The Ghoul
A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.
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- Cast:
- Tom Meeten , Alice Lowe , Paul Kaye , Rufus Jones , Dan Renton Skinner , Niamh Cusack , Geoffrey McGivern
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Reviews
Perfect cast and a good story
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
One of the most extraordinary films you will see this year. Take that as you want.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
This movie asks many questions and leaves ample time, long tedious boring pauses, for you to ponder your own responses. The type of drivel propaganda worthy of funding from surveillance apparatus and research teams. A must watch if you are studying psychology at University, otherwise give it a miss. Destined for a curated Netflix list of psychological bafflement. Yawn.
Gareth Tunley draws top-notch performances from a distinguished cast, while spinning a story about mental illness into the hunt for a double-killer. How he managed it on what is obviously a small budget I have no idea. The word here is quality, from everyone involved.Tom Meeton is a crumpled detective landed with trying to find a double-murderer. A couple have been shot in their own home, but appear to have run towards their assailant, even when shot several times? Why would they do that? Meeton's flawed detective Chris goes undercover to try and find the chief suspect. But as Chris gives a psychiatrist a cover story, only to secretly sift files in her office as he looks for leads, he starts to question his own role in the case. He professes to be an unemployed man who has no life, and when we see him marooned in a poky flat, being brought bottles of vodka by his partner/best friend it seems his cover story is being played by the book.But as his search for the killer takes him to a second doctor, it appears there may be more than one murderer in this beguiling journey into our troubled anti-hero's psyche. This is a low-budget film, but one with considerable talent behind it. The haunting soundtrack by Waen Shepherd is almost a character in its own right, and as Chris struggles to keep his own sanity he appears to be becoming the cover story he has created for the purpose of trapping the killer. Or as an inquisitive party-goer suggests, maybe he is just an ordinary lost man, and the shrinks have made him think he really is a policeman.As he draws closer to his main suspect called Coulson, his quarry turns the tables by suggesting the two shrinks, Drs Fisher and Morland are in fact the guilty parties here, and they are out to steal the mind of an unsuspecting patient as an exercise in psychological body-snatching? Is Coulson mad, or has he in fact stumbled upon the real culprit/s? There are no easy answers to this haunting mystery, but the performance by Meeton in the lead role is one that will stay with you long after the credits, while the rest of the cast never strike a false note.It would be good for once, just once, if the UK's so-called marketeers would pull their fingers out of their backsides and put some muscle into promoting a minor gem like this instead of throwing their weight behind yet another James Bond blockbuster made for $200m. Just a thought, people, just a thought. Go see it. It's well worth the effort.
PLOT SPOILER REVIEW Chris (Tom Meeten) is investigating an odd murder pretending to be a patient to get information about another patient. However the lines become blurred. Chris believes he is the patient who day dreams about being a cop. A friend blurs things about midpoint claiming Chris is really a cop and the psychologists are attempting to make him think he is a normal guy. For the audience, these lines are smartly blurred and we don't know the truth until the end....I think.The problem with the film, in spite of it being well done, is that it is slow and boring with pathetic characters all around. The film put me to sleep.Guide: F-word. No sex or nudity.
I had no idea what to expect when I put this movie in to watch. I'd heard nothing about it, found little online and had watched the trailer getting an idea of what was to come but not quite. The end result was mixed.The film begins with the investigation of a double murder in a London home where detective Chris has been called on to the case. Deciphering clues and after some assists from an old girlfriend, Chris finds that there is a connection to a psychoanalyst. He goes undercover as a patient with the woman to see if he can access more information.And that's where things begin to go a bit off kilter. As the movie progresses forward we as the viewers suddenly find that perhaps what we saw at first was not reality at all. Instead, we find that Chris may indeed be a patient of the psychoanalyst but not in an undercover capacity. Instead, perhaps the entire scenario of his being a police detective is the delusion that he as a patient is suffering from.As the story twists in that direction we learn more about Chris. We find that he suffers from a deep form of depression that is compounded with other events that take place as the film moves on. As the detective he was trying to find out information on another patient named Coulson. The two eventually meet and form a friendship. But Coulson soon begins to become agitated, telling Chris not to trust the psychoanalyst and predicting she will find a reason to send him on to another.When she does exactly that, Chris begins to wonder if Coulson is correct in his conspiracy theories concerning both the new and the old psychoanalysts. More clues come, or at least through the eyes of Chris, that make him ponder everything that is going on around him. As things he takes comfort in suddenly begin to change, he begins to wonder of the improvement he was showing was staged or if he is indeed losing his sanity. The last segment will make the viewer wonder the same about their own view of what's going on.The movie is a dark film to say the least but interesting at moments. On the whole there are some points that will feel like they drag on too long or go nowhere. Still, it at least takes chances and goes places we've most likely never gone before. It's original and there is something to be said about that. The acting is well done but the story is the centerpiece here.Arrow Video has done their usual solid job on this one offering a well done presentation. Extras include interviews with the cast and crew, the film makers commentary track, THE BARON a short film by director Gareth Tunley and the original theatrical trailer. This is not an Arrow release of a classic film but something new. It's worth taking a look at but for me I can't recommend adding it to your collection. That will depend on your own tastes.