The Navigator: A Medieval Odyssey
Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.
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- Cast:
- Bruce Lyons , Chris Haywood , Marshall Napier , Noel Appleby , Paul Livingston , Sarah Peirse , Jay Saussey
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Reviews
Absolutely the worst movie.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
I like time travel stories -comical or not comical- and I like history as well, and I like to watch a movie to the end to truly judge it... but this Navigator clunker left me so cold I ejected the DVD half way through the film with a strong sense that I had better things to view or do elsewhere. Nothing made sense in the story to me: even within the "absurd" realm of time travel, its looseness with logic defied my sense of coherence or psychology. The premise is unbelievable, the characters are unbelievable (and hardly likable as well), the story is weak. and the visuals are mostly disappointing. I did not even mind the "Cumbrian" accents: putting on subtitles within the DVD solved the comprehension problem. But most of what I saw in this film (and that's at least half of the film) was relentlessly bleak or psychologically odd, and moreover took place at night. B&W or color, the viewer is forever in the dark. Last but not least: I am not a religious person- though not completely devoid of spiritual aspirations-, so the strong Christian ethos carried by the protagonists failed to interest me in their purpose. No enlightenment for this viewer here, people: this is a one dreary drag of a movie as far as I am concerned.
I watched this movie with little expectations and it managed to surpass them. I stood and thought why it isn't more acclaimed, since it has many elements that stand up compared to more well known films. I realized Navigator's main flaw is it doesn't succeed to induce the right state of mind to the audience from the very beginning. If you watch Terminator 2 expecting a realistic SF you'd find many things making no sense, but if you watch it with the action movie conventions in mind you find everything it's on it's place. Every single movie needs to make the viewer familiar with it's rules and conventions, to set him in the right mood. Navigator has a pretty ambiguous beginning, and it's not very consistent after that either, leaving me confused at times if i'm watching a kids fairytale with some serious undertones, an actually profound artistic movie, or just an exploitation on the concept of "what if medieval people traveled in our time".Otherwise everything else about Navigator: A Mediaeval Odyssey is great. The characters are very well designed, when i was a kid i had myself an idol like Connor (we probably all did), the man that is a natural leader, knows every time what is right and doesn't afraid of anything. But in real life even this kind of persons are still human beings, they mess up sometimes, they lose hope sometimes, no one's perfect, and i really liked this little touch of humanity Connor has. Ulf even though he's the oldest in the group he's the clumsiest and most insecure. He's still a child at heart, even more than Griffin, the actual child. The fact that his friends care about him so much despite him being more of a liability to their mission is really touching. Overall all medieval characters are very realistic compared to what we see in the genre.Maybe some people that watched this movie would expect the reactions of the medieval villagers to the modern city to be different, more powerful. The truth is, it's hard to imagine how would such people react in a situation like that, and i can't think of films that get this aspect right and believable, but i think Navigator comes quite close. There was a lot of unknown during that ages, and for the villagers of a remote mine everything was new, a big medieval city would be just as new and strange as a modern city with skyscrapers, cars and trains. They expected to see strange things, and they saw strange things, not too much reason to get overexcited.Somewhere about 6-7.
This is a movie that takes you on a journey. Simple in it's storytelling yet complex in it's storyline. I actually felt like I was there, sharing in the lives and travels of the characters. The cinematography is beautiful. If this movie didn't win an award for it it should have.This is a movie that will stick with you, it will stand out as a movie that was clearly ahead of its time. I strongly urge everyone to see this. It may be difficult to understand at first, but you must allow it to sink in. There is a moral to it which took me a while to understand myself, but it's timeless.Watch and enjoy, but pause if you leave the room even for a second. One of my favorites.
I ordered the DVD of this on the sole knowledge that it was a time-travel film and imagining that it couldn't NOT be fun - and unfortunately came to regret my purchase on watching the said film although I actually watched the DVD three times in the hope that I could glean more interest the second and third time round. But no, my overall opinion did not change. This is for a number of reasons, firstly the dialogues are mostly unintelligible, they are very strong Scottish/Irish accents, there should be subtitles but there aren't any, so, basically, if you are not Scottish/Irish, you're up a gum tree. If English is not your mother tongue, you can forget the film completely ! Second thing is picture quality which is very amateur compared to similar type films made in Hollywood, thirdly, there is little interaction between the people from the 14th century and the people from the 20th - the fun about time-travel films is exactly the interaction which serves to construct a plot. Our band of miners, although "physically" in the 20th century, remain for the most part amongst themselves, and I would even query the logic of certain of their reactions faced with modern conveniences such as lorries and television sets.Here we have people tunnelling through a mine in Cumbria and ending up in New Zealand. Even if they were very fit, it's just nonsense, there's also the boy who dreams it all in advance but we don't know why.The worst failing of the film is it's almost perpetual dark and night. I intensely dislike films that take place all the time at night. Human beings are generally sleeping at night, whatever country they may be in so it doesn't make sense to make a film of this nature take place in the middle of the night - unless we are talking about a night watchman who's gone off on a time travel adventure - but this is not the case. So why make most of the sets in pitch dark, it's unnatural and you get the impression, rightly or wrongly that the film maker is trying to hide some inadequacies, whatever they may be.Lastly I'm not into medieval dress and costume - I am a person of the 20th century and am open to time travel around 200 or 300 years but the 14th century is a little too far back for me ! The film is the antithesis of another time travel film which I equally detested called the 12 monkeys - that was too extreme in the other way, incomprehensible plot, too many special effects to the point of becoming boring. In this film, the plot is just not strong enough to engender emotion, and there is no romance, which is a big "minus" in time travel films.As far as time travel goes, I'm more of a "Portrait-of-Jennie", Somewhere in time, For all time, cream-in-my-coffee person - I don't like the extremist ends of the scale, either too primitive (this film) or too overdone ( many others).I cannot possible recommend this film to anyone seeking an exciting and coherent time travel adventure ....the only possible use would appear to be a cure for radical insomnia.