The Worst Film Ever

Memorable, crazy movie

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

On I love Lucy, Ricky wouldn't let Lucy be in the show. In this film version of a fairly successful Broadway show, husband Bob Hope doesn't want wife Lucy to write for the stage. You see, he's that villain of the theater called the critic, an umpire with a pen instead of a mask, and equally able to tell the playwright, director and actors that they are out. The film opens with Hope and Ball at a Broadway opening where he gives the play thumbs down and criticizes leading lady Marilyn Maxwell who happens to be his first wife and the mother of their caustic son. When Lucy decides that she's going to become a playwright, hubby Hope offers her no hope by trying to talk her out of it, criticizing her play after its been optioned for Broadway. Hope gets a few good digs in at the profession of theater critic, appropriately obnoxious and seemingly eager to destroy the dreams of everybody who ever picked up a pen and wrote, 'A play by..."This doesn't just spoof the theatre, but takes a look at modern marriages where a woman desired a career and faced objections by her chauvinistic husband. Fine supporting parts played by Jessie Royce Landis as Lucy's mother, Rip Torn as her producer and Ricky Kessum as Hope's son, with smaller roles featuring Jim Backus, Richard Deacon and John Dehner. This is a pretty good adult comedy that doesn't fully reflect how Broadway works, but any film that pays tribute to the footlights of the theater deserves credit for honoring a medium it often betrayed.

This movie has possibly the lowest entertainment value/star power ratio I've ever seen. Bob Hope and Lucille Ball, two of the 20th century's greatest comedy geniuses. Plus the legendary Jim Backus, Rip Torn, and a surprise uncredited cameo from a television comedy icon of the 1950's and 1960's who has a brief part as a hotel clerk. You almost have to give the writing, directing, and production team credit for taking a cast this spectacularly talented, and making them so dull and unfunny.A major problem is the casting. The lovable Bob Hope as a mean-spirited, psychologically abusive husband? Lucille Ball as a mousy, milquetoast-ish wife who mostly takes the abuse her pathetic husband dishes out? The real life Lucille Ball would have kicked Bob Hope's character to the curb after the first 30 seconds -- and we all would have cheered!But another major problem is that everyone seems to be sleepwalking through their parts. You would expect Jim Backus and Rip Torn to breathe a little life into their characters, but quite untypically, they seem to be phoning in their lines and waiting for their paychecks. Although I am quite impressed with Rip Torn's ability to do handstands in his younger days.If you are a fan of any of these stars, they ALL have done better films. I'd suggest checking those out first.

Mention the name Lucille Ball, and what comes to mind for most of us is the zany character in the long-running 1950s TV comedy show, "I Love Lucy." But, I wonder if Lucy started out with a wish to be a comedienne, or if she had her eyes on any other fields of stage or screen. Comedy was part of her early roles, but she also had roles in which she sang and danced ("Dance, Girl, Dance" of 1940). And there can be no doubt about her acting ability from such dramatic and suspense films as "Valley of the Sun" and "The Big Street" in 1942; or "The Dark Corner" in 1946; or "Lured" in 1947. On the other hand, there's little doubt about Bob Hope's aspirations. From his earliest days in vaudeville, Hope was a comedian, and he would always be a comedian. For all his kidding aside about earning as Oscar, Bob knew that he had little chance because Oscar very rarely went to a comedian. He even made his overt desire for an Oscar a part of his long- running comedy routines, and it was sure to get a laugh decade after decade That doesn't mean that Bob Hope didn't do some very funny movies. But his type of humor wasn't the subtle, clever or zany type that usually involved great or very good acting. Clark Gable, James Stewart, Carole Lombard and Claudette Colbert were some of the very accomplished dramatic actors who could do Oscar-winning caliber comedy in movies. Bob's comedy forte was the one-liner. Or, make that, a string of one- liners, one after the other. And in that, he often aroused some great laughter. So, that brings us to this movie, "Critic's Choice." This film is meant to be a semi-serious movie about Broadway and a critic's life, with a comedic outlook. And Lucy plays a serious character, a "straight man" to Bob's wisecracks and one-liners. I think it was intended as a light comedy to begin with, sans any zaniness on Lucy's part. The very funny parts are in the last half with Bob. He has some zany scenes himself, and a few strings of one-liners that bring out loud laughter. Some examples are: "This is the drunkenest room I've ever been in." "This apartment's all uphill." And, "I'd just like to be there when we get where I'm going." "Critic's Choice" is a nice film for an evening of light entertainment, and worth watching just to see two of the great comics of all time together.

I saw the video in the library and the box advertising certainly made the movie sound good, as well as the all-star cast listed. But on bringing it home and watching it, neither my mother or I cared for it or bothered to see it to the end. There were hardly any laughs and the whole thing was basically unappealing.Perhaps the play it was based on was much better. But theater critic Parker was simply a mean-spirited and unlikable man, destroying theater productions by his bad reviews, being obnoxious to family and friends, sneering at his wife's creative efforts, yet expecting people to like him anyway. He also attaches too much importance to his job, saying he would lose his self-respect if he didn't review things as he did. If Lucille Ball, who played his wife, acted as she did in her other roles, she would have reacted far more strongly to him. This is one of the dullest performances of her career.