I Am the Law
With the aid of his former law students, a professor-turned-prosecutor battles corruption and organized crime.
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- Cast:
- Edward G. Robinson , Barbara O'Neil , John Beal , Wendy Barrie , Otto Kruger , Arthur Loft , Marc Lawrence
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Reviews
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Great Film overall
Good concept, poorly executed.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Law professor John Lindsay (Edward G. Robinson) is asked by a civic leader (Otto Kruger) to become a special prosecutor to go after the racketeers in town. He doesn't know he's being duped by the civic leader until a man he promises protection to is killed by the man's henchmen. After realizing that gangsters have infiltrated his staff, he recruits his law students to form an army of law enforcers.Robinson is excellent in a "good man" role and Barbara O'Neil is radiant as his supportive wife. John Beal is a little too enthusiastic in his supporting role as Kruger's son but Wendy Barrie makes an interesting impression as a glamorous and ruthless gang moll.Although the script is full of improbabilities, it's a tense and tidy little programmer, and this time Edward G. is working at Columbia instead of Warner Bros. Despite that fact, the film has the look of the kind of gritty crime melodramas Warners produced in those days--which is a compliment.
I Am the Law (1938) ** (out of 4) Disappointing crime/drama from Columbia has Edward G. Robinson playing a law professor who is hired by civic leaders to try and bring down gangsters as a special prosecutor. The prosecutor thinks this will be an easy job but soon he realizes that no one wants to testify and if anyone agrees to then they end up dead. I had high hopes going into this film but the end results were pretty disappointing as we've seen this story countless times before and this one doesn't offer up anything new. I'm really not sure why Robinson would leave Warner to do this film as this one has a lot to do in common with the various crime pictures he was doing already. Considering Columbia wasn't known for their crime pictures it goes without saying that this one comes off rather bland and watered down as the screenplay doesn't have any real gut to it. The screenplay goes from one cliché moment to the next and I honestly didn't see one surprise throughout the entire thing. Robinson is pretty good in his role but it's certainly far from one of his best performances. The highlight of the film is a scene where we get Robinson on the dance floor, which has to be seen to be believed. The supporting players are pretty rich with John Beal, Otto Kruger, Wendy Barrie and Barbara O'Neil offering up nice work.
I just caught this movie during TCM's Edward G Robinson marathon. It may not be a "classic", but I found this film to be entertaining and well written/directed. It's the sort of gangster movie that is light and simple enough that you don't have to pay much attention to it -- you can be doing other things while you're watching the movie and still be able to follow the plot. Just suspend belief for a while -- some of his tactics wouldn't be exactly tolerated in real life -- he would be disbarred and arrested! Also, I had a hard time buying EGR as a pipe-smoking, ivy-league, absent-minded professor; still, I found his performance engaging and enjoyable. This movie has lots of pretty people, wearing expensive clothes, in opulent settings, so that aspect of it is pleasant to watch. Unlike most "formula" gangster flicks, the ending is especially satisfying and may in fact be the best part of this movie.
Back in the Thirties when Thomas E. Dewey was becoming a national figure by putting all kinds of racketeers behind bars, the special prosecutor was considered a fearless figure and good subject matter for a film hero. In this loan out film for Columbia Pictures, Edward G. Robinson plays a law professor appointed just such a city prosecutor while he's on a year's sabbatical.Robinson who plays a character with the soon to be famous name of John Lindsay has been programmed to fail because some of those same city fathers that want him in the job are those heading the rackets. And it's not like there isn't competing gangs within the underworld. But Eddie proves to be pretty resourceful and gets the job done. At least Dewey had a hand at picking his own staff.Coincidentally enough the John Lindsay who became New York's Mayor did a stint in the Eisenhower Justice Department before he was a Congressman and then Mayor.Columbia Pictures and Harry Cohn gave their visiting star as good an ensemble cast as he normally would have gotten at Warner Brothers for this kind of film. Barbara O'Neil, next year to be Scarlett O'Hara's mother in Gone With The Wind, plays Eddie's loyal supporting wife. John Beal is his ace graduate and number one assistant. Wendy Barrie plays a sob sister newspaper columnist with a sideline and Otto Kruger is her sugar daddy and father of John Beal. Both are deceptive characters.I Am The Law is a typical programmer, not too much different from what Robinson was doing at Warner Brothers at the time. Still fans of Mr. Robinson will enjoy and appreciate.