Merbabies

NR 6.2
1938 0 hr 9 min Animation

Walt Disney enlisted former colleagues Hugh Harman and Rudy Ising to help create this underwater Silly Symphony. Ocean waves form merbabies who are summoned to an aquatic circus playground on the sea floor, where they interact with a parade of seahorses, starfish and other marine life, before disappearing into the surface from which they came.

  • Cast:
    Pinto Colvig , George Magrill , Marcellite Garner

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Reviews

Noutions
1938/12/09

Good movie, but best of all time? Hardly . . .

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Maidexpl
1938/12/10

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

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Allison Davies
1938/12/11

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Candida
1938/12/12

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Michael_Elliott
1938/12/13

Merbabies (1938) *** (out of 4) This animated short was actually released by Disney but it was produced by Hugh Harmon and Rudolf Ising. Both men had previously worked at Disney but when Walt needed help finishing SNOW WHITE AND THE SEVEN DWARFS this film was bought from them and released. The plot, well, there really isn't much plot but it deals with the title characters, baby mermaids, and their underwater adventures. The "adventures" aren't much either but what makes this film work isn't the plot but instead it's the wonderful and very well-detailed animation. There are some terrific footage underwater and I must admit that the look at the merbabies were rather cute and adorable.

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TheLittleSongbird
1938/12/14

Merbabies was a truly enchanting short. The animation is stunning, with beautiful underwater backgrounds, and fluid movements, and the music was a delight to the ears and was strongly reminiscent of a Tchaikovsky ballet score. And it was a delight hearing Gossec's Gavotte.The characters, especially the adorable Merbabies, were completely likable and there are some truly entertaining bits, like the part when the seahorse tries to get through the hoop. I will admit, Merbabies is thin in terms of story, and I was saddened when the Merbabies turned to sea foam at the end.Still, it is very beautiful, and I would definitely watch it again. 9/10 Bethany Cox

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tavm
1938/12/15

My main interest in watching this Walt Disney Silly Symphony was in my knowledge that Hugh Harmon and Rudolf Ising-former Disney animators-were the actual producers of this cartoon but went to their former employer because their M-G-M contract had recently run out. Disney himself was looking for some extra facilities for his Snow White and the Seven Dwarfs (which was released about a year before this short) so Harmon-Ising lent them some of theirs. The result was another of H-I's cutesy endeavors without much of a plot and little actual humor but as always beautiful animation. Besides the title characters, there's a circus-parade of various sea creatures performing with the whale providing the climax. Like I said, not very funny but if you love seeing good animation, Merbabies is worth a look.

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Ron Oliver
1938/12/16

A Walt Disney SILLY SYMPHONY Cartoon Short.The MERBABIES are frolicking beneath the salt waves - swimming & playing with various sea creatures. An elaborate underwater circus parade & performances fill much of their day, culminating in a rise to the surface in the expelled breath of a whale at sunset.While the plot is virtually invisible in this little film, there's much to fill the eye as the colorful images cavort about the screen. The real significance of this cartoon is that it gave the folks in Disney Animation some excellent experience in working with the particular aspects of underwater scenes (bubble movement, light & shadow) which would be so important in the under seas sequence in PINOCCHIO.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

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