Touches You

Too much of everything

This is a must-see and one of the best documentaries - and films - of this year.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

I found this ponderous in the extreme, though my main source of irritation is that it is extremely ugly despite being carefully composed. The harsh digital tint that signals digital is becoming monotonous, and used only because of its cheapness rather than suitability. For a claustrophobic drama like Three Monkeys it's a disaster. Ceylan has a fondness for facial close-ups but here it looks the cast have a severe case of jaundice.The only film I can recall that has used this well and taken advantage what it can offer is Valhalla Rising, where it complimented the barren landscape perfectly.

There are long longeurs of people brooding that go on forever. Many scenes seem to play-out in slow-motion depression. The plot is basic enough - a politician swindles his driver to take the fall for a fatal accident. The driver goes to jail – the drivers' wife falls for the politician, the son of the driver finds out about his mother and when the driver is released from jail he suspects that not all is kosher. The family dissolves into a full blown depression and they speak in monosyllables to each other. There is even some science fiction when a long dead son starts miraculously appearing. I didn't quite get this part but it was pretty eerie!Really it's not that there is no empathy – but everything is so dreary that it just weighs you down. One wonders if there is any point to it all – I didn't see any. It's like an old Ingmar Bergman that has been transported to Turkey.

A family is dislocated when small failings become extravagant lies. The film opens as a wealthy businessman, Servet, running a campaign for the upcoming election, is driving in his car alone and sleepy, struggling to keep his eyes open. Seconds later he hits and kills a pedestrian in the middle of the road. Servet panics when another car with a couple inside approaches. He sneaks away. Eyüp, a man living in a slum at Yedikule neighborhood in İstanbul, with his wife and only son, is the driver of Servet. He wakes up in the middle of the night with his cell phone ringing. It's his boss, telling Eyüp to meet him immediately. Shivering in shock, Servet explains the current events to his driver. His excuse is if the fatal accident comes out in press it would terminate his political career, so he proposes Eyüp to take over the penalty and stay in prison for a brief period of time in exchange for a lump sum payment upon his release, whilst still paying his salary to his family so they can get by. Eyüp accepts the deal. An unspecified time passes, summer arrives, and Eyüp's son İsmail fails to enter college again. His mother, Hacer, who works in the catering division of a factory, starts worrying about her son after unpleasant events, and tries to convince him to get a job. İsmail suggests driving children between home and school but of course they don't have any financial source for this kind of an enterprise. İsmail asks his mother to request an advance payment from Servet without consulting Eyüp. Hacer meets with Servet, in his office after the election (which he lost), and requests the money. After Hacer leaves the office and starts waiting for a bus at the stop Servet persuades Hacer to accept a lift from him back to her home. More unspecified time passes, and İsmail intends to visit his father. Things take a poor turn when he finds his mother having an affair with Servet. İsmail stands passive. After serving nine months in prison, Eyüp is released. He senses things are "a little peculiar" inside his home. Hacer is in love with Servet and insists on maintaining their affair. Servet disagrees. That night, Hacer and Eyüp are invited to the police station and informed that Servet has been murdered. Police officers interrogate the two and Eyüp finds out that Hacer was cheating on him. He denies knowing anything about it. İsmail confesses to his mother that he murdered Servet. Eyüp calms down when he pays a visit to a mosque. Afterwards, Eyüp goes on to speak with a very poor man who works and sleeps inside a tea house in the neighborhood. Eyüp makes the same proposition to the poor man, Bayram, that Servet made to him: to claim the crime committed by his son. Bayram agrees. The last scene shows Eyüp at his home's balcony, staring at the Marmara Sea, and along with thunder it starts to rain.

Nuri Bilge Ceylan shows us how an awful screenplay turns to a good movie in a professional director's hand. I think he deserved all those award because of that reason.Overall acting was good. Especially those two Yavuz Bingol and Ercan Kesal who are not actors in real (Bingl is a musician and Kesal is a doctor) were remarkable.By the way, to put a dead child in a movie to support the physiological atmosphere and subject of the movie was a good idea. But still I did not like the form of the child as he was too scary to be a part the movie. So, 0 for the screenplay, 6 for performers and 8 for the director.