Keep the Aspidistra Flying
Gordon Comstock is a copywriter at an ad agency, and his girlfriend Rosemary is a designer. Gordon believes he is a genius, a marvelous poet and quits the ad agency, trying to live on his poems, but poverty soon comes to him.
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- Cast:
- Helena Bonham Carter , Richard E. Grant , Julian Wadham , Jim Carter , Harriet Walter , Lesley Vickerage , Barbara Leigh-Hunt
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Reviews
The greatest movie ever made..!
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
After playing with our expectations, this turns out to be a very different sort of film.
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
I haven't read the Orwell novel, so I don't know if it is true to the story. I found this movie entertaining, however. A very promising advertising drafter/marketer decides to turn down a promotion and opts to be a poet. Richard Grant's Comstock is reminiscent of many idealists, who think that one should pursue their dreams no matter how unrealistic they are. Comstock hopes to escape his hopelessly middle-to-upper class World, where the apidistra plant represents the horrible repressiveness of this environment. Rosemary (Helena Bonham Carter) plays an anti-romantic woman, which is refreshing. In the Victorian novels the woman falls for men of little promise unconditionally. In this story, she leaves him for a time, believing that he has become too ridiculous. Comstock, however, finds himself in a working class neighborhood, working at a lowly bookstore. He is entranced by the "free spiritedness" of the working class. There are no strict rules to abide by, and people are more honest. However, a painful lesson in poverty convinces Comstock to go back and reclaim his old job. Comstock has found his peace with the World, and is happy to be part of the middle class World. I found this very hopeful, in our era of the declining middle class. The movie made clear that in England, the middle class educated feel very isolated and alienated. It was an interesting movie.
I went to see the film as I saw parts of it being made. I wanted to see how Woburn Walk could be turned into a road in Hampstead. I liked the film. I wondered why the critics had such a downer on it. Then I read the book and could understand why.Richard E. Grant was not vicious enough as Comstock and somehow the poverty which Orwell depicted in his book has been cleaned up to the point that you just can't see why Comstock was having so much of a problem. Comstock's arrest has been cleaned up too and the ending was all wrong.If the film had been released under another name then it would probably have got a smoother ride and only been said to be a pastiche of Orwell's work. If you haven't read the book or seen the film, see the film first.
The British 'heritage film' industry is out of control. There's nothing wrong with filming classic novels, but why must they all be filmed by talentless nobodies? This film rips the guts out of Orwell's tough novel, turning it into a harmless, fluffy romantic comedy. 'Aspidistra' may not be Orwell's best work, but no-one who reads it can forget its superb depiction of poverty. Orwell emphasises not only the cold and the hunger, but the humiliation of being poor. In the novel, London is a bleak, grey, cold, heartless city, and Comstock prays for it to be blasted away by a squadron of bombers. But this film irons out anything that might be in any way disturbing, and creates instead a jolly nostalgic trip to charming 1930s London, in which everything is lit with shafts of golden sunlight, and even the slums of Lambeth are picturesque and filled with freshly scrubbed urchins and happy prostitutes. Comstock's poems about the sharp wind sweeping across the rubbish-strewn streets seem completely out of place in this chocolate-box world. Worst of all is the script's relentless bonhomie, ancient jokes, and clunking dialogue. It's so frustrating because Richard E. Grant is the perfect person to play Gordon Comstock, and the film is packed with great actors. But it's all for nothing. This film made me so angry! Britain's literary history is something to be proud of for its richness, complexity and power. And what do we do with it? We employ bland nobodies to turn it into soft-centred, anodyne pap for people who want to feel that they are 'getting some culture' while they drink their Horlicks and quietly doze off.
this seemed an odd combination of Withnail and I with A Room with a View.. sometimes it worked, other times it did not. tragedy that they changed the name for the US release though.. Keep the Apidistra Flying is much better than the nothing title A Merry War. acting was okay, script was okay.. overall it was a mediocre film..