Awesome Movie

A bit overrated, but still an amazing film

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a soaper supreme that has all the makings to be overwrought and overdone. But surprise! Bette Davis and Mary Astor yank the material to the A level, and their scenes together simply crackle with tension, and subtext. It's amazing how their presence (and creative input no doubt) take what could have been maudlin, and make it something You don't want to miss! And the Tchaikovsky Piano Concerto throbbing in the background certainly doesn't hurt. Astor won a well deserved Oscar for her role and said Bette's input was a major reason why, having insisted the part be built up and polished. Just watched it again a few hours ago, and man, was it fun! Make sure you see it, and I'm not going to spoil it for you by giving away plot details!

Who could believe a film where Bette Davis brings up the baby that her husband had with another woman? This is an absolutely ridiculous idea. Anyone knows that with a real Bette Davis film with this kind of subject matter, a killing would have taken place.Mary Astor's supporting Oscar was ridiculous here. The accolade should have gone hands down to Sara Allgood for her poignant, memorable portrayal of Mrs. Morgan in "How Green Was My Valley."What do we learn from this? Make sure your divorce decree is in. Don't drink for 3 days after your wedding. Control yourself, it's later than you think.After doing such a wonderful job in Bette's memorable "Dark Victory," George Brent is out of his league in this film.What woman would hand Bette Davis a baby at picture's end? There wasn't even a gun involved.

For many fans of classic films, this is a fun favorite, mainly because of the performances of Bette Davis as Maggie and Mary Astor as Sandra. George Brent plays a playboy, Pete, who marries concert pianist Sandra, only to find out a few days later that her divorce wasn't final. Apparently (though this isn't explained) he was involved with Maggie shortly before, but she refused to marry him because he's a drunk. However, she does marry him.There's a problem, though, which is that Sandra turns up pregnant. Then Pete is missing in Brazil somewhere and is believed dead. Maggie talks Sandra into having the baby and letting her and Brent raise it, in exchange for supporting Sandra financially, and she can continue with her concert career unfettered. The two go to a cabin in Arizona where Sandra, a big drinker with other lousy habits, can be supervised.Well, it's pretty hilarious and only gets better. Davis and Astor give as good as they get to each other, with Sandra screaming that she's an artist who can't get nourishment from a lettuce leaf, and Maggie offering to make her a sandwich. And we all know what happens - Sandra is a nasty you know what and reneges big time.This is truly a wonderful movie for some reason - actors in those days were able to make you believe anything and go right along with it, and take the plight of the characters seriously. This is probably because the stories were character-driven and audiences invested in the people and therefore bought the story.Well-directed by Edmund Goulding, the performances are wonderful from the women, Davis, Astor, and Hattie McDaniel as Maggie's maid, who again proves her strong acting abilities. Brent, who made a career out of supporting these huge female stars, is good.Can't beat this one for entertainment.

An average melodrama with a powerhouse performance by Mary Astor (if you've only seen her as Marmie in 'Little Women' she's a bit different here). Bette Davis and George Brent are former lovers still on the boil, and circumstances mean that he is passed between her and Astor depending on what's happened on a particular day. Then he goes missing in a plane, there's a baby, there's a plan ... and that's about it.'The Great Lie' is a typical Warners potboiler, lengthy, not very believable, but with decent enough performances and production values. In the 1940s there were a lot of love triangles in the movies and a lot about the sanctity of marriage and the importance of children; this film is no exception. The husband may be a bit colourless, but the ladies he is involved with more than make up for that, although it is hardly Davis' best performance.