The Crimson Permanent Assurance

PG 7.8
1983 0 hr 16 min Adventure , Fantasy , Comedy

A group of down-and-out accountants mutiny against their bosses and sail their office building onto the high seas in search of a pirate's life.

  • Cast:
    Andrew Bicknell , Matt Frewer , John Scott Martin

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Reviews

Diagonaldi
1983/03/31

Very well executed

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Lucybespro
1983/04/01

It is a performances centric movie

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BallWubba
1983/04/02

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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Loui Blair
1983/04/03

It's a feast for the eyes. But what really makes this dramedy work is the acting.

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Horst in Translation ([email protected])
1983/04/04

Almost ten years before "The Crimson Permanent Assurance", Terry Gilliam began his career directing another short film named "Miracle of Flight". Here he returns to the genre, though no animation, but live action instead. This effort managed a BAFTA-nomination for Best Short film, but came up short against a film named "Goodie-Two-Shoes", which has pretty much vanished into oblivion by now.But not so The Crimson Permanent Assurance. It deals with an office full of elderly workers. Everybody seems to be working as fast as they can without enjoying it, almost like galley slaves. When one of the bunch is fired by the foreman, the situation escalates. His colleagues rise to the occasion and take over. As they turn the building into a pirate-ship they start sailing the seas and we get to accompany them on their journey which includes among other things, entering and taking over an enemy company. It's a good film that profits a lot from a truly smart idea and the good execution of it. It's certainly one of Gilliam's best works and a must-see for every Monty Python enthusiast. I wouldn't say it's 17 minutes that flew by second to none, but all in all it's still a recommendable final result.

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TBJCSKCNRRQTreviews
1983/04/05

The short film that directly precedes The Meaning of Life by Monty Python(meaning, it runs directly before the rest of the film starts), this was put together by Terry Gilliam, the masterful director among the team, and the man behind both Twelve Monkeys and the animations that the team include in the Flying Circus television series. I have to admit that this is my least favorite of all of the full production, but it can't be claimed that this is not well-done. Direction is top-notch, and the whole thing runs very smoothly. Acting fits well. Production values are all of very high quality. The music and score is great, and this even gets a Monty Python song, and a good one at that. Cinematography and editing(save for just a few obvious cuts for effects) are rather good. This hardly features the Monty Python people(on-screen) at all, save for a few cameos. It's got a run-time of 16 minutes or so, if you count the credits. The pacing is marvelous. It doesn't overstay its welcome, nor does it end before it should. It has the utter madness and bizarre humor that most things Python do, coupled with that of Gilliam himself. The ending itself is typically Monty Python, and a fitting end. I recommend this to any fan of Gilliam and Monty Python, but do give the rest of The Meaning of Life your time and attention, too... I personally think it's worth it. 7/10

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Tom Murray
1983/04/06

The Crimson Permanent Assurance is, to me, one of the high points of Monty Python and His Flying Circus. It was created in conjunction with the film The Meaning of Life but was created by Terry Gilliam in a separate studio. He went way over budget without informing the others and when it was finished, they wondered what to do with it; it did not fit in with the rest of the movie. They decided to include it as if it were a separate short to be shown before the feature. The short was so well received at the Cannes Film Festival that The Meaning of Life was guaranteed to be a success.The short was originally intended to be a five-minute animated short but Gilliam felt that it would be more suited to live action. It became a 30 minute film and was then edited to 16 minutes. The film is a wonderful, highly imaginative, funny, anti-capitalist fantasy, with a very nice song.It begins by showing what appears to be a ship's sails, which turn out actually to be canvasses that are covering the face of a large old building that is being cleaned. The original impression, however, turns out to be the reality. The Crimson Permanent Assurance Company is a very British company that has been in existence for a long, long time. Its staff loyalty has left it with a geriatric staff, who have worked there all their lives. The company has been purchased by The Very Big Corporation of America, which brings in efficiency experts to rank the staff. When a staff member is fired for being slow, rebellion erupts. Evidently, this moment has been anticipated, because everybody seems to know exactly what to do: how to use office equipment as weapons, the chain of command, that the building is able to sail off on the "Wide Accountant-sea", etc. Since the charm of the movie is its element of surprise, I will say no more (nudge, nudge, wink, wink).One question remains: is The Crimson Permanent Assurance a separate short film or an integral part of the feature film The Meaning of Life? The answer is, "Yes!"For more information, see http://en.wikipedia.org/wiki/The_Crimson_Permanent_Assurance

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keuhkokala
1983/04/07

This short movie was originally just one sketch in Monty Python's Meaning of Life (in the Part Middle Age, I think) and was to be done by Terry Gilliam by his famous animation style. Gilliam, however had directed his first movies by then (Jabberwocky and Time Bandits) and was somewhat bored with animation. So, thankfully he got to do this one live-action with his own actors, own budget and own will. So it became the only Python budget to go over the budget and the sketch bloated from five minutes into fifteen. So, the movie didn't fit into the center of the movie, so it was made as a "starter" to the feature movie. The Pythons themselves surprisingly do not feature all in this short. Only Michael Palin and Terry Gilliam can be seen as window cleaners and Eric Idle's voice can be heard when the pirates are singing Accountancy Shanty. This is only good, because the short makes you really confused, whether you have gone to a wrong movie. The best thing about this short is that it's so visually great. Every time I see it, I'll find something new. And the connections between accountancy and piracy are hilarious. Using filing cabinets as cannons and so on are very funny inventions. Every Gilliam fan will love it, but if you hate not only Gilliam, but do not like Python either, then avoid. 8/10

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