SERIOUSLY. This is what the crap Hollywood still puts out?

Good start, but then it gets ruined

an ambitious but ultimately ineffective debut endeavor.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A notorious bank robber joins a traveling caravan of Mormons, takes a shine to a little girl, and helps them face life on the plains, especially with attacking Indians and a bandit he betrays who vows revenge.Bascomb (the irascible Wallace Beery) isn't all that bad. All he needs are cute little spelling contests with a little girl and the affections of an aging widow to look after his appetite. Margaret O'Brien, of course, is the cute little girl who enjoys spelling out words in conversation, while Marjorie Main is her cantankerous grandmother who dominates Beery's every minute after he promises to take care of them in the caravan. Beery wants to find the gold hidden somewhere in the caravan with the intention of robbing it, but changes his mind after becoming close with the group. This upsets his rough and tough partner (J. Carroll Naish).Beery brings sweetness to his gruff role, a true acting feat considering his off-screen treatment of the child stars he worked with. The spelling out of words between Beery and O'Brien adds to the fun and brings some additional dimension to their relationship, although there is not as much comedy as a pairing of this nature (along with Main who is both a delightful comic and a touching serious actress) should have. There's a great scene between Beery, Main and tough-but-nurturing Connie Gilchrist in a moment where Gilchrist gives Beery her husband's old jacket and Main steps in to prevent any hanky panky. There's also a great camp fire sing-along in which pivotal plot points are taking place in the background. The problem with the film is its over-length. There is a scene that is quite disturbing where Beery must verbally assault O'Brien to get her away from his plotting with Naish, but the tender moments between the two afterwords makes up for it.

Bad Bascomb is a bad man. A very bad man. So is his sidekick, Bart Yancy. They are remorseless in all of their criminal activities, including the heartless murder of an elderly scout for a Mormon wagon train headed west. Hunted men, they take cover in the wagon train to avoid capture. While undercover, "Bad" Bascomb's heart is stolen by pure love and trust from an 8 year old girl who l-o-v-e-s him without reservation and in spite of his coarseness and even cruelty. The transformation is amazing to watch. Beery and O'Brien steal every scene and leave you anxious for their next one. Their banter is at times hilarious yet still remains poignant. I understand the criticism of some of the action sequences. They seem hurried if not careless. The scene of the wagon train crossing the river, however, is excellent. This is a low budget programmer so I refuse to criticize a lot of the technical short comings. As is true of most of these low budget films, this one is elevated by the performances of unmatched character actors like Marjorie Maine, J. Carroll Naish, and Sarah Haden. In the end though, Wallace Beery and Margaret O'Brien will steal your heart forever.

By all accounts, Wallace Beery was a coarse and miserable A-hole off camera. It's no surprise the man lacked refinement, just look at him, but I hope he wasn't quite the jerk biographers have painted him since his death in 1949. I've always enjoyed watching Wallace Beery movies, if his personality was something less than desirable in real life you'd never know it from many of his films, where the man is just simply...lovable. And if it was only that way on screen, then that's all that really matters I guess. Beery played a persona that made him a good living, and he always delivered the goods once the cameras rolled.In Bad Bascomb, Beery is hilarious. He spits as many mouthfuls of funny dialogue as he spits his food. He also shows himself to have been a far better actor than he's remembered for as he emotes menace, sweetness, redemption and morosity with his craggy mug as good as any actor of his day. I defy anyone to dislike Beery in this film.The movie itself is at times unbalanced...moves between a children's film and a more conventional western, with all its back shooting nastiness, a little unseamlessly. But it was all shot outdoors on location and as Wagon Train movies go, this one has a fairly authentic look to it.Maybe not a great western, but it's great fun to watch Beery and Margaret O'Brien play off each other. The kind of sweetness reminiscent of Edmund Gwenn and Natalie Wood in Miracle in the 34th Street. One of Beery's must see roles. Well worth your time if you come across it on TCM.

Bad Bascomb is a true Western Classic. Wallace Beery was a great actor of his time; although there are other movies of his that my family and I liked, this one is the best.Marjorie Main & Margaret O'Brien are also a great asset to this film. I am sorry to say this movie is not shown on TV very often and is not available on VHS/DVD; hopefully in the near future.For all of you Wallace Beery fans, I am happy to report, I was e-mailed the other day from Turner Classic Movies, that this movie will be shown on TCM on Thursday, December 13th, at 6:00 pm ET; so have a new tape ready for this GREAT movie.Thank You for your time!! JAL