Plan 9 from Outer Space
In California, an old man grieves the loss of his wife and on the next day he also dies. However, the space soldier Eros and her mate Tanna use an electric device to resurrect them both and the strong Inspector Clay that was murdered by the couple. Their intention is not to conquest Earth but to stop mankind from developing the powerful bomb “Solobonite” that would threaten the universe. When the population of Hollywood and Washington DC sees flying saucers on the sky, a colonel, a police lieutenant, a commercial pilot, his wife and a policeman try to stop the aliens.
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- Cast:
- Gregory Walcott , Mona McKinnon , Duke Moore , Tom Keene , Carl Anthony , Paul Marco , Tor Johnson
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Reviews
Great Film overall
Good start, but then it gets ruined
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Aliens come to Earth, supposedly with good intentions at first. But, incensed at humanity's inclination towards violence and hostility, come up with methods to conquer them. They think that they've hit gold with their ninth plan: resurrection of the dead. Among the recently dead who become their puppets are an old man (Bela Lugosi, in his final film appearance), his wife (Maila "Vampira" Nurmi), and a police inspector (Tor Johnson). And among the intrepid humans who intend to foil them are airline pilot Jeff Trent (Gregory Walcott), police lieutenant Harper (Duke Moore), and military colonel Edwards (Tom Keene).Edward D. Wood Jr.'s infamous schlock picture has the distinction of often being voted "worst movie of all time". While it's far from being a "good" movie or a particularly slick one, this is a little unfair. There are lots of crummy pictures out there that could also easily vie for that title. At least "Plan 9 from Outer Space" is not boring. Viewers do readily admit that it's endlessly amusing, especially when one considers its priceless dialogue, dopey performances, and ultra cheap sets. (One's gotta love those wobbling crosses and tombstones.) Use of stock footage mingles with writer / editor / producer / director Woods' own footage to fill an agreeable 79 minute run time. For this viewer, some of the biggest laughs arise from the fact that Lugosi had unfortunately passed on after only about two days worth of shooting, and his role had to be recast with Woods' wifes' chiropractor, an obviously taller and younger man who is obliged to hold a cape over his lower face.In a cast also including Mona McKinnon, Paul Marco, Conrad Brooks, Joanna Lee, and Lyle Talbot, a special shout out has to go to the hilarious "Dudley Manlove", who's actually quite the scene stealer as pompous alien bad guy Eros. He looks like he's enjoying himself reeling off Woods' lines. Ridiculous "psychic" Criswell opens and closes the picture with his proclamations.This may not be "high art", but it does have a definite charm going for it.Five out of 10.
You either love "Plan 9 From Outer Space" or you hate it, there is no middle ground. It is a film that is almost impossible to criticize today, since it is so famous for its flaws. You have bad actors delivering bad dialogue, bad science ("Solarite bombs!"), bad special effects, Edward D. Wood's wife's chiropractor running around for no reason and doing nothing that has any connection to the plot (due to Bela Lugosi dying before Wood could figure out how to work Lugosi's last footage into a story)...Despite that, it is absurdly entertaining. Edward D. Wood was an accidental genius, someone whose films were entertaining seemingly BECAUSE everything went wrong. It's like the saying, "A friend is someone who knows you but likes you anyway." Forget all the naysayers, turn it on, sit back and enjoy.
For a film that has a reputation as being possibly the worst ever, it's weird to see that the score isn't that low here and a lot of critics like it because of how stupid it is. Having finally managed to download the Rifftrax Live version of this, it was great to see the cast of MST3K finally take this movie on. They thought of using it for the actual show, but thought it was too talky. Now they've riffed on it like five times in different versions. It's at least not worse than what you would expect, but should probably be studied like any film.The film's biggest weakness is how utterly boring it is. It's simply a movie where nothing happens. It seems like there's shot after shot of the flying saucers just well, flying. None of this advances anything and the effects are horrendous. I heard the aliens were just people wearing pajamas. Hey, to be fair, they were good looking pajamas. All the talking parts go on way too long and it's something that would have been better as a very short film. It's easy to tell how bad the sets are and how basic the dialogue is. The effect with the explosion at the end is particularly bad.The Rifftrax version(s?) gave us tons of great lines like, "They move too darn fast" with, "We'll just have to kill the next group that comes along". The one that had me laughing the most was at the end when the guy was talking about how anyone we know could be an alien in disguise with the joke, "Kill them just to be safe". It's great to hear modern jokes like, "Tor studied acting under Dramatic Prairie Dog". I also loved, "Neither running or defending yourself have yet to be invented". I also liked "Holy cow!" with "He just became a Hindu". It's great fun with jokes like, "Flying saucers over Hollywood" with the jokes, "Chris Matthews repeatedly probed" and, "That has nothing to do with the flying saucers, you know". *
This is by far THE worst movie EVER made. The acting is so, so, so bad. The sets look like they're made of cardboard and straight out of a grade school production. The script is so confused: this is sci-fi zombie what? The two parts just don't seem to come together AT ALL. And that alien (the male one) is the worst of the bunch. He has this long exposition of who, what, when, where, and why that will bore your skin off, and it is so poorly delivered. Criswell's intro and post-logue are incredibly stupid. There is absolutely nothing redeemable about this film. I thought watching this would be a real hoot because it is notoriously bad. But it just didn't do that either.