 1926, the Department of Justice fired them as agents: they claimed that their notoriety had rendered them useless as effective agents. In reality it was pure jealousy. They were the only two agents (before the belated arrival of Ness) who gained public liking.The actual story would be worth a serious retelling in movie form. That is not the case here, which does touch on their use of colorful disguises (although I don't think either of them ever dressed up as a woman). It does show the failure of Prohibition due in part to corruption within the Department of Justice and it's agents. However, the story of Moe's (Carney's) so-called romance with a speakeasy hostess named Dallas (based on Texas Guinan) is totally false. Also the fight against one super mobster (based on Dutch Schultz in the film) is not true either - he was one of many targets for them. But with such defects the film is good to watch the two old pros having a ball in the gin-mills of the 1920s. Hopefully it will be released again sometime.

Gleason and Carney do a very good job in this film. Unfortunately, the reason a friend invited me over to watch it was because he knows I'm a history buff with a special interest in the Prohibition era -- and let's face it, even by Hollywood standards the historical facts were trashed. The real Izzy and Moe were very interesting people, if you want to see what they were up to leave this movie on the shelf and head to the library.

For years since they last appeared in a l978 ABC TV "Honeymooners"comedy special.Audiences clamored for Jackie Gleason and Art Carney to return to tv for one more performance.In l985,the duo returned to the small screen.But this time.The pair performed in a period drama that showcased their other talent for dramatic acting.As Izzy Einstein and Moe Smith.Jackie & Art play two ex-small time vaudvillians.Who try to find gainful employment in l920's NYC.Times were hard due to the Prohibition laws that prevented adults from getting liquid refreshments and for Poor Moe Smith(Carney)the constant raids by The U.S.Prohib agents didn't help his bar business.Izzy's (Gleason's)money making scheames didn't help Moe's fiancial woes either.But Izzy comes thru for the pair.When he gets them jobs as undercover prohibition agents for corrupt,dour federal officer:"Lt.Murphy".Who wants to end the violent and contempable reign of mobster:"John Vanderhoff" Alias:"The Dutchman"(A dark satire of Dutch Schultz)."Dutch"is taking over all of the crooked booze business in the Northeast and he doesn't give a damn about what methiods that he uses to get the hooch.Izzy & Moe stop "Dutch"and his illegal attacks with their disguises and help from a distrustful,no nonsense federal agent:"Dave McCoy",a young novice agent:"Harris"and a fun loving,flirting saloonkeeper:"Dallas Carter"(A satire on real life NYC saloonkeeper:Texas Gurnin the lady who get Barbera Stanwyck's career started as a showgirl)the boys stop "Dutch"and become heroes to everyone and for once in his life? Jackie Gleason's comedic(or in this case semi/serious character)finally controls his abusive and smart aleck mother in law.When she sees that he is a success at last! She is forced to light his cigar in The store window of Macy's.The film is full of action and some laughs.As our heroes foil the crooked speakeasy owners with their disgusies and their showing up their incompetant superior and one of his tough talking but not too bright agents:"McCoy".But the only flaw with this film is Moe's(Mr.Carney's)love affair with "Dallas Carter".Why anyone would want to fall in love with such a creature.Who only cares about maintaining her unothodox bar business and not care about anyone else is beyond me.The lover's subplot is unnessicary.Despite this ridicules detour."Izzy & Moe"is a wondeful drama and the best of Gleason and Carney's tv performances.It's their last performance on the small screen.But it's their best!