Sadly Over-hyped

Good films always raise compelling questions, whether the format is fiction or documentary fact.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

This is a gorgeous movie made by a gorgeous spirit.

Failed golfer Wallace Avery (Colin Firth) is running away from his life. He fakes his own death and drives under false ID Arthur Newman cross-country to start a new golf pro job. He finds a woman struggling on a patio chair at his motel. He takes her to the hospital suffering from a cough medicine overdose. Her ID says Michaela Fitzgerald (Emily Blunt) but she is also faking it with her twin sister's ID. Her name is actually Charlotte. As the two of them get closer, they are pursued by his girlfriend Mina Crawley (Anne Heche) and his estranged son Kevin.The mystery of their pasts is compelling for a little while but at some point, it has to be compelling on its own. Their lives aren't that interesting. The two great leads bring something into these damaged roles but it's barely compelling. I question their reasonableness but their characters are not that reasonable. The less compelling part is the B-story with the girlfriend and son. I somewhat care about the leads but not so much with the supporting characters. It adds up to something just below pass.

This film tells the story of a failed professional golfer, who abandons his life and family to assume an alternate identity in order to start a new life.The premise of the story could have been very interesting, as the title character faces a midlife crisis. It is a situation that quite a few people can identify with, and hence it could have been an engaging story. However, things go wrong because the film takes a ridiculous turn. A kleptomaniac drug addict comes a long and they have sex in other people's houses. Just what is the point of the story? It is not even entertaining or engaging. The only thing that impressed me was Emily Blunt's ability to mimic various accents. Other than that, "Arthur Newman" is quite a disappointing film.

Every now and then actors with sizable names do something in the industry known as "slumming." This is a film with a significantly smaller budget that has well-known actors. This can often give actors range and prove to the public that they are capable of handling roles in smaller movies. Sometimes such an action can pay off. Look at Greg Kinnear in Little Miss Sunshine, Matt Damon in Gerry. Such roles can pay off immensely for actors and show diversity in character acting.And other times the film itself can be completely unnecessary and a very dull slog despite actors' good intentions. So is the case with Collin Firth, who gives a fairly strong performance but can't overcome the offbeat eccentricities and the rather lame fable on the American Dream of starting ones' life over. Material like this sounds good on paper and in our heads, as we can relate this back to the ideology of the American Dream and the pursuit of happiness, but rarely is the matter very compelling on camera. This especially is the case with Fith's Arthur Newman character being very vanilla and, despite unique efforts, rather ordinary.Firth's character's birthname is Wallace Avery, but he feels he was born inhabiting someone else's life. A golf professional, but still unsatisfied with life's offerings, he takes it upon himself to change his identity to that of "Arthur Newman." Soon after this decision is made, Arthur finds a barely-conscious woman outside named Charlotte Fitzgerald (Emily Blunt), traveling under the fictional name "Michaela" or "Mike." Arthur's timely actions of taking the woman to the hospital give her back her consciousness after an apparent overdose. When she comes back, Michaela and Wallace take a liking to each other and decide to embark on an impromptu roadtrip to Indiana, where they can live the more solemn life they've always wanted.Firth and Blunt are both gifted character actors, with Firth winning an Oscar for his beautiful portrayal of King George IV on The King's Speech and Blunt coming off several great comedies last year with the directing likes of Judd Apatow and Lynn Shelton. Their chemistry and breezy dialog exchanges are the faint, weakening glue holding the film together before it crumbles. Arthur Newman's serious problem is its redundant scenes of self-discovery and disregarding ones' personal life for the benefit of having a cleaner, fresher slate. This concept hooks better as just that - a concept that comes up over drinks, dinner, or a nice long walk down the street. Not a ninety-three minute film with the profound qualities of a pamphlet.Now, nearly every idea could make a great film, depending on the way a director, writer, actor, and cinematographer choose to handle the material. I have no doubt that Arthur Newman could've been a terrific film if taken with a fresher, more intriguing direction. The one present here gives every interesting event a "been-there-done-that" quality. Consider the scene when Arthur attempts to save the life of Michaela. This scene should be gripping and terrifying, but it winds up falling completely flat thanks to the flat direction taken by Dante Ariola.Arthur Newman is a wholesome parable at least in the regard that it tells the story with convincing performances and a touch of realism. However, this does not excuse the bland writing and extraordinarily brave premise made turned more into a pedestrian-piece of fiction. Seeing Firth go slumming could definitely be a great thing in the future, but he best choose to slum in places where there is a need for more than a willing actor.Starring: Colin Firth and Emily Blunt. Directed by: Dante Ariola.

The bad reviews are right; this movie is boring and pointless. The principle reason is the script. There's just nothing there. It's hard to see why, out of the countless scripts Hollywood has to choose from, this one was made into a movie and brought to a theater near you. Colin Firth and Emily Blunt are wasted in this piece of nothing. To make it worse, you are seeing an especially frumpy version of Colin Firth, made to look like a middle-aged Rotarian in the seventies, aviator glasses and all. The premise is that he is a floor manager for UPS, with a fiancée and a son. He just decides to abandon them by faking his own death so he can be a golf pro in the Midwest using a fake identity. His character is blank and bland with no interesting characteristics. Even his flight from reality is bland. Emily Blunt plays a bad girl who is also running away, but there's nothing really interesting there either. I walked out of the movie half way through when the characters were supposedly getting together while pretending to be an elderly couple (don't ask). Most theaters chains have a refund policy. They will refund your money if you leave in the first half hour or fifteen minutes of the movie.