The Age of Commercialism

Load of rubbish!!

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Ratings: 5 - Amazing 4 - Great 3 - Very good 2 - Good 1 - Fair 0 - Poor For more information about the ratings, please visit: http://critical-eruditass.blogspot.com/p/about-blog.htmlCharacters: 2 Screenplay: 2 Cinematography: 2 Emotional: 1Overall: 2.0The film does a good job of walking the line between tasteful and tasteless of dark comedy. Nothing in this film makes sense or is logical, but it isn't supposed to; each ridiculous twist and turn can be amusing. To me, it was amusing and I had a few laughs, but they can be a little sparse. And in the end, it leaves you feeling a bit empty. While that may be the point of the film, it also feels a bit like a television episode that was dragged on. Overall, I found it a good experience.The characters are stupid and illogical. Entertainment depends on whether or not one can get over this fact. At times I could laugh, but at times I was just dumbstruck. The actors also did a pretty good job of appearing similarly dumbstruck. Huberman, particularly, did quite well. Moran is his usual self.Not only is it hard to develop any kind of connection with the characters, but they can induce hate. At times, I just can't turn off shoe-switching. "WHY, YOU FOOL!" I scream in my head, but they never seem to hear me. Sometimes inducing this kind of emotion is good, but they overdid it and it can definitely begin to shift to annoyance, ruining the suspension of disbelief. The screenplay was absurd, in a good way, but could have flown better. The characters are introduced haphazardly and the buildup is very slow. Eventually I began wondering where the dead bodies were. The clear foreshadowing does create an interesting little "whose gonna get it" atmosphere, but they needed to anchor more of the script around it. If it was worked and teased a bit more, it would've been great. It got better as the bodies began piling up and the absurdities amounted.The tone of the film started off teetering between funny and serious, so some parts left the viewer uncertain as to how to feel. The ending expunged on the humor created and is a hate it or love it thing.The cinematography, on the other hand, was surprisingly aesthetic. With no flair, the angles and composition is well done for a low budget film. While I was never really drawn into the film, I enjoyed the brief nonsensical departure from sane people.

Dylan Moran I'm not sure about Dylan Moran. I cant decide if i find him funny, or pathetic. He seems to have this physical presence of someone who suffers from slight parkinsons or serious alcoholism and i honestly don't know which it is but its somewhat disturbing. The point is though when it comes to casting he's limited to the roles he can play but for this one he's ideally suited.This film is very dark and slightly funny film. The story, humour, dialogue is all uniquely Irish and will appeal to most but to those who get it especially. The premise is in the tradition of British comedy, unfeasibly ridiculous beyond belief. Two down and out wannabe script writer/film makers bundle their way through a series of explainable but hard to believe accidents which are made all the more worse by their bungled attempts to cover them up. No where does the film make sense but it's not supposed to, if you approach this film with logic you're wasting your time. You have to submit yourself to total fantasy and Irish wit. This film is in fact Murphy's Law.There are no perfect teeth American heroes to save the day, no beautiful people to carry the film on their looks, no slush no montage scenes of pretty woman hat changes, this film is as dark, damp, dreary and miserable as the dank basement flat it's set in and that's how it's supposed to be, a good British film.Is it hilarious? No not really, is it funny? yes.6/10

This film stars Dylan Moran and someone who's name and face I will try to block from memory (this non person also wrote the screenplay). It has something to do with an actor who has to deal with dead bodies and attempts to get work. Or something.I saw this as part of the IFC in Theaters cable service and all I can say is I'm so glad this was essentially a freebie since the movie was part of the service I already pay for. Actually the other thing I can say is this is only the second film I've seen from IFC Films that I can't understand how it got picked up for release.This is an unfunny film that made me stare at the screen wondering what I was supposed to be laughing at. Moran is a funny comedian, I'm a huge fan of his, but he's not the star some other guy is so I had to really suffer. The best way to describe this is as the sort of odd ultra dry humor that is so dry as to not be funny. Who did Neil Jordan owe that he got hooked up with the writer and star?(Jordan's attitude at the beginning is how I felt about the film) A waste of time

This film is very funny, the cast are all excellent. The story, maybe its a bit mad, so what? Its a film, its not meant to be real. I would single out Amy Huberman as being excellent in this, I also saw her in another Irish film that played in Montreal in August, Satellites and Meteorites, where she was flawless. Dylan Moran, while perhaps reprising many of the other characters he has played previously, was very enjoyable to watch, as was Keith Allen though his part was predictably small. A few cameos at the end really were well placed, especially Johnny Rhys, though the context of his cameo was a little close to reality so I'm not sure what way he will come across to auds in Ireland. Throughly enjoyable film, the industry in Toronto reacted extremely positively to it and it along with Kisses really showed us all that Ireland can, when it wants, produce good product. Well done to all involved and I hope it goes well on its release.