Emily
Evocative of the Roaring Twenties, "Emily" (Aka "The Awakening of Emily") is an erotic coming-of-age film featuring meticulous period detail and music. The sharp class distinctions of British society are blurred by the universal nature of sexual desire.
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- Cast:
- Koo Stark , Sarah Brackett , Victor Spinetti , Constantine Gregory , Richard Oldfield , Jeremy Child , Jeannie Collings
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Reviews
the audience applauded
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
The film makes a home in your brain and the only cure is to see it again.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
If watching this for a great storyline, acting, writing, or character development, your definitely not watching for the right reasons. It's an el cheapo sex film, nothing more, nothing less. Of course, it's famous for the shower scene with Koo Stark and Ina Skiver. Much has been said by posters here about Koo Stark, but what about Ina Skivner. She had a fine, smooth figure, free of the the tattoos and hardware that seen in the "After Hours" stuff on Showtime and it's On Demand feature in digital cable. Remember, this movie was made just as the exercise boom was getting off the ground. Also, I liked the way Agustine smiled when Emily called for the massage. You get the impression that maybe she asked Emily to pose in a manner that a crick in the neck would occur.
This is kind of a British version of "Emmanuelle", which means it is quite a bit tamer, but every bit as stupid, as the Continental films. For no real reason (other than a sorry attempt at classiness), it is set in the 1920's "Flapper" era. It is basically about a young girl who returns home from boarding to school to discover that her widowed mother, her mother's friends, and even her timid maid are all (gasp!) sexually active. She plots to lose her own virginity, first to a brash young pilot, but ultimately to a bisexual female painter and her husband, and. . .well, that's about it.The principal asset(with emphasis on the first three letters of the word)of this film is the beautiful Koo Stark, who would have been the Ducchess of York if not for the scandal surrounding her appearance in films like this. Stark is not much more talented than Sylvia Kristel, Laura Gemser, et. al., but she is at least halfway believable as a naive virgin. She also might (with big emphasis on "might")be one of the few European actresses of the era whose full-frontal nude scenes are worth the pain of sitting through this kind of pretentious Euro-tripe. Recommended for all the drooling sex fiends out there if no one else.
It has been many years since I've seen this film, but what I remember is that is deals with Emily's sexual awakening to womanhood. I would recommend seeing the uncensored version since the video I saw trimmed off most of the steamier scenes. The shower scene between Emily (Koo Stark) and Augustine (Ina Skriver) is beautiful and sensual and makes up for the film's shortcomings.
An attempt at some semblance of soft-core porn that is neither enticing, nor the least bit interesting. It's the kind of movie a 12 year old watches at three a.m. only to see a pair of breasts, then to be disappointed when they don't see enough of them and the result is about 10 minutes of nudity and about 1 hour and 15 minutes of useless dialogue.