Thanks for the memories!

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

As others have noted its a fairly old, and at the time bold little conspiracy idea. Don't watch it with a jaded eye. I saw it when it came out. It's not masterful but its clever and solid. If you are a wanna be mili film critic then it may be lost on you

"Every morning when I get up, I thank God for drugs and murder and subversion." That is the best line in the entire movie and I thank Steve Skafte of Nova Scotia for including it in his review. Kurtwood Smith is, for me the highlight of this otherwise, "OK" movie.But first, a couple of the review titles are kind of give-a-ways to the story's end. I'm glad I didn't look at this page or the review until AFTER seeing the movie.With that said, I wasn't overly impressed. I've never thought Kris Kristofferson was a great actor, nor a great singer, but he's a better actor than a singer. Not a popular opinion on either count, but that's where I stand. He's "OK" in this movie, so is Treat Williams. Slightly better than "OK", he's actually GOOD. I'll end it there as for the acting. No wait, Kevin Conway was a little too stereotypical of the tough boss. Terrific actor, but come on, had he toned it down just a bit, it would have been a very nice job, not just...."OK".One of my biggest gripes however is how all these Border Patrol Agents can be listening to the radio and yet still miss that two of their own are dead. Sorry, but if the Sheriff and the creepy secret police guys got wind, it HAD to go over the radio at some point. Pre-Cell Phone era, right? Real life would have seen every agent in the area swarm down on the barn, even if told not to. And yet, no matter what, people seem to hear selectively and no one is phased by all the insanity going on around them. No one seems to notice ANYTHING unusual except our heroes.I know, I know, it's just a movie, calm down. But a movie is supposed to pull you in, make you want to believe what you're seeing is real, even if only for the length of the movie. This didn't for me. It was just a bit borderline DUMB, slight pun intended.And lastly, though I have no association with the Border Patrol, I felt insulted on their behalf by a few lines here and there that essentially made the Border Patrol seem like a meaningless, nothing agency full of malcontents and people with no where else to go. That is a fine agency that deserves a bit more respect than the movie gave it, no a LOT more respect."The Border" with Jack Nicholson really only made a few of the Agents look bad, and since bad people can end up on ANY job, that was fine (even though Nicholson's character was essentially a good guy doing a bad thing)but "Flashpoint" insulted the agency a bit. At least I felt it did.But that's not why I find the movie only "OK". I just wasn't impressed on the whole and yet, I watched it from start to finish and walked away satisfied....that it was on HBO and I didn't pay any extra money to watch it. That's the best way to see an a movie that just, "OK"!

I remember well watching Flashpoint on HBO in the summer 1984. It was a really good movie then, and remains one of my favorites today. This was one of the earliest filmmaking partnerships the fledgling cable movie network attempted. The success of Flashpoint, and a handful of others, eventually evolved into one of the most innovative film production companies in modern cinema. While Flashpoint played in a handful of theaters in a few major markets, it was always intended for the small screen (that's what we called TV when a 27-inch CRT was considered big). I'm quite sure a 16:9 version does not even exist. Based on the modestly successful novel by George LaFountaine, the film strays from the original story in many respects. As one might expect, the book is significantly longer, with a vastly more complicated plot. The characters of Logan and Wiatt are reversed in terms of their backgrounds and personalities. Desert Rat "Amarillo" and Sheriff Wells factor more thickly into the tale, and the Feds are even more ruthless - but the twist and payoff are the same. Overall, director William Tannen's treatment is well done. It is clearly a modest budget film, I suspect the lion's share was spent on the drug bust scene and Kristofferson's contract. In case you didn't know, Kris was a hot property in the 80s, and commanded steep appearance fees. Treat Williams was a virtual unknown, as was Kurtwood Smith (later to gain fame as the father in "That 70s Show"). Rip Torn and Roberts Blossom are their usual brilliant, crusty, lovable selves. Tess Harper and Jean Smart both have limited roles, but provide a love interest for our protagonists, and additional visual appeal beyond the stunning panorama of the West Texas border country. What really keeps this film rolling is the outstanding score by Tangerine Dream. It is alternately compelling and ominous in all the right places. The music is clearly 80s instrumentation, but has a timeless quality that keeps it fresh, even today. The curious choice of a poorly written and awkwardly performed Kristofferson ballad over the closing titles is the only flaw in the soundtrack; but again, that most likely resulted from over excitement at landing such a hot star for such a modest film.If you're looking for a cinematic masterpiece, this isn't it. But if you enjoy a well-crafted mystery that brushes lightly against one of the pivotal points of the 20th century, Flashpoint is 90 minutes well spent.

Bobby Logan (Kris Kristofferson) and Ernie Wyatt (Treat Williams) are Texas border officers working in the area of San Antonio. They both are threatened of loosing their jobs due to the utilization of a type of underground radars to locate illegal immigrants from Mexico. One day, Bobby finds a buried 1962 jeep, with a skeleton, a rifle and a wallet with US$ 800,000.00 (in 1984 – it was lots of money) in bills of 1962 and 1963 and shares this discover with his pal Ernie. These findings will jeopardize their lives, and this situation will long until the last scene of this suspenseful movie. A great thriller and adventure, that has traces of `The X-Files', with a mystery and conspiracy in the government without a conclusive end. Further, this movie is extremely enhanced by the music of Tangerine Dream. My vote is seven.