Brotherhood of the Wolf

R 7
2002 2 hr 23 min Adventure , Horror , Action , History

In 18th century France, the Chevalier de Fronsac and his Native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.

  • Cast:
    Samuel Le Bihan , Vincent Cassel , Émilie Dequenne , Monica Bellucci , Jérémie Renier , Mark Dacascos , Jean Yanne

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Reviews

Scanialara
2002/01/11

You won't be disappointed!

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Matrixston
2002/01/12

Wow! Such a good movie.

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Linkshoch
2002/01/13

Wonderful Movie

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Nonureva
2002/01/14

Really Surprised!

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Kirpianuscus
2002/01/15

seductive cinematography, good acting, an old event as pretext for admirable fight scenes, art of ambiguity development for Monica Belucci, good job for Samuel le Bihan and a story so predictable than it becomes fascinating. at the first sight, for the fans of genre, nothing new. the story has so many well known ingredients than it is easy to not be very happy. but this is the virtue of film. to propose a trip in the atmosphere of a historical period. to propose , using different clues, a trip in the heart of modern France evolution. to suggest. and to use the myths in free manner. for give a form of parable about French Revolution and about the force of Iluminism to change the society. to remind importance of fear as social tool control and, in same measure, to present a nice love story. a film who preserves in your memory, for long time, crumbs from its admirable cinematography, cultural references, love stories and performances. so, a must see .

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Leofwine_draca
2002/01/16

This modern French epic is a strange, definitely unique amalgamation of a number of different genres: set during the French Revolution, the storyline starts off as a classic horror yarn, with peasant girls being hunted down by an unseen beast (presumably a werewolf); then things move into a mystery-thriller with plenty of conspiracy and dark shadows; finally the film reveals itself to be an action-adventure, incorporating some very visceral and exciting elements of the classic revenge story into its design. There are also plenty of moments of drama and not a little romance thrown into the mixture. The result? Well, sometimes its muddled, sometimes it doesn't feel right and sometimes the whole thing gets a little bit silly, but for the most part this is an enthralling, thrilling film with a fresh feel and an unpredictable narrative. It's also one of the most surprising and entertaining films I've seen in a long time, lacking the predictability of most modern movies, sequels or otherwise.Director Christopher Gans is obviously an accomplished technician, taking care to deliver a film with a distinctive visual style. The colour palette is exaggerated yet beautiful in equal parts; for the best example, check the splendid red costumes of the French aristocracy in comparison to the subdued, dull gloom of the haunted woodlands. Atmosphere and suspense are strong throughout, and definite care is taken with the sound editing, whether it be the ceaseless patter of the driving rainfall or the heaving atmosphere of a noisy brothel. The horror or 'attack' sequences are artfully played out, coyly refusing to reveal the identity of the creature; but when at last it is shown, the special effects do not disappoint. Gans uses some graphic violence and bloodshed sparingly, adding to the impact, so although this is not a bloodbath, it is sometimes a fairly strong film in that respect.Unfortunately by necessity I watched the dubbed version of this film. It has to be said that the dubbing (by one or two English actors, seemingly) is fairly awful, reducing the effect, so the subtitled version is the one to go for if possible. The acting, as far as can be told, is strong, especially with Samuel Le Bihan's charismatic lead. A whole host of familiar French actors fill out the supporting parts, from Vincent Cassel's almost caricaturish turn as the one-armed de Morangais to Monica Bellucci as an alluring French prostitute. The only non-European actor is B-movie martial arts specialist Mark Dacascos, who undoubtedly gives us his best performance yet as the honourable Native American companion, Mani. Dacascos also takes centre place in the numerous martial arts sequences in this film, delivering a wide array of powerful kicks and bone-breaking punches. Gans goes a little overboard with the slow-motion in the fight sequences, but they can be genuinely electrifying, and get better and better as the film progresses until some moments literally drip with death-dealing power.BROTHERHOOD OF THE WOLF: a strange film, yes, with a myriad mixing of genres which can be a little confusing, or unrealistic in places. Yet the overall impression is one of a powerful, ambitious production, created with infinite care and technical skill; I recommend it to one and all, just to see the kind of cinema the French are capable of when they feel like it.

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ma-cortes
2002/01/17

Interesting as well as exciting epic movie plenty of violent fighting , thrills , inevitable ending confrontation and resulting to be a mix selection of genres . The picture is full of tumultuous sequences with frenetic action , surprises , wolf attacks , fierce combats and groundbreaking struggles . In 18th century France, a dashing hero , the Chevalier De Fronsac (Samuel Le Bihan) and his native American friend Mani (Mark Dacascos) are sent by the King Louis XV to the Gevaudan province to investigate the killings of hundreds by a mysterious beast (based on facts about an unknown animal who killed more than one hundred people in France at the end of 18th century) , a werewolf-like creature (made by Jim Henson factory) that has been massacring villagers . As an Iroquois valiant fighting alongside white blood brother . A huge wolf-hunt produces a pile of carcasses , but the attacks continue . Meanwhile , Chevalier and Mani visit a bordello , there meet Sylvia (Monica Belucci) , in fact the only person who knew the whole truth to both sides of the story regarding the beast and she manipulated Fronsac into dreaming and nightmare . Then , Chevalier falls sin love for a mysterious courtesan (Emilie Dequenne) and they are hindered by her jealous brother , Jean Francois (Vincent Cassel) . All of them become caught up in religious , political intrigues , rampant superstition and the vested interests of local aristos . At the end The French Revolution has swept the land and The Revolution has become the Terror.This sumptuous period drama displays action-packed , Chop-Socky , thrills , swashbuckling , fast-paced and wild fighting images . It is an action-filled and violent film , being splendidly filmed by Christopher Gans . Director carries out an alchemical fusion of cinematic elements such as scary monster film , mystery , thriller , Kung-Fu and period drama . The movie was released in January 2001 and was a great success , as more than five million people saw it. Fights , attacks and exciting combats very well staged by expert Philip Kwok , the result is a strong entry for action buffs . Marvelous production design , set in 18th century France , though imbued with a 21th century sensibility . The picture was based on true events , in fact there actually was a Beast of Gévaudan which was a real wolf-like creature that prowled the Auvergne and South Dordogne regions of France during the years 1764 to 1767, killing about 100 people, often in bizarre circumstances and all the primary characters, except the Native American Mani, actually existed and lived during reign of King Louis XV. Extraordinary support cast formed by prestigious French actors such as Jérémie Renier as Thomas d'Apcher , Jean-François Stévenin as Sardis , Jacques Perrin as Thomas , Jean Yanne as Comte De Morangias Bernard Farcy as Laffont , Edith Scob as Mme De Morangias , Bernard Fresson as Mercier and Philippe Nahon as Jean Chastel . Thrilling as well as evocative musical score by Joseph LoDuca . Colorful and glamorous cinematography by Dan Laustsen . The motion picture was stunningly directed by Christophe Gans and achieved big success at European box office . Universal Pictures paid $2 million for the rights to distribute this movie in the United States, and this movie went on grossing $11.2 million in limited theatrical release in the United States, making it the second-highest-grossing French-language movie in the United States since 1980 . Its director Christophe Gans is a good French professional who has realized a few but stunning films . Gans first realized Shorts and he then decided to make movies and directed one of the three parts of Necronomicon (1994) called "The Drowned" , later on , "Crying Freeman" from the famous Japanese Manga. And finally the big budgeted horror ¨Silent Hill¨ , he is nowadays preparing a new version of "Beauty and the Beast" .

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Samiam3
2002/01/18

One could easily address Brotherhood of the Wolf a genuine example of a weird and wonderful mess. It is a hybrid mix of a sort of mythological fantasy, a monster movie, a historical drama en Français, and even and a martial arts flick, all surrounding a plot which is somewhat convoluted but very ambitious, and it works.Brotherhood of the Wolf has a fair bit of money. Like all the biggest productions of the horror genre, the monster comes in two forms. There is the full sized animatronic beast, and there is the CG version. The movie requires a close inter cutting of both. It also requires a pretty good choreographer to design the plethora of fight sequences that make up the climax. Even though I feel that a few trims could have been made here or there, there isn't a boring scene in Brotherhood of the Wolf. It is progressive rather than repetitive and it gets bigger and bolder with each chapter. One could argue that the story kind of crumbles at the climax for the purpose of adrenaline, but one could also argue that it is a good pay off for anyone who finds enough to find the first hour and a half boring. (but it's not of course)For the most part, Brotherhood of the Wolf is a rare gem of a horror film and it is certainly not worth missing,

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