It's no definitive masterpiece but it's damn close.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Exactly the movie you think it is, but not the movie you want it to be.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Peter Yates' "Run of the Country" (1995) is a pretty obscure picture and only available on VHS. I was able to secure a brand-new copy recently for only 25 cents. But maybe it's not so obscure since a poster for it can be seen at a cinema in a 1995 episode of Seinfeld, "The Pool Guy" (season 7, episode 8).THE PLOT: Near the border of Northern Ireland an 18 year-old named Danny (Matt Keeslar) leaves home after the death of his mother due to serious friction with his gruff father (Albert Finney), a local cop. Danny moves in with his free-spirited friend, Cocoa (Anthony Brophy), and learns the ropes of manhood, including an intimate relationship with a girl across the border, Annagh (Victoria Smurfit). When crises strike he finally comes to understand his... (watch the film and find out).Shot in the Redhills, County Cavan, area of Ireland, near the border, "Run of the Country" is a realistic coming-of-age drama. The acting is great across the board, especially Finney as the father and Brophy as Danny's wild friend. Simply put, this is quality drama with laughs, romance, conflict, action and gorgeous photography of rural Ireland.GRADE: B

"The Run of the Country" fulfills the early-to-mid-20th Century rural mannerism of class, character, and personal struggle after a series of dashed hopes during a passage of life. Disney's old hero worship lingers well in this flick, which in turns hits that image with reality. How a young man becomes a man happens in many ways and this film portrays the farm lad derivative. Boy lives a sad reality, boy thinks he has found solace from sad reality, sad reality returns the rebuff, boy returns to sad reality, and boy pursues new venture despite the sting of sad reality.I liked the mode and standing of the storyline to this film, reading like an old novel one would read from the archives or see in a soap opera drama/adventure. I watched the film like I would any paperback-novel-turned-film but when Victoria Smurfit popped up, I took better notice because I had the sensual hot spot for her since "Ballykissangel" when she replaced my previous interest Dervla Kerwin. The unsung natural beauty was the right filler for Annagh...and call me a pervert for this but to finally see Victoria Smurfit nude after imagining it from only two provocative scenes from "Ballykissangel" fulfilled an old dream, the fulfillment of which gave me reason to pursue viewing the rest of the movie. Much like "Little House on the Prairie" was in the 70's, this Irish variation of a "Little House" 2-part episode is specifically meant for those with the soft heart for country life and times, good and bad, with the specter of then-modern Ireland working into the fabric of the story.

This film was made 5 miles away from where I live (when I'm at home in Ireland) and indeed some parts were filmed in my hometown. I have to say that it is a disappointment, and a slur on Albert Finney's good name. Apart from one or two hot spots, the border is probably the most peaceable part of N.I. Another thing about the film I disliked was that for large portions, the only thing to show that this wasn't set in the 50s was the gardà car. SPOILER ******** And I have never in my life heard of someone being tarred and feathered in this reason - it hasn't happened in the last 50 years at least. No one likes being portrayed as ignorant yokels, and thats all this film does.

This is both a coming-of-age movie and a fine picture of how the border between the Irish Republic and the Six Counties, and the ancient animosities of the place, become part of the landscape. There are no green plastic derbies or fuzzy pipecleaner shamrocks in this funny, touching and gritty portrait of a family, a young couple and a nation each torn in two. Finney's police officer is a man who believes in the system even when it clearly doesn't work, not an unknown type on that island, while the quirky, iconoclastic young farmer who takes our lad in hand shows much better than "Sins of the Father" how clever young men with good hearts find places a better world would keep them out of. As for the romance, well, watch the movie. It's very much well worth it. But it's a real world you'll find here, not "Finian's Rainbow," so don't expect to walk away with a cheerful Irish song on your lips.