The Mexican
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
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- Cast:
- Brad Pitt , Julia Roberts , James Gandolfini , J.K. Simmons , David Krumholtz , Bob Balaban , Gene Hackman
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Reviews
Although it has its amusing moments, in eneral the plot does not convince.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
By the time the dramatic fireworks start popping off, each one feels earned.
A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways. Despite having Brad Pitt, Julia Roberts, James Gandolfini and J.K Simmons 'The Mexican' is a poor excuse of a action comedy that fails to deliver what it tried to promote but also it's stars feel like their lost or something also whoever gave Gandolfini the role of a gay assassin or whatever should truly feel bad of his/her self for doing that. Overall pretty bad of a flick i must say. (0/10)
How this got such mediocre reviews is just beyond me .... it was a great story, great casting and stellar performance. The only thing might be the corny backstory of the gun itself, but even that winds up being charming ....if anyone has not seen this film all I can say is you are in for a treat
it's difficult to come up with new ways to say a movie is an incoherent, bloviating, sleep-inducing, overly-self-important, and utterly pointless mess. With 2001's The Mexican, I see only difficulty. I sat in front of the TV watching this "black comedy," hoping something, anything would happen that would make sense, would make me care about the characters or the story. The Mexican makes so little sense and is so thoroughly tedious that I wasn't even interested, well into the third reel, when Gene Hackman shows up.I have seen a lot of rotten movies in my time, and many of them were watchable despite their awfulness. The Mexican can't even get to that level of incompetence, it's that bad.
The Mexican (2001)A crazy, fun, off-the-wall, slightly indulgent spaghetti western styled would be Tarantino farce. It's great and it's lame compared to what it could have been.Brad Pitt makes it work most of all, and his half of the movie playing off of clichés of Mexican life, especially as seen through the movies, is funny and whacked. The other half of the movie features, somehow, Julia Roberts and that's the wimpy boring half of things. You sense even an attempt at some "Pulp Fiction" stuff in general, even with the dumb thugs and witty conversation, and in fact it sort of works. But not compared to Tarantino.It's fun to see what might be a whole new genre of movies developing over the last 15 years--camp excess, part comic part grotesque, and playing off of movie and storytelling clichés. Call it postmodern if you want, but it's mostly a different kind of parody than previously.One weird part of the billing of the movie is the two leads, who are together at the same time for only a few minutes in first half of the film (which gives nothing away). Later they have some screen time at once and are maybe less charismatic together than you might have expected.The director, Gore Verbinski, might have little to show for himself up to this point--but this might be watched as a turning point for him since he went on to further campy fame with the Pirates of the Caribbean movies. Not so bad.The fact is, it's a comedy (a black comedy, maybe, but not so dark in tone). Pitt is a natural for this kind of humor--notice that Tarantino picked up on this himself and so Pitt appears in "Inglourious Basterds" to great, similar effect. Here he's attractively boyish at times. Gene Hackman shows up in "The Mexican," by the way, and he's always effective. If brief.You do eventually wonder how it's all going to work its way together, the two very separate plots. The writer needs some credit for audacity but there is a longer term problem of development--taking a great idea and complicating it, making it matter, something beyond this great set of basics. You'll see how it goes, and you'll wonder how something so outrageous could actually get sluggish after awhile. And after an hour of more or less sluggish sameness you'll be frustrated.