Memorable, crazy movie

This story has more twists and turns than a second-rate soap opera.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

In the light of Faith Akin's 2004 'Gegen die Wand', 'Kurz und Schmerzlos' is relatively The most impressive point of the movie is the grim poverty which penetrates into the close friendship between Gabriel, Costa, and Bobby. Even though these three members of the Greco-Turkish-Serbian gang have sufficient amount of goodwill and mutual respect for, their inferiority complexes, combined with poverty, have detrimental effects on all of them.Bobby, hungry for more street respect, starts to work for an Albanian mafioso, and Costa joins his friend reluctantly as an experienced car thief. Gabriel, fresh from jail, tries to stop his two best buddies from joining the thugs. When Gabriel attempts this in his street-smart way, however, he further pushes his two buddies into the hands of the mafia.As Faith Akin recently reconfirmed with his 2004 movie 'Gegen die Wand', the Turco-German director applies his knowledge about marginal immigrant societies in Germany to his movies. The result is a fascinating, modestly grim, and interesting movies which continue to bring Akin worldwide acclaim and admiration.

Faith Akin's best movie so far, better than Berlin-Winner Against the Wall. The story is really romantic: three guys with different ethnic roots are best friends and bestow meaning to each other's lives. They are very physical, they kiss and hug their friends and relatives, they live fast and they fight like primates. They have their dreams, their loves and most of all they are ridden by their idea of honor. This honor is very Mediterranean: it is flexible and spares one's ideals even if the deeds one must go through would ruin them. The guys love each other, fiercely, as if they were one person in three bodies. They also behave like one person: quarrels they have are presented as if being some inner wars of someone who is very sensitive and honest. This film, however, lacks all the syrupy sentimentalism we know from American equivalents. The guys are real flesh, their tears are salty and they don't feel sorry for themselves.

Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.

Look,how this film is bewitched. The best character is played by Ralph Herforth as Muhamer: (Wenn dir deine Freundin dumm kommt, hau ihr eine rein. Und jetzt iss.) The film has a perfect music score.