This Movie Can Only Be Described With One Word.

This is How Movies Should Be Made

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Surprisingly tense account of allied forces operating behind enemy lines in WWII France, infiltrating enemy strongholds and generally destabilising the occupation in collaboration with resistance fighters. Canadian Robert Beatty and Scot Gordon Jackson are the principals protagonists, teaming up with Simone Signoret in an elaborate game of cross and double cross, evading the Germans while they attempt to rescue one of their own.Great cast with Jack Warner as the convivial commando (belying his autumn age), while Jackson and Beatty are the more intense agents, the former engaging in a rather unlikely romance with Signoret's character, herself a highly capable spy and willing to pull the trigger as required. Burly JRJ is the puppet master overseeing the covert operations, while Paul Dupuis has a memorable role as a turncoat doing everything he can to aid and abet the allied rearguard.There's two or three very memorable moments in this film, and a relative surfeit of violence for its late-forties vintage - the Signoret-Warner scene is quite brutal and unexpected. Good use of sets and exteriors, and while there's a few clichés, I found it quite an addictive film that holds the attention pretty well.

This seminal British war film has been "hommaged" a thousand times in the last sixty years from "Charlotte Gray" to "'Allo,'Allo !" via Where Eagles Dare" but despite countless copies and lampoons it has retained its power .Fast paced and seeming shorter than its 92 minutes,"Against The Wind" is shot in crisp black and white by Lionel Banes . From the opening sequence depicting priest Mr R.Beatty walking into the Imperial Institute a number of beautiful interior shots seamlessly meld into the introduction of the undoubted star of the piece Miss Simone Signoret.It is she on whom the camera lingers for just that extra second.She takes Mr Beatty to the office of S.O.E. boss Mr J.R. Justice.Slimmer and more hirsute he is still a nascent Sir Lancelot Spratt,outwardly irascible,inwardly compassionate. He briefs Beatty on his plan to parachute a group of saboteurs into occupied Belgium.As the story progresses we are introduced to the other members of the team as they go through their training. Miss Signoret has recently had tragedy in her personal life and wants to go into action to make amends.Forbidden from doing so by Mr Justice who rightly questions her motives ,she is drinking heavily in a nearby pub when she is joined by Mr J.Warner,one of the group in training. This is a key scene in the film and Miss Signoret is extraordinary in it as the camera closes in on her face and we see anger and determination turn to despair.Mr Warner,too often dismissed as a lightweight,is first class in support here. However she eventually gets her wish and joins Mr Warner and his comrades on their mission. Just as they take off Warner is revealed as a traitor but it is too late to call them back and it is not until they are hiding up with the Resistance that Miss Signoret as wireless operator gets the message that he is a spy.Without any hesitation she shoots him dead as he shaves at the sink. Briefed to bust an important S.O.E. operative from jail the team snatch him from a train in a brilliantly handled sequence that has been often imitated but never bettered. There is a splendid vehicle chase through narrow streets congested with cattle,beer drays and a religious procession.This last has been particularly well cut in Eisenstein fashion without being an obvious copy. Perennial TV favourites Mr J.Slater and Mr G.Jackson make a strong impression in smaller roles but it is Miss Signoret's strength and beauty that commands the attention. "Against the wind " is a film that deserves to be better - known. Indeed you may think you have seen it before,but you probably haven't. But I can guarantee you a lot of other film directors have.

Despite the usual budgetary restrictions, this manages to convey a sense of the danger and great sacrifice made by these brave people who fought for our freedom. Charles Crichton brings out the human story rather than the all-action tale of some movies. Scenes with John Slater visiting his wife seems slightly corny now, but then must have seemed so close to events (just 3 years after the end of WW2). And the outcome later makes it all the more poignant. I thought a movie like this would be good to show in schools, as a part of history lesson. I love all those character actors they were part of my childhood, and they were such real actors and people. (Take note Arnold, et al) And I still haven't got over Jack Warner's Max (our own Dixon of Dock green) who would have adam 'n' eved it!

In 1943 a miscellaneous group of women and men of several nationalities prepare in London to be parachuted into Belgium. They are to lead sabotage operations against the occupying German forces. A government office is destroyed, a traitor is discovered, one of their number is captured and rescued, several of them die, two fall in love.This is a classic British WWII adventure, exploiting the potential for romance of the Special Operations Executive, notwithstanding its marginal affect on the conduct of the war. The acting is good, with Simone Signoret very beautiful and suitably soulful, Gordon Jackson playing a characteristically shaky personality and Robert Beatty in a fine, solid role as the saboteur-priest. James Robertson-Justice, of course, plays himself, as always. The plot is a disappointment. The story line does not appear clearly until the second half of the film, after a series of scenes in which the members of the team are assembled and there is a series of half-hearted attempts to establish their backgrounds and motivation. The amateurishness reinforces a certain stereotype of the British people and the lamentable lack of security awareness makes one cringe. Despite the drawbacks, this film is well done and a pleasure to watch.