One of the best films i have seen

Good start, but then it gets ruined

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Rosalind Russell once described this movie as "A real bomb! The worst picture I ever made!" And it must be admitted that the professional critics also were not kind. Paul Lukas came off a distinct second best in all comparisons with William Powell's interpretations of Philo Vance (and of course in Powell's 1930 "Benson Murder Case", Lukas plays one of the principal suspects). All the same, I enjoyed this entry. Despite Edwin L. Marin's competent but rather ordinary direction, Alison Skipworth and Isabel Jewell give absolutely marvelous performances! And there's solid support from a more than able roster of some of our favorite character players, particularly Arthur Byron and Ted Healy. The script is reasonably taut and suspenseful. And the movie is attractively dressed up with all M-G-M's usual polish. What more can you ask?

Leave it to MGM to make an "A" production out of a genre that most other studios at the time treated as "B" stuff. A complicated mystery that keeps you in the dark but plays fair with the attentive viewer, an above-average cast (Isabel Jewell is especially memorable), and some clever jabs at the "long-winded" speech patterns of Vance himself make this one of the best films featuring this fictional detective that I've seen. It's true that Paul Lukas' rather heavy foreign accent makes him an odd choice for the role of Philo Vance, but his performance is otherwise quite good, and combined with the film's other strengths, that's enough to overcome this particular handicap. *** out of 4.

Something new and a bit jarring was added to the Philo Vance series, a Philo Vance with an accent. In his one and only time playing S.S. Van Dine's fictional detective Paul Lukas plays a continental Philo, as charming as ever with a mind like a steel trap. Not quite William Powell or Warren William the best of the Vances.The reason why so many actors played Vance is that the estate of S.S. Van Dine sold the novels one at a time to various studios. Paramount, Warner Brothers, MGM, and last the B picture studio PRC all filmed various Vance stores of varying quality.Lukas gets himself involved with the Llewellyn family when he receives a note saying that Donald Cook will be killed at his uncle's casino that night. In fact he is poisoned, but survived. The same cannot be said for some other family members and friends. It takes a while, but Vance has to work through a maze of false clues before solving this one.One of the near victims is Rosalind Russell who said that this B film marked the first time she was given star billing in a film. She wasn't particularly fond of The Casino Murder Case, but in fact it did lead to better parts for her.Some of the others in the cast are Ted Healy as the garrulous Sergeant Heath, Louise Fazenda as a nosy maid, Isabell Jewell as an alcoholic daughter, Allison Skipworth as the family matriarch, Arthur Byron as the casino owner and Skipworth's brother, Leo G. Carroll as the butler, and Eric Blore as Lukas's valet. We see too little of him in The Casino Murder Case. The cast all perform as typed.Charles Sellon plays the Medical Examiner Dr. Doremus. He's a particularly important character in this film. It's all in the how here.

PAUL LUKAS stars as Philo Vance in this trifle designed to entertain audiences with an intriguing murder mystery laced with comedy. The comedy is just so-so and the mystery is weighed down by some heavy-handed explanations involving "heavy water", a most curious plot device and one that Agatha Christie mercifully never thought of as a poison.ALISON SKIPWORTH is a wealthy eccentric woman whose murder prompts the arrival of Philo Vance on the scene. ISABEL JEWELL overacts in her usual style as the woman's daughter, while ROSALIND RUSSELL does considerably better as another household relative. LEO G. CARROLL handles his butler role efficiently and LOUISE FAZENDA is just slightly annoying as an eaves-dropping maid assigned most of the comedy relief.The mystery elements are handled in okay fashion but the use of "heavy water" as a plot device seems totally far-fetched. PAUL LUKAS does rather nicely as Philo Vance but it takes awhile to get used to him in the role often played by more debonair types.Nothing special, but passes the time pleasantly.