hyped garbage

Expected more

Best movie ever!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It may take some adjusting to be able to appreciate this version of Wind in the Willows. Although now distributed by Disney on home video, the quick pacing and wild abandon of Disney's 1949 version, which was half of the film The Adventures of Ichabod and Mr. Toad, is not to be found here. Neither will you find the over-the-top absurdism of "Monty Python's Flying Circus" (1969), despite the presence of four Pythoners, including The Wind in the Willows' screenwriter, director and star, Terry Jones.On the other hand, wild abandon and Pythonesque absurdism are not completely absent, but this is usually a much more mild, subtle and deliberately-paced affair which more closely follows Kenneth Grahame's original book--except for the plot developments towards the end. Jones has made sure to retain much of the book's symbolism of ideas and phenomena such as class stratification, plus he adds some of his own with more fascistic weasels. But at the same time, he also manages to produce something family and kid-friendly.Although filled with humor, The Wind in the Willows is rarely--and rarely tries to be--laugh-out-loud funny, even though it occasionally reaches the comedic heights of Python (for example, during the courtroom scene, which features a great cameo from John Cleese). But most of the Python crew have spent the majority of their careers in an attempt to avoid being pigeonholed in that particular style--while most Python fans have experienced years of at least slight frustration at the subsequent void. Jones strikes a nice balance here, and ends up producing a very enjoyable, slightly fantastic, slightly silly romp with its own dramatic sensibilities.

I am probably one of the six people who saw this on its first theatrical run in the US. Because of a complicated and ultimately stupid legal battle between distributors involving this and other films this film got so lost that the only promotional material available to the theater I saw it in was a picture from a newspaper, which they pasted into a much too big poster holder. To add insult to injury despite getting raves from the New York papers, all of which wondered why the distributor was dumping a wonderful "children's" film, a new distributor, Disney released it on video after changing its name to tie into their amusement park ride, there by confusing those of us who saw this as the Wind in the Willows.This film is a great film. Its simply a fantastic film comedy, never mind the stupid label of children's or family film, this is just great movie making.The only people I know who are disappointed in it are people expecting a Monty Python film. Although it pretty much reunites all of the surviving Pythons only Jones and Eric Idle are in it for any length of time, Cleese has one scene as a lawyer and Palin is fleetingly seen as the sun. The film is light years from Python, despite having just a touch of Python's madness.The humor is gentle and loving and keeping both with the period and with modern tastes. The songs are wonderful. Granted the story is changed to deal with the dangers of crass commercialism, the weasels want to turn Toad Hall into a factory, but having seen several version of the story told with people in costume, this is only one of two versions that has ever worked, and this one did it in half the time of the other.This is a film that will make everyone feel good and which despite the PG rating is great for everyone.

A splendid, energetic version of one the classics of children's literature which benefits from a stellar cast of British acting talent. Aside from nearly every Python appearing to good effect, we have a touching performance from Steve Coogan as the downtrodden Mole, Anthony Sher as a hissable Chief Weasel and... well to many famous faces to mention.What makes this version stand out is the stunning costume and production design by James Acherson. This is a caricartured version of olde England, with the animals played by cartoonish humans rather than anthromorphosised animals. The sun always shines, everything is polished and colourful. There's some subtle satire about the class system going on in the background but director Jones doesn't let that get in the way. Only the factory subplot strikes a wrong note, tending to clutter up the last half of the film but not seriously. Genuinely for children of all ages.

For those looking for a Monty Python movie, forget it. But for those who have children, or love charming, sweet, enjoyable children's films, check it out. Sure it has funny moments but the movie isn't a comedy, it is a wonderful story about Mr. Toad's Wild Ride.And it IS available in the US now, I rented it at Blockbuster. It only recently came out here, I believe.