Love Letter
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
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- Cast：
- Masayuki Mori , Yoshiko Kuga , Jūkichi Uno , Chieko Seki , Shizue Natsukawa , Kyōko Anzai , Yumi Takano
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Reviews
Good movie but grossly overrated
Did you people see the same film I saw?
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
You rarely expect an actor, no matter how great, to simply ease into the director's chair, especially not in her debut. The thing that struck me the most is how daring she is in regard to composition and style. This does not feel Japanese! In fact it moves almost like an early piece from the French New Wave. The strict composition of formality and form is nowhere to be seen. Instead of calculated and rigid Tanaka places the camera slightly to the side or slightly higher than Mizoguchi, Kinoshita (who wrote the scrips), Ozu, Naruse, Ichikawa and any of the other masters of cinema in 1950s Japan. The camera moves, a lot, especially on the streets, giving you the feeling of true cinema verité - thought is also clear that this is not an experiment, nor consistently forced, only used when it's natural for the story.Breaking with the traditions of Japanese cinema does however fit perfectly with the movie itself, where it's characters also break away from the traditions, morals and standards of old. We follow Masayuki Mori, a broken returned soldier barely scraping by while supported by his younger brother. He has a longing. Upon meeting an old friend he gets into a business he had not thought likely - writing "love letters" to American GIs from their mistresses, often several GIs per woman (many of whom are also prostitutes). One day the woman he has been longing for and searching for comes in for the exact same purpose. Though described as a melodrama, and yes the label may to an extent fit, Tanaka takes the harsh issues straight on and elevates it with her almost unbelievable prowess. What a natural!
