The Worst Film Ever

Simply A Masterpiece

Good story, Not enough for a whole film

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

I have nothing against films with little dialogue or a slow pace. I do, however, have a problem with films that are boring. I barely got past the 15 minute mark before stopping. I'll give this movie credit for its visuals, for the most part its a nice-looking movie. Other than that the story clearly takes way too much time to start. The beginning at least spends too much time meandering and hoping that the occasional upbeat tune and unnecessary dissolving zoom will keep the audience entertained when we know nothing about the world or its characters.

As soon as I finished watching this, I knew it had become my third favorite movie of all time. The characters are very cute, and I especially grew attached to them because they were cats. The animation and effects can be underwhelming but at the same time impressive for a 1985 anime.Giovanni is an anthropomorphic kitten who tackles a lot of responsibility since his mother is sick and his father is away, and to make his trouble harder, he is bullied at school. He has a friend called Campanella. I find it unfortunate that the friendship between Giovanni and Campanella isn't expressed very much. Campanella does do a "favor" for Giovanni at the beginning of the movie. (Giovanni didn't answer the teacher's question, and so Campanella didn't answer it either so that Giovanni doesn't seem stupid). But Campanella spends time with the cats who bully Giovanni and he doesn't seem to have any interest in spending time with Giovanni.After a seemingly ordinary introduction, the movie becomes a surreal and dreamlike adventure through mystical worlds of imagination. A galaxy train appears while Giovanni is resting on a hill and perhaps he is dreaming in some way. While he is on the train, Campanella slowly appears out of thin air and starts saying some mysterious things. Giovanni doesn't seem very bewildered considering what is going on. He asks questions but Campanella doesn't answer directly. The two of them ride the train together and sometimes other passengers appear / disappear.One of the passengers, a bird-catcher, has a sack of herons. When he opens the sack, the herons seem to be flat. When he takes a heron out, he pulls it leg off but it's not as morbid as it sounds. He gives a piece of the leg to both Giovanni and Campanella and it turns out the heron is candy. The scene where it shows the cat catching birds is really beautiful. It seems cruel at first, since the herons seem alive, but in your mind you know they're candy in some kind of way. When they land on the ground, they seem to dissolve.The scenery that the train crosses is full of magic and wonder. There's a place where magpies land in the trees and turn into apples, and a place where there's nothing but a cross in a weird blue sea of light. Many passengers appear out of nowhere apparently praying to the cross. Yes, there are Christian themes in this movie but that's one of the things that makes the movie so special. The movie revolves around heaven and that there are many different heavens, so I think including the Christian heaven was a good idea.A human passenger and the children he is guarding arrive. I think one of my favorite parts of the movie is when he talks about how he and the children died on a ship that crashed into an iceberg and sank. He talks about how he tried to decide what to do for the children as the ship was sinking... it really touched my heart for some reason. He is obviously a Christian since he mentions God and it makes me wonder, are Giovanni and Campanella Christians? They don't pray to the cross like the other passengers did when they passed it, and they didn't get off at the Christian heaven that the man and the two children get off at. Of course, this is just an idealistic movie, but there are many questions you can ask and it's interesting to think about the movie and come up with your own answers.Soon Giovanni and Campanella are the only two passengers on the train. Giovanni talks about how they'll always be together, and Campanella seems sad. He tears up but Giovanni doesn't seem to notice. Then it's time for Campanella to go to "his" heaven, where he says his mother is waiting. He leaves Giovanni without saying much else besides goodbye, and he doesn't seem to be sad as he leaves poor Giovanni alone and crying. I think the music it plays during this scene is very unfitting. It seems like happy or action music; I think it would be a lot better if they put sad music or even no music all so it doesn't disrupt viewers from reflecting these events in their mind.In the real world, Campanella has drowned. It's a pretty devastating ending but Giovanni says he knows Campanella is out there and that they will always be together... even though he's in his own heaven far far away. Will Giovanni enter that heaven too when he dies? I'm not sure if it's implied in the movie.Anyway, this is a wonderful movie. It manages to have death, heaven, and religion as themes while being about two cute colorful kittens. It's beautiful and creative, opens up your imagination, and touches your heart. It's also depressing.If you're after comedy or action, this movie isn't for you. But if you don't mind a long, deep, sentimental film with an upsetting ending and some religious references, you need to watch this movie. It's a masterpiece.

I'm usually pretty conservative when it comes to dishing out stars, but this is one of the few films to which I would give ten without hesitation. The original story (by Japanese children's author Kenji Miyazawa) is a masterpiece in itself, but Sugii's screen interpretation is nothing short of amazing. Some of the best scenes are the quietest, such as when the protagonist is setting type in the printer's shop, or when he goes to the dairy to get milk and finds only an old woman there. Thought-provoking and moving, this is one I pull off my shelf and watch every couple of years.

Beautiful at times, but sick at heart. Watch it for the graphics and sometimes-aura, not for the Christian death-cult sentiments and moralizing, unless you want to have a view into the psychology of some of the Japanese/Christians.