Pretty Good

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Award winning writer/director James Lapine pulls out all stops with this full on study of the US Family Law Court: its employees, several various related services, & families involved with some of its outcomes. This quite powerful production has the look of a made for Cinema feature that went straight to TV. Performances are first class, as is the cinematography and music score. Lapine has included many story elements (too many perhaps?) giving it the feel of a pilot for yet another upcoming endless series (thank heavens it was all wrapped up in a feature) & while there are unresolved situations, we know enough to fill in the spaces. Good looking and absorbing - can recommend 'Custody' for any lover of dramatic studies that deal with contemporary social issues.

On the one hand, it is good to see Lifetime showcasing more quality material. Several years ago, a movie such as "Custody" would have been a rarity on Lifetime. On the other hand, this movie tried to do too much in an hour and three-quarters. There wasn't enough time to deal with the personal issues, so the legal issues got skimmed over lightly. Reviewer Da Rude makes some good points (although rather incoherent, unfortunately). The United States film industry is so fragmented right now. Too many people making ill-considered decisions that affect the quality of the final product. If "Custody" was conceived as the multi-part project which it should have been, the various themes and story lines could have been given the treatment they should have had. As it is, they weren't. Reviewer Da Rude, a resident of London, seems to have problems with US movies. Too bad, but he's right about this: The US film industry is going through a lot of turmoil right now. It has happened before, and the results have always been stronger output in the end. As far as "Custody" is concerned, Lifetime needs to be encouraged to press forward with the quality material, most particularly with quality actors such as Viola Davis. Having first-rate actors such as Ellen Burstyn, Patricia Kalember and Tony Shalhoub doing smaller roles needs to be seen in a positive light for TV movies. (The broadcast networks gave up on them years ago; reality shows and a LOT of American football have, sadly, pushed them aside.) "Custody" must be evaluated for the good direction it is taking. We need more such efforts.

Director and writer James Lapine did a decent job with this screenplay. Sure this story has been done many times over, but having the wonderful and impactful Viola Davis in this film gave it that extra little boost it needed. Although the slow pacing could not be saved by Viola, the story in its entirety was pretty good. Would I see it again? No. Would I recommend it? Sure, if I know someone likes this type of film. It's a 7/10 from me.

In the film, there are a huge amount of unresolved story lines you'd like to see more of. Be it how Sara is going to help her children heal after being separated from them, how Martha is going to deal with what is happening in her personal life, between her father, husband, and son and then Alexandra's mess. Considering how her grandmother talks about the family secret and her, Alexandra, threatening to tell her dad, the fact you don't get to see the conclusion of that story-line, you almost feel like this was a pilot that didn't get picked up. However, because there was so much shot for the show, and with Viola getting major accolade nominations, Lifetime decided to edit the footage they had into a movie.Luckily, for those who may be interested in a story like this, Shondaland is working on a legal drama which sounds oddly similar.