Jodorowsky's Dune
Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.
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- Cast:
- Alejandro Jodorowsky , H. R. Giger , Brontis Jodorowsky , Nicolas Winding Refn , Amanda Lear , Richard Stanley , Devin Faraci
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Reviews
This movie is the proof that the world is becoming a sick and dumb place
Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
"Jodorowsky's Dune" is an engaging documentary about a failed mounting of a major motion picture. However its determination to conclude that, if produced, it certainly would have resulted in a supreme testament to the profound potential of the Cinematic art form -- is not given the credibility such a claim demands. Unfortunately, the total absence of any rational opposing viewpoint (removed from the delusions of grandeur indulged to its star speaker) explaining the practical reasons why such an almost-masterpiece was not ultimately supported, renders this a masturbatory propaganda puff- piece (and forces me to knock the rating down considerably out of sheer sycophantic exhaustion). But go ahead and give it a watch -- especially if you're a confirmed cinephile, genre aficionado, or "Dune" devotee.But with all the eclectic true talent that had begun to assemble for this project, why do I so flagrantly assert the dismissal that this film wouldn't have lived up to any of their collective potential? -- Eight syllables: Al-lay-han-dro * Joad-doe-row-ski.Anyone with a passing knowledge of the silver tongued snake-oil salesman of highlight here, understands that -- while he may be a great teller of tall tales -- he is not a great storyteller. Not in the least. Would-be auteur Alejandro Jodorowsky comes from the "avant-garde" art scene -- which is just a pretentious way of saying he has a propensity for vacuous kitschy pop perversion, yet is able to hide under a fancy Frog word to validate it. The man is known not for great movies, but for playing to the lowest common denominator of art affectation. Oh so loving odes to the scatological and profane; incoherent posturing strung together through cute little images of blasphemy and vile sadism. Jodorowsky wants to adorn himself an out-of-time progressive renaissance man of immense enlightenment, but his thoughtless philistinism is like a low-rent tribute to the depraved vapid vulgarity that hallmarked the careers of Andy Warhol, Ken Russell, John Waters, and Pier Paolo Pasolini -- but without even attaining their unmerited impact. It's quite telling that anyone who will indulge with Jodorowsky in substance abuse, cater to his ego, or allow themselves subjugated to his insane whims are distinguished by Jodorowsky as "Spiritual Warriors", while those with more sober senses are "Soulless". And eyes roll toward the darkest recesses of cranial cavitations having to endure the permeation of such blustering nonsense go completely unchallenged. Instead of plausibly translating the grand universe of intricate histories, theology, political intrigue, and power struggles that "Dune" author Frank Herbert scribed so illustriously, Jodorowsky would have desecrated its eminent quality by substituting debased detours catering to the diseased of spirit, in giddy honor of degradation and silly pseudo-philosophic utopianism. Because that's who Alejandro Jodorowsky is -- a man who insist the collaborative nature of film-making and adapting authors' works has to be an act of defilement, and bolsters that claim by analogizing it to a marriage night where the husband must forcefully violate his wife, because to continue to regard her with respect could never produce a child -- so "Rape! RAPE! RAPE!... but with love". That's how this guy's mind works. He only cares about himself, and is perfectly fine to abuse others to get his way -- even though his way holds not one shred of virtue. Of course he would cast his own pre-pubescent young son to scurry about fully nude in his odious "art-films" for no honest reason other than pedophilic pleasure. This is a man who literally films defections for scat enthusiasts. Jodorowsky is not an artist, he's a charlatan of art -- he doesn't express the humanities, only dehumanization -- he's an exploitative sensationalist rather than imperative provocateur.The most bizarre aspect of this documentary is not even the gonzo eccentric at its heart, but rather the fact that this deviant was ever even considered a viable pillar to hinge a major investment on! Of course his rambling nonsense would be forsaken once money needed milking, but before that reality set in, Jodorowsky had already recruited (most probably exclusively through vice enticement) an incredible array of superstar talent for both ends of the lens. This examination does nevertheless merit attention for the grotesque fascination of learning about an adaptation of Frank Herbert's novel that would have managed to be even more of a corruption than David Lynch's vomit, whilst simultaneously tainting so many bright young talent's careers -- after casting their bests into an abyss of excrement under the abominable shepherding of Alejandro Jodorowsky - - and possibly derailing their destinies in genre film's hall of legends. At least half of the legacy citations it stretches to tie to Jodorowsky's credit as direct lineage progeny are -- to be generous -- highly suspect, and I just don't at all agree with its ridiculous thesis that this was "the greatest movie never made".Now if proved virtuoso, consummate professional and diligent filmmaker Ridley Scott had realized HIS planned vision for "Dune" -- maybe that truly is one of the great missed opportunities that would have birthed a legitimate masterpiece! Hmm... perhaps a sequel is in order: "RIDLEY'S DUNE"?!
An epic behind-the-scenes tale of massive creativity gone off the rails with legends of film and music intertwined with one man's uncompromising vision of Dune. If you miss scifi's hey day of quiet introspection and larger-than-life concepts married with cutting edge visuals, this documentary will whet your appetite.
Long before Frank Herbert's 'Dune' was adapted into a movie in 1984 and a miniseries in 2000, 'Santa Sangre' director Alejandro Jodorowsky originally attempted to bring the novel to screen and this documentary details how his ambitious project failed. The film consists of interviews with Jodorowsky and his former collaborators, as well as archive footage of those no longer alive. Through these interviews, it becomes clear that the project was always doomed from the start, but that it may have been a surefire interesting movie had it gotten off the ground. Obstacles to production are revealed to include cautious financiers, unwilling to fund a sci-fi film that would run for more than 90 minutes, and egotistical actors (Salvador Dalí apparently wanted $100,000 per minute for the privilege of appearing). As the documentary progresses though, it starts to veer off the deep end with its repeated wild claims (not suggestions) that 'Dune' would have been the new 'Star Wars' and the greatest science fiction film of all time had it gone ahead. Even wilder though is the conspiracy theory presented towards the end, with the filmmakers suggesting that everything from 'The Matrix' to 'Prometheus' took inspiration from Jodorowsky's storyboards for 'Dune' that (they reckon) were passed around all the big studios. While the film goes a little overboard in this regard, it is still fascinating viewing throughout. Animation is used particularly well to bring some of Jodorowsky's storyboards to life and to add extra detail to a record interview with Dan O'Bannon.
I know very well Jodoroswsky, for being one of the best sci-fi creator around.Though, I know he did dreamed a bit too much about a new adaptation of it, he even tell he put ideads into 'meta barons' from dune... It's crazy. Universe is totally different.And for the rest, dune is a huge thing, far from this petty script.. I would say OK it's OK but now, great ideai to try your script in animation..If you don't know Mr jodor, ask one french studio like the north of ankama maybe ? :)