Blade Runner 2049

R 8
2017 2 hr 44 min Drama , Science Fiction

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

  • Cast:
    Ryan Gosling , Harrison Ford , Sylvia Hoeks , Ana de Armas , Mackenzie Davis , Jared Leto , Robin Wright

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Reviews

Hellen
2017/10/06

I like the storyline of this show,it attract me so much

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CheerupSilver
2017/10/07

Very Cool!!!

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StyleSk8r
2017/10/08

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Allison Davies
2017/10/09

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Tejas Nair
2017/10/10

Denis Villeneuve's Blade Runner 2049 is an equally dull and boring yet visually appealing sibling of the 1982 Ridley Scott film, both of which basically have the same plot, same setting, and even the same characters to some extent, and which can only be completed watching with a struggle unless you doze off somewhere in the 31st minute, or if I want to sound pretentious like the film looks, the 49th minute. TN.

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elmokokekamina
2017/10/11

One can say that maybe this film closer to Dick's tale than the first. If you delete all the scenes and dialogs related with the bots uprising, It's like a screenplay done by a psychotic writer with two personalities, one is a man who likes dark stories about humanity, ethics and sentiments, other is wrote by a personality dominated by a producer wanabe that wants a blockbuster. Hard job for the director to join that two personalities in a good looking and half of the time interesting movie, with characters acting divided into boring and interesting depending on the storyline told.One story is deep and inspiring, yet sad and desolating, the other is just another rise of the robots nonsense that could be a great action success. I Hope that one day the director does two final cuts, one with the sad story and one with the action movie. They could be very good movies, but together they lack sense, a real pity.

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Páiric O'Corráin
2017/10/12

Blade Runner 2049: Flying cars, lots of flying cars. Flying in formation; crashing through windows; crash-landing after being shot with an Emp enabled harpoon; involved in dogfights; sinking in the sea; providing an arena for fights to the death. Yes! The Flying Cars are here! If anything we have an even darker, gloomier setting for this sequel. There are snowstorms in LA, there are sandstorms. Traditional farming has largely collapsed, replaced by Synthetic Farms introduced by the Great Saviour Nilander Wallace (Jared Leto) who has also acquired the remains of Tyrell Corporation.The film opens with Blade Runner K (Ryan Gosling) tracking down a replicant on a farm, a Nexus 8 model which has an open ended life span. The replicant has been hiding out there for 30 years. As he terminates the farmer we learn that K is himself a replicant. A new, obedient model which is subjected to regular loyalty tests. K faces prejudice from other police officers, at home he has a holographic wife, Joi (Ana de Armas). He also encounters a pleasure replicant, Mariette (MacKenzie Davis).The remains of another long dead replicant are located on the farm and they point to a biological mystery which causes K's boss (Robin Wright) to send him on a quest. This will takes him from LA to a largely abandoned and ruinous San Diego and from there to a radioactive Las Vegas where her encounters Rick Deckard (Harrison Ford) and engages in a fistfight with him as holograms of Elvis and Liberace perform in the background. But Wallace's killer replicant Luv (Sylvia Hoeks) is on a similar quest.An SF thriller which lives up to the magic of the original but leaves some question tantalisingly unanswered. 9/10.

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ianajjames
2017/10/13

Never has a film looked so good only to have very little actually happen on screen. A definitive example of style over substance

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