Too much of everything

Good movie but grossly overrated

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

An old-fashioned movie made with new-fashioned finesse.

I saw this film for the first time this evening when it was shown at my university just before my animation course leader interviewed Suzie Templeton, director of this masterpiece. It's hard to determine if this is the first or second adaptation of 'Peter and the Wolf' I have ever seen - I probably saw the Disney Mini Classics version when I was a child or just its trailer.Further to this version, the characters are well-crafted and their poses and facial expressions, particularly on the humans, the wolf and the cat, are natural but their movements are quite jerky and sometimes slow, whereas the animation on the bird trying to steal Peter's balloon is well-done since attempting to animate a bird flying in stop- motion is believed to be difficult to master. The backgrounds on the other hand are detailed and realistic. Although there is no spoken dialogue, there are still human vocal sounds like grunts, growls, gasps and laughter and the facial animation is expressive enough to communicate the characters' feelings. The music is sparse to begin with but I like the main composition because it is cheerful, memorable and is played in different arrangements. The music is variable with different instruments representing each character and changing its mood. It does a sound job with driving the narrative while The sound effects are plentiful and also realistic. There are few humorous moments such as the bird pooing on the cat if this is crude. There are also poignant and tense moments. Water is used well, especially when the cat falls through the frozen pond and tears form in Peter's eyes before he sees the wolf for the first time. The ending was tense but quite abrupt.Overall, this is an intricately detailed if slightly unevenly-animated stop-motion piece with its music being the strongest point. 9/10.

I recently caught the PBS showing of this Oscar winning short and was engrossed by the terrific stop motion puppet animation. It is among the finest animation I've seen and shows animators are still using many of the old techniques (non computerized) to good use.Not only was the animation first rate, but I felt it offered a perfect accompaniment to Sergei Prokofiev's composition. I have fond memories listening to Peter and the Wolf as a child on my parent's record player. This adaptation provides a wonderful visual for the story that I only could imagine as a youth. I also found the additional filmmaker's comments on how this project came together insightful. I have very minor qualms with this production as I have tried to reconcile my imagination of how the story should look with the creative vision of the directors of this film. Overall, it is a fine piece of work and was well deserving of its acclaim.

I saw this film almost by accident, and I am very grateful. Everything to the last detail is meticulously cared for. The puppets are incredibly detailed, the animation perfectly done, the lighting excellent and the acting superb. But most of all, the story... this story has a little but very meaningful twist at the end and still manages to be true to the original. Disney's Peter and the Wolf may be cute and charming, but lacks the depth of this masterpiece. Tempelton's Peter has some strong personality and penetrating eyes. Some people might find it slow, but only if they want to watch everything move at the pace of Fairly Odd Parents. I'm glad I lived to see this work and I hope many people has the opportunity and disposition to watch this.

Updated retelling of Sergei Prokofiev's Peter and the Wolf is a masterpiece of stop motion animation. Set in modern Russia it pretty much follows the story of young Peter going out into world despite his Grandfathers warning and encountering a wolf.What makes this film so special is that the film has so many small touches that add life and magic to the oft told tale. Look at all of the facial expressions. These are not inanimate objects these are real people and real characters. Look at all of the eyes how alive they seem. Director Suzie Templeton has added a much needed element, danger, to the proceedings. In all the years and all of the countless times I've heard the piece I never really feared for Peter or his friends, here at last I do. Its an edgy retelling that is more emotive since Peter is in very real danger of getting hurt or killed. There is an edge and a weight to the proceedings that I've never experienced before.Its not fair to compare this to the Disney version since they are two very different takes on the same story. Both valid, both excellent, but not rightly compared.Make an effort to see this film, it quite possibly a classic.