Touches You

Thanks for the memories!

Best movie of this year hands down!

Blistering performances.

Languid look at the Gullah culture of the sea islands off the coast of South Carolina and Georgia where African folk-ways were maintained well into the 20th Century and was one of the last bastions of these mores in America. Set in 1902.Allegedly, this is the first feature film directed by an African-American woman distributed theatrically in the United States. That, in and of itself, makes it culturally important. But more so, I have to say I was not really aware of the Gullah people or that there are islands off the coast of South Carolina. I guess maybe I should know that from pirate lore or something, but it's so foreign to a Midwesterner.Anyway, this is an interesting look at that culture. And even though it may be fictional, I believe it captures the right feeling, or at least close enough to get those who are interested to look into it more.

Most of the other comments have described what I loved about the film. It's one of my all-time favorites. I may have had an advantage - having just returned from a year in Jamaica when I first saw the film - the language was understandable to me without the subtitles most of the time. I have to say - I don't understand the folks that didn't get it. This film spoke to something deep inside me...something that perhaps all women share, whatever their background or color. Yes, it deepens ones understanding of a particular time and of a particular culture...but for me it goes way beyond that. I can only say, if you haven't seen it, rent it - decide for yourself. You'll thank me :).

I'll start by saying that I usually like non-linear movies, and that I'm interested in African-American history and the Gullah people. That said, this movie was one of the all-time worst I have ever seen. There's no plot, no character development, and no way to determine what the relationships between most of the characters are. It's as if you were dropped from the sky into the midst of this somewhat unsympathetic bunch of women (the men are ciphers, no personalities at all, merely an afterthought), and during the time you are there they don't speak to you and reveal nothing about themselves. The Gullah dialect is almost impossible to understand, and there are no subtitles. Yeah, the cinematography is nice, but save yourself a couple bucks and watch a PBS show. It's obvious that the ONLY reason many people are so entranced by this film is that it was the first independent film by an African-American woman.

"Daughters of the Dust" isn't an easy work, but it's a very fine accomplishment, and one of the most important African American films of the last 20 years. Julie Dash has chosen to share with her audience a chapter of black history that is still new to most white Americans, the internal issues that came with Black Americans as they made their way North in the years between 1900 and 1920. The separation from the soil, the divorce from those remnants of West African culture that survived through the holocaust of slavery. The psychic tearing of the transition from rural to urban culture. The skin game that Yellow Mary and other "fair skinned" Black people had to play in order to survive in White America. If the film is boring to many, let it be plainly said that it is boring for many because the film maker courageously chose to examine a piece of history that most White Americans- and many Black ones- no longer care much about. If you want to be entertained, this isn't a film you'll enjoy. "Daughters of the Dust" offers instead an opportunity to probe deep, to look close at the dreamy quality of an internal life, and a balanced relationship with the earth, that most of our peoples in the United States have chosen to leave behind them for exactly the wrong reasons. Let those who have difficulty thinking about these things stick to action films. "Daughters of the Dust" is about something more akin to the sense of wonder that's being rapidly stamped out of many of us in the name of mom, apple pie, and the gross national product. It is worth not one, but many viewings. Julie Dash has created a masterpiece of American cinema.