Otis
After being captured and tortured by the psychopath Otis, teen cheerleader Riley Lawson escapes and informs her parents, who quickly sidestep sluggish FBI agents and take matters into their own hands. But the Lawsons' revenge plan hits a snag when Otis's unusual brother enters the picture.
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- Cast:
- Bostin Christopher , Ashley Johnson , Daniel Stern , Illeana Douglas , Kevin Pollak , Jere Burns , Jared Kusnitz
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Reviews
Memorable, crazy movie
It's no definitive masterpiece but it's damn close.
It’s sentimental, ridiculously long and only occasionally funny
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Having been reasonably impressed with other Raw Feed films, I was keen to check out 'Otis.' It has a promising, quite original storyline that should make for good entertainment in any horror fan's eyes. But I was rather disappointed.The acting was good for the most part. Ashley Johnson and Bostin Christopher both nailed their leading roles, and Jere Burns as the left-of-field agent was an awesome injection. Illeana Douglas, on the other hand, er. She stood out amongst the pack as a let down, and even though this is a genre that doesn't get by on its acting merits, I had a problem with her performance.In terms of soundtrack, I thought the licensed music used throughout was great (ie (Don't Fear) the Reaper), and so too were the few softer, touching pieces. Everything else felt out of place or too dramatic, and in a couple instances, music ruined entire scenes for me (much like Douglas' acting).I can't rate this movie much above average, and that's coming from somebody who isn't a Horror cynic. Masses complain about modern-day horror flicks being unoriginal or just plain stupid and I never see the value in that. I know there are some bad ones out there, but they do get unfairly bashed on for the most part. So yeah, I'm not anti-slasher or anti-psycho material. 'Otis' just wasn't done right in places, whether that blame be laid down on the script or whatnot. It has its share of bright glimpses, don't get me wrong, but it also has its share of dull, cringe-worthy "you idiot" moments, where I just have to put my fist down.
The twisted forty year old idiot Otis Broth (Bostin Christopher) delivers pizzas and is a pedophile serial killer. When he abducts a teenager, he calls her Kim and fantasizes that she is his sweetheart and date of the high school prom. After killing his last victim, Otis kidnaps the smart suburban teenager Riley Lawson (Ashley Johnson) and brings her to the basement of his house, hiding the girl from his brother Elmo Broth (Kevin Pollak). Their desperate parents Kate (Illeana Douglas) and Will Lawson (Daniel Stern) have friction with the arrogant and silly FBI Agent Hotchkiss (Jere Burns) that is in charge of the investigation. When Riley escapes from Otis's house and calls her family, Kate convinces Will and their son Reed (Jared Kusnitz) to seek revenge and punish Otis. However, the vigilantes confuse Elmo with Otis in their rampage getting into trouble."Otis" is almost a masterpiece of sick dark humor, with magnificent performances of the unknown Bostin Christopher and Illeana Douglas, very well supported by the great cast. The plot makes jokes with dramatic situations and is a sort of parody of the countless movies of torture that have been recently released. Unfortunately the weak open conclusion is not satisfactory and is disappointing. For my surprise, in the Extras of the DVD, there is an excellent alternate ending called "The Birthday Party" and in accordance with the explanation of the director, this would be the original conclusion of this movie. I really did not understand why this brilliant ending was not used. My vote is six.Note: With the original "The Birthday Party Alternate Ending", my vote would be eight.Title (Brazil): "Otis, o Ninfomaníaco" ("Otis, the Nymphomaniac")
Very weak horror movie. The film is so weak that you can thing that this film is a comedy.The actors are average to weak. Production is weak but not so poor.For this reason this film deserves only a 3. But there is a surprise: I like the musics of this movie.Whitout the music this film will gain probably a 2 score. But attention, the DVD film don't have a good 5.1 sound (no good distribution in all the speakers). So the average score is 3. Not recommendation.
Dark comedy and slasher flick rolled into one. Sick humor to your delight. Otis(Bostin Christopher)is not your ordinary pizza delivery guy. Okay, he's pushing forty and living alone in the house his mother left. His brother Elmo(Kevin Pollak) comes by to downgrade his mentally challenged brother regularly. Otis is actually a sometime pizza guy; but a full-time psycho. He has a well equipped torture chamber in his basement and he has everything he needs for the prom; a baby-blue tux, corsage and a pretty blonde named Kim chained to the middle of the floor with no way out. Did I mention that Otis is a serial killer; kidnapping blonds and forcing them all to act out high school scenarios...and by all means answer to the name Kim. Otis likes to play rough at times and his playmates don't seem to last too long.Upon delivering a large with the "works" to repeat customers(the Lawson household) he is smitten with pretty Riley Lawson(Ashley Johnson), who becomes Kim #6 or is it #7? Anyway this little hottie has the smarts to escape. Riley's parents(Daniel Stern and Illeana Douglas)are told Otis' address by their beaten daughter and along with son Reed(Jared Kusnitz) this movie gets to be outrageously funny. They wait in the dark for Otis to walk in his front door. Bad time for brother Elmo to arrive. The suburban family go into maniac mode and beat the living daylights out of who they think is Otis. Down right gruesome; but pee your pants funny at the same time. Realizing their mistake...revenge is still just a pizza order away. Absolutely brilliant!Chritopher is a hoot as Otis; and you have to have sympathy for Pollak's Elmo. Also in the cast: Ellie Gerber, Tarah Paige and Jere Burns. Kudos to writers Erik Jendresen and Thomas Schnauz; and to director Tony Krantz for his choreographed violence.