Me Without You
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
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- Cast:
- Anna Friel , Michelle Williams , Oliver Milburn , Trudie Styler , Marianne Denicourt , Steve John Shepherd , Allan Corduner
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Reviews
Awesome Movie
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Me Without You is a charming movie with considerable depth. It explores the pathology of long-term friendships, when people grow apart, and one of the friends is forced to become the giver, peacemaker, bearer of burdens caused by conflict and divergent ideals.Friel and Williams are compelling as two friends who, even as children, had little in common. As they become adults their differences turn into jealously, suspicion, and inevitable confrontation. Their lives completely entwined by the time they realize that their differences are often unbearable irritants, the two eventually reach a kind of strained truce.The story is a distinctly female one; men are far less likely to have such long-term or intimate friendships, and not at all likely to remain friends with someone after betrayals and unrestrained confrontation. However, this should not stop men from viewing the film. It is full of insight about women, relationships, and family dynamics. And if none of that interests you, it offers some great depictions of the 1970's and 80's (the club scenes and wardrobe from the university years, are nice contrasts to American depictions of the New Wave era).
I caught this on the movie channel last week and thought it would be a nice change. Although the music brought some nostalgic moments for me, especially the opening "Snowy White Horses", I found the story rather depressing. A lot was predictable and the destructive nature of Marina and the nasty way she thwarted Holly's potential relationship with Nat was hardly the actions of a best friend. THe acting was competent, but the story was substandard. WHile I understand the contrast drawn between the two families, I fail to understand why Holly's mother had to be portrayed as so pathetic - either she was a strong Jewish woman with no need to pander to modernity (her clothing was dreadful)and who valued ability over looks, or she was just inanely jealous of her more sparkling (but very nouveau riche) neighbours. Those houses were definitely 'des-res' in any decade. 5/10
A real look at women with depth and foibles sustaining a friendship- Why is this so rarely done? The details are succinct and amazing. This is what real people look like and act like- when they're tired, confused, angry, jealous etc., etc. No glossing. By showing the 'bones' of the characters' neuroses the evolution of the people themselves and their friendship becomes complex and satisfying. And,hey, the period details are fabulous- I was right back there with them wearing tarty, tatty club clothes and listening to Adam Ant with fake pirates. Loved this movie.
I'm a middle-aged white man, not a teen chick, and yet I must confess to having felt that this was a fine bit of work from so many POVs- and an entertaining package for their efforts.Yes, there were times when it was too clear that the actresses were improvising their lines for a scene- but I could forgive it! There were far more instances where the lines were so spontaneously delivered that their candor felt just right, honesty beyond reproach.The young women were excellent in their craft and sincerity. The screenplay was very believable, intelligent and did not pander- even if it tried too hard to include too much turmoil. The dialogue was delicious. The direction was tentative in its lack of assurance (some moments that the cast ought to have been reined in rather than indulged) but mostly, the direction shows solid instinct and craft.Finally, the cinematography is very fine. The framing and tracking show the viewer a smoothly handsome progress of scene and plot - without any trendy or self-conscious technical digression. Thank you, my friend, for your refusal to drown us in camera-shake!All in all, I feel this was a fine project lovingly rendered by a sincere and generously talented team. As for their slight lack of self-confidence, it leads me to expect greater pleasure from their next work. This lot will not be undone by complacent ennui!