The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I saw this movie back in 1987, and it had a tremendous amount of hype about the Steve McQueen connection to the original 1950s TV series. Steve McQueen had died in 1980, and the buzz about the Wanted Dead or Alive movie started around 1984. Sadly, the movie had nothing of the spirit of Josh Randall at all. Steve McQueen's Josh Randall character was very direct and to the point. He was not sentimental at all, and he often had to use his smarts and his sawed off rifle to get out of trouble. Josh Randall also used a lot of snappy dialogue and quick wit. Josh never stayed in one place. He was always on the move, and he loved women, but he was never in love. Rutger Hauer's version of the character is very morose and sentimental. He is in love with a girlfriend. He is attached to a boat and a warehouse that is also his man-cave. There is no witty dialogue from Hauer. There is no fast action either. Hauer is kind of boring to watch. The action is typical of a Chuck Norris movie, The A-Team TV series, or Hunter TV series. It looks like generic action sequences were used from some "Action Scenes Handbook." There is a fair amount of shooting, explosions, and killing, but it is not fresh or exciting. This movie is not bad, but it is far from great.

This movie is rather loosely connected to TV show with Steve McQueen (the main hero is supposed to be a grandson of McQueen's character ), so if you're a fan of the TV show don't expect too much. Otherwise you might be disappointed. It's funny because I would love to see a TV show based on this movie. Oh well.This one of those rare movies where Rutger Hauer plays a hero not the villain . It was made during the same when Stallone made his own action/thriller – "Cobra " . It is in the B-Movie range. After the 9/11 this movie feels very up-to-date. The terrorists here get what they deserve.Rutger Hauer is charismatic as Nick Randall , yet he gives he's character a depth that is not often seen in this kind of movies. Gene Simmons is quite effective as a cold-blooded Islamic extremist Malak Al Rahim. He looks sinister and acts so. They have a decent support from Robert Guillaume ( CIA officer Walker ) , William Russ (sergeant Danny Quintz ) and Jerry Hardin (incompetent CIA leader Lipton ).Nick Randall is quite cool character . He wears black leather jackets , plays on harmonica and drives a enormous truck. Not too mention he has his own Batcave – empty huge warehouse with lots of guns , motorcycles and electronics . He even has what may be the first car GPS seen on a movie screen .He's essentially an loner and an outlaw who makes a living by supporting the law . Isn't that cool ? In a way he's Batman only with gun and without the costume.I really like the music made by Joseph Renzetti . The harmonica solo during the ending credits is quite beautiful . There are also two great songs : "Live bait " by Delaney Bramlett (during the opening credits) and " Doncha know that " by Simon Stokes ( when Nick is in his hideout).Both were also composed by Renzetti ."Wanted dead or alive" has some good 80's atmosphere and un-PC moments. The pacing is good. The low budget is sometimes a problem . The movie looks bad in some places. Some dialogues aren't bad , some are uninteresting. The body count is low and the violence is really nasty, so the movie feels like a real life not overblown Hollywood action movie. "WDOA" has a decent story. The ending is quite memorable, unexpected, satisfying and also a bit sad too. Quite un-Hollywood type of ending . Reminded me of a 70's movie type of ending. The line " F*** the bonus" is one of my favourite lines in movie history.I give it 5/10. Nothing really special , but decent enough and fun overall movie. Hauer had better and worse movies than this.

Does it irk Gene Simmons that two of his first "serious" motion pictures (RUNAWAY and WANTED: DEAD OR ALIVE) are names of Bon Jovi songs? Simmons has a small key role in the Gary Sherman-directed "actioner" WANTED: DEAD OR ALIVE. He plays the Arab villain, Malak Al Rahim, intent on causing terrorist chaos in Los Angeles seemingly for the sake of giving hero Rutger Hauer someone to pursue. No motivation on the villain's part is the first sign that this movie smells much like working out next to a hairy-backed Middle Easterner in the gym.Blond, blue-eyed Hauer is bounty hunter Nick Randall, supposedly continuing the legacy of Steve McQueen in the TV series of the same name; he's ex-CIA, combat-rugged and as weirdly pansexual as ever. In the grand tradition of boring screen writing, he wants to give up the bounty hunting and settle down with his bland lady - until he is called upon by his ex-boss (Robert Guillaume) for One Last Job - to bring in Rahim, Dead Or Alive.So begins a series of vapid car chases, half-hearted fight scenes, annoying gun battles and furiously silly explosions, with intermittent perfunctory characterization which doesn't lend any emotion to the non-chemistry between Randall and his babe, his bro or his boss. Writers Michael Patrick Goodman, Brian Taggert and director Sherman try to inject an interesting twist by having all the cops and FBI and CIA double-cross Randall. We don't know why. And we don't care.WANTED: DEAD OR ALIVE begins that drab period in Hauer's career where we see him popping up in every piece of crap that required a blond, pansexual action hero. Strangely, the man to watch in this movie is KISS martinet Gene Simmons. He truly makes an imposing villain; he's the tallest Arab-looking guy in the room, he doesn't say much, and he puts that Bat Demon dead eye stare to great use. He doesn't do anything overtly thespian - in fact, he is underused, probably because he can't act - but since his first major outing as Tom Selleck's nemesis in 1984's RUNAWAY, he has learned to control his overacting stage persona, in the process creating a more sinister performance.During the boring climax when Randall is beating up Rahim, we see blood dripping from Rahim's mouth and are instantly reminded of who Rahim is; someone well acquainted with the practice of spitting blood - the Bat Demon himself.Thankfully, KISS went back on tour, saving Gene - and us - from too many more acting outings.

a bounty hunter(Rutger Hauer)takes on a terrorist(Gene Simmons).while it's refreshing to see Hauer in a non bad guy role,there's not much else to recommend this movie. found it boring and tedious from the get go,right to the final credits.Robert Guillaume is also in the movie and is good,as always,but he is wasted here.Garey Sherman directed the movie.he also directed Poltergeist III and wrote several episodes of the TV series Poltergeist:The Legacy and he co-wrote Wanted:dead or Alive with Michael Patrick Goodman.i wanted to like this movie,but it just doesn't have much going for it in the originality or action and excitement dept.the most i can give Wanted:Dead or Alive is a 4/10