Pretty Good

Excellent but underrated film

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

One of the better Inner Sanctum Mysteries, THE FROZEN GHOST is directed by Harold Young and stars Lon Chaney Jr. A famous radio hypnotist Alex Gregor (Chaney) is guilt ridden after an audience member dies accidentally during a broadcast. Gregor "The Great" is so despondent he breaks off his engagement to his assistant Maura (Evelyn Ankers) and refuses to perform again. His business manager George Keane (Milburn Stone) gets him a small job with a wax museum. A mentally unstable sculptor Rudi (Martin Kosleck) becomes jealous of Alex and the attention he gets from the museum's owner Valarie Monet (Tala Birell) and her niece Nina (Elena Verdugo). When Mme. Monet disappears, Gregor desperately walks away and Rudi castes suspicion. Miss Maura appears to champion her former love. Douglass Dumbrille rounds out the cast as Inspector Brant.

From 1943 through 1945, Universal Studios made a string of six movies that starred Lon Chaney, Jr. that were all termed "The Inner Sanctum". Many of the actors were seen in several of the films, though Chaney managed to play the lead in all of them. The stories were B-films--with small budgets and running at just over 60 minutes each. In many ways, they were similar to the later "Alfred Hitchcock Presents" TV series. In addition, Columbia Pictures apparently thought there was money in the concept and brought out The Whistler series just a year after the first Inner Sanctum film. Like the other series, the same actor was supposed to star in the films and they all had different stories about murder and mayhem. Of the two series, I think the Inner Sanctum ones were just a bit better and part of this was because Chaney was excellent in the films.Chaney plays a stage mentalist who apparently accidentally killed an audience member using his psychic powers. Since Chaney is such a nice guy, he can't live with himself and gives up the stage. Oddly, he is offered a job working in a wax museum and things seem okay, until yet another person dies--seemingly from Chaney's power.THE FROZEN GHOST is a fun movie to watch, though I'll also admit that the plot was a bit silly and there were a lot of plot holes. At times, characters behave irrationally due to poor writing and plot is incredibly convoluted and tough to believe. However, for lovers of the genre, it's still well worth a look.

"The Frozen Ghost" might just be the quintessential wacky 1940s B-movie mystery, packed with enough plot to fill any six films, and uncertain of which of those six films it really wants to be. While it may not be the most serious of the "Inner Sanctum" series of low-low-budget thrillers made by Unversal between 1943 and 1945, it is likely the most entertaining. Part murder mystery, part wax museum horror film, part romance, "The Frozen Ghost" gallops along at a nonsensical pace and features a rich group of actors, all of whom are peculiarly cast. Leading the pack is Lon Chaney, who tried to escape the heavy Wolf Man and Mummy makeup with this series, and who does a pretty good job as a stage hypnotist tormented by the thought that he might have killed someone during his act. This might be Chaney's best stab at a leading man role, though it is undermined by the fact that every single female character in the film, from age 16 to 40, falls madly in love with him at sight, much in the way Roger Moore's version of James Bond was a walking aphrodisiac. While Chaney was a passable leading man, ascribing this rampant sex appeal to him is as fantastical as brain transplants. Douglas Dumbrille, a smooth British actor given to silky villains, plays the tough American detective, and Martin Kosleck, usually cast as a cold as ice Nazi, here appears as a road-company Peter Lorre lunatic. And Milburn Stone -- "Doc" on "Gunsmoke" -- shows up as Chaney's harried agent. But don't even worry about the caprices of the casting or plotting. Just sit back, try to keep up with it, and enjoy the kind of anything-goes film-making that doesn't exist anymore.

In spite of its meaningless title, this is one of the better "Inner Sanctums" - though still not exactly a good film. Lon Chaney Jr. is at his most Larry Talbot-like here as a hypnotist constantly bemoaning his fate (thinking he may have killed a drunken and skeptical member of the audience by sheer will-power!). In fact, the opening hypnotism sequence features some unusually odd angles - which is then ruined by the stereotypical (and unfunny) intrusion of Arthur Hoyt as the drunk!! The plot then contrives to incorporate the well-worn wax museum theme, which results in the establishment of an adequate atmosphere throughout the film (not to mention utilizing its furnace for the effective climax). Besides, it's aided immensely by the presence of Martin Kosleck as the unhinged museum 'curator' (with a secret medical past) and Douglass Dumbrille as the wily investigating detective with a fondness for quoting Shakespeare (there's a section of wax figures devoted to characters from the Bard's work). Once again, the star finds himself in a tug-of-war between three females - Evelyn Ankers (playing the good girl this time, as Chaney's assistant/fiancée), Tala Birell (as the jealous and ageing museum owner) and Elena Verdugo (as Birell's ingénue niece, also desired by Kosleck).